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    Politics of Study

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    Ettore Sottsass and the Poetry of Things

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    Space, Hope and Brutalism

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    Parting It Out. Writings on Graphic Design

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    In Place

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    Motion and Representation. The Language of Human Movement

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    Designer im Dritten Reich. Gute Formen sind eine Frage der…

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    Die verschiedenen Modi der Existenz

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    Rethinking Gamification

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    Die Errettung des Schönen

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    Für einen konstituierenden Prozess in Europa. Demokratische…

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    Chatter. Architecture Talks Back

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    The Roundabout Revolutions. Critical Spatial Practice 6

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    Haus Ideal-The Making of: Von der Idee zur Idee.…

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    Vienna Biennale 2015. Ideas for Change

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    Typology: Paris, Delhi, São Paulo, Athens. Review No. III

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    Window Shopping Through the Iron Curtain

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    Neue Räume der Freiheit

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    das prinzip coop: Hannes Meyer und die Idee einer…

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    Black Mountain. Ein interdisziplinäres Experiment 1933 -1957

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    Co-op Interieur (Wohnungsfrage)

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    Presets – Digital Shortcuts to Sound

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    Art in the Periphery of the Center

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    Das wachsende Haus (Wohnungsfrage)

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    Italomodern. Architektur in Oberitalien 1946-1976

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    Gleisdreieck / Parklife Berlin

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    Urban Commons. Moving Beyond State and Market

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    The Architect as Worker

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    Making Room. Cultural Production in Occupied Spaces

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    Kopfgeburten. Architekturreportagen aus der Volksrepublik…

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    When the Word Becomes Flesh. Language and Human Nature

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    dea ex machina

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    Theater of Exhibitions

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    Bookspace. Collected Essays on Libraries

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    To Our Friends

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    City of Exiles. Berlin from the outside in

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    Design for the Good Society. Utrecht Manifest 2005 - 2015

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    Architecture Without Content

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    A Geology of Media

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    See this Sound. Audiovisuology. Compendium and Essays

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    Why Density? - Debunking the Myth of the Cubic Watermelon

The First Days of Berlin. The Sound of Change

Berlin in the early 1990s, right after the fall of the Berlin Wall: this is the place to be. Berlin-Mitte, the central district of the city, with its wastelands and decaying houses, has become the centre of a new movement. Artists, musicians, squatters, club owners, DJs and ravers are reclaiming the old city centre and bringing it back to life. This interregnum between two systems - the collapse of the old East Germany, the gentrification of the new Berlin - lasts only a few years. West Berliners, East Berliners and new residents from abroad join together to create music, art and fashion, to open bars and clubs and galleries, even if only for a few weeks. In the months following the fall of the Wall, there is a feeling of new beginnings and immense possibilities: life is now, and to be in the here and now feels endless. The phrase 'temporary autonomous zone' is circulating, it describes the idea - romantic and naive but, in the circumstances, not absurd - that, at a certain moment in history, you can actually do whatever you want.
 
Ulrich Gutmair moved to West Berlin as a student in autumn 1989: two weeks later the Wall came down. He spent the next few years studying during the day in the West and exploring the squats, bars and techno clubs in the East at night. He fell in love with House and Techno and raved at Tresor, Elektro, Bunker and many other places that in the meantime have almost disappeared from collective memory. Ten years later he decided to write a book about that period in between, when one regime was brought down and a new one wasn't yet established. When utopia was actually a place to inhabit for a moment.


Ulrich Gutmair
The First Days of Berlin. The Sound of Change
Polity Press, 2021, 9781509547302