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  • Alice Grahame, Taran Wilkhu

    Walters Way and Segal Close: The Architect Walter Segal and…

  • Isabelle Stengers

    In Catastrophic Times. Resisting the Coming Barbarism

  • Wim Nijenhuis

    The Riddle of the Real City or the Dark Knowledge of…

  • Svetlana Boym

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  • Franco 'Bifo' Berardi

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    Volksbühne am Rosa-Luxemburg-Platz 1992-2017

  • Iñaki Ábalos

    The good life: A guided visit to the houses of modernity

  • Stephen J. Phillips

    Elastic Architecture: Frederick Kiesler and Design Research…

  • Marie-Luise Angerer

    Affektökologie. Intensive Milieus und zufällige Begegnungen

  • Harmony Korine

    Devils and Babies

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    Everyday Urban Design 2. Überqueren, Unterqueren,…

  • Sebastian Bührig

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  • R. Bittner, A. Reese, K. Szymczak

    Desk in Exile. A Bauhaus Object Traversing Different…

  • McKenzie Wark

    General Intellects. Twenty-Five Thinkers for the Twenty-…

  • Noah Regenass, Markus Ritter (Hg.)

    Lucius Burckhardt. Landschaftstheoretische Aquarelle und…

  • Cosey Fanni Tutti

    Art Sex Music

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    Five Ways to Make Architecture Political. An Introduction…

  • Parasite 2.0

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    Adolf Loos on Trial

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    Reactivate Athens

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    The Word for World is Still Forest

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  • Hannah Black, Juliana Huxtable

    Life. A Novel

  • Robert Barry

    The Music of the Future

  • Clare Lyster

    Learning from Logistics. How Networks Change our Cities

  • Aaron Betsky

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  • Sönke Gau

    Institutionskritik als Methode. Hegemonie und Kritik im…

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  • Alain Badiou/Pierre Bourdieu/Judith…

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  • Annette Michelson

    On the Eve of the Future. Selected Writings on Film

  • James Voorhies

    Beyond Objecthood. The Exhibition as a Critical Form since…

  • Alexander Vasudevan

    The Autonomous City: A History of Urban Squatting

  • Kris Paulsen

    Here/There. Telepresence, Touch, and Art at the Interface

  • Gerd de Bruyn

    Theorie der modernen Architektur. Programmatische Texte

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    Cultural Revolution: Aesthetic Practice after Autonomy

  • Martin Herbert

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    Taut baut: Geschichten zur Architektur von Max Taut

  • Maria Hlavajova, Simon Sheikh (Eds.)

    Former West: Art and the Contemporary after 1989

  • Jane Rendell

    The Architecture of Psychoanalysis. Spaces of Transition

  • Sissi Tax

    the looks, not the books (allaphbed '19)

  • Arnt Cobbers

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  • Mercedes Bunz, Birgit M. Kaiser,…

    Symptoms of the Planetary Condition: A Critical Vocabulary

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    Spacescapes Dance & Drawing

  • Marcus Verhagen

    Flows and Counterflows. Globalisation in Contemporary Art

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    Modernism in Scandinavia: Art, Architecture and Design

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  • Erik Kessels

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    Expanded Architecture. Temporal Spatial Practices

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  • Yuk Hui

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  • Eva Birkenstock (Hg.)

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  • Katherine Behar (Ed.)

    Object-Oriented Feminism

  • Gavin Butt, Kodwo Eshun, Mark Fisher (…

    Post-Punk. Then and Now

  • Hilary Sample

    Maintenance Architecture

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    Machine Art in the Twentieth Century

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    The Practice of Modernism: Modern Architects and Urban…

  • Peggy Deamer, Martin Reinhold

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    Seeing Things. Collected Writing on Art, Craft and Design

  • Gabriele Köster, Michael Stöneberg

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  • Armen Avanessian

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    Adaptive Reuse. Extending the Lives of Buildings

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    SMAQ. Giraffes, Telegraphs, and Hero of Alexandria. Urban…

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    Counterpreservation. Architectural Decay in Berlin Since…

  • Jennie Gottschalk

    Experimental Music Since 1970

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    IDEA 376. Graphic Designers and Exhibitions

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Gone Tomorrow. The Hidden Life of Garbage

Eat a take-out meal, buy a pair of shoes, or read a newspaper, and you’re soon faced with a bewildering amount of garbage. The United States is the planet’s number-one producer of trash. Each American throws out 4.5 pounds daily. But garbage is also a global problem; the Pacific Ocean is today six times more abundant with plastic waste than zooplankton. How did we end up with this much rubbish, and where does it all go? Journalist and filmmaker Heather Rogers answers these questions by taking readers on a grisly, oddly fascinating tour through the underworld of garbage.
Said to “read like a thriller” (Library Journal), Gone Tomorrow excavates the history of rubbish handling from the 1800s to the present, pinpointing the roots of today’s waste-addicted society. With a “lively authorial voice” (New York Press), Rogers draws connections between modern industrial production, consumer culture, and our throwaway lifestyle. She also investigates controversial topics like the politics of recycling and the export of trash to poor countries, while offering a potent argument for change.
America leads the world in garbage, and that is nothing to be proud of. A clear-thinking and peppery writer, Rogers presents a galvanizing expose of how we became the planet's trash monsters. Americans were ingeniously thrifty until industrialization ushered in consumer culture and the age of disposable goods and built-in obsolescence. But once the public was exhorted to buy stuff whether they needed it or not--and Rogers provides many eye-opening examples of corporate strategies and propaganda - new forms of garbage began to pile up and break down into toxic substances. Rogers details everything that is wrong with today's wasteful packaging, bogus recycling, and flawed landfills and incinerators. Here, too, is the inside story of the plastic revolution and the irresponsibly wasteful beverage market, the Mafia's involvement in commercial waste, and the illegal overseas shipping of garbage, especially toxic e-waste - trashed computers and cell phones. Rogers exhibits black-belt precision in her assault on American corporations that succeed in "greenwashing" the public while remaining "hell-bent on ever-expanding production no matter what the ecological toll."


Heather Rogers
Gone Tomorrow. The Hidden Life of Garbage
New Press , 2006, 978-1565848795