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  • Frank B. Wilderson III

    Afropessimismus

  • Andreas Malm

    Der Fortschritt dieses Sturms

  • Kike España

    Die sanfte Stadt

  • Henk Slager (Ed.)

    The Postresearch Condition

  • IKE Institut Konstruktives Entwerfen,…

    Bauteile wiederverwenden. Ein Kompendium zum zirkulären…

  • Manuela Zechner

    Commoning Care & Collective Power. Childcare Commons…

  • W.v. Acker, T. Mical

    Architecture & Ugliness: Anti-Aesthetics and the Ugly…

  • Duncan Bell, Bernardo Zacka (Eds.)

    Political Theory and Architecture

  • Saikaku Toyokawa

    Yoyogi National Gymnasium And Kenzo Tange

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    Curating Digital Art: From Presenting and Collecting…

  • Margherita Palli (Ed.)

    Dizionario Teatrale, Theater Dictionary, Theater Wörterbuch…

  • Ruben Pater

    Caps Lock - How Capitalism Took Hold Of Graphic Design, And…

  • Massimiliano Mollona

    Art/Commons. Anthropology beyond Capitalism

  • Dimitra Kondylatou, David Bergé (Eds.)

    (Forced) Movement. Across the Aegean Archipelago

  • Markus Gabriel

    Die Macht der Kunst

  • Anselm Franke, Kerstin Stakemeier (Eds.)

    Illiberal Arts

  • Peter Eingartner

    Autobilder. Bleistiftzeichungen von Automobilen im gebauten…

  • Luis Berríos-Negrón

    Breathtaking Greenhouse Parastructures

  • IDEA Magazine

    IDEA 395. Designing the Digital World: Game Experience and…

  • Matthias Sauerbruch, Louisa Hutton (Hg)

    The Turn of the Century. A Reader about Architecture within…

  • Stefano Harney, Fred Moten

    All Incomplete

  • Sabine Hark

    Gemeinschaft der Ungewählten. Umrisse eines politischen…

  • Brad Haylock, Megan Patty (Eds.)

    Art Writing in Crisis

  • Kim Nguyen, Jeanne Gerrity (Eds.)

    Why Are They So Afraid of the Lotus?

  • Shumon Basar, Douglas Coupland, Hans…

    The Extreme Self. Age of You

  • Paul B. Preciado

    Can the Monster Speak? Report to an Academy of…

  • Will McLean, Pete Silver

    Environmental Design Sourcebook. Innovative Ideas for a…

  • Walter D. Mignolo

    The Politics of Decolonial Investigations

  • Rita Gesquière (Hg)

    Degeyter - Architect

  • Daniel Decker

    Not Available. Platten, die nicht erschienen sind

  • Gascia Ouzounian

    Stereophonica. Sound and Space in Science, Technology, and…

  • Sou Fujimoto

    Futurospektive Architektur

  • François Bonnet, Bartolomé Sanson (eds.)

    Spectres 2. Résonances / Resonances

  • Frances Scott

    Incantation, Wendy

  • Gabi Dolff-Bonekämper

    Der Streitwert der Denkmale. Berliner Texte

  • Simone Bogner, Sylvia Butenschön, Jurek…

    Denkmalwelten und Erbediskurse

  • Jack Halberstam

    Trans*Positionen zu Geschlecht und Architektur

  • Jan Knikker

    How to Win Work. The Architect's Guide to Business…

  • Felix Richter

    Das Neue Hoyerswerda. Ideenhaushalt, Aufbau und Diskurs der…

  • Peter Mörtenböck, Helge Mooshammer (Hg)

    Platform Urbanism and its discontents.

  • Ashley Paine, Susan Holden, John…

    Valuing Architecture: Heritage and the Economics of Culture…

  • Dimitra Kondylatou, David Bergé (Eds.)

    The Architect is Absent. Approaching the Cycladic Holiday…

  • Matthew Fuller, Eyal Weizman

    Investigative Aesthetics. Conflicts and Commons in the…

  • Laura Raicovich

    Culture Strike. Art and Museums in an Age of Protest

  • Alison B. Powell

    Undoing Optimization. Civic Action in Smart Cities

  • Paul Pethick

    Power of Play. How play and its games shape life

  • Angélil, Biechteler, Dietz, Käferstein…

    Building for Architecture Education. Architekturpädagogiken…

  • 72 Hour Urban Action

    Die Gefühletaktik | The Love Tactic

  • Isabelle Doucet, Janina Gosseye (Hg.)

    Activism at Home. Architects dwelling between politics,…

  • Donatella Di Cesare

    Philosophie der Migration

  • Legacy Russell

    Glitch Feminismus. Ein Manifest

  • Vinciane Despret

    Was würden Tiere sagen, würden wir die richtigen Fragen…

  • Calla Henkel

    Other People's Clothes

  • Philipp Sarasin

    1977. Eine kurze Geschichte der Gegenwart

  • Patricia Bickers

    The Ends of Art Criticism

  • Michel Egger

    Image Generation

  • Katharina Hoppe, Thomas Lemke

    Neue Materialismen zur Einführung

  • Zachary Horton

    The Cosmic Zoom. Scale, Knowledge, and Mediation

  • Ciara Cremin

    The Future is Feminine. Capitalism and the Masculine…

  • Kate Crawford

    Atlas of AI. Power, Politics, and the Planetary Costs of…

  • N. Reynolds, M. McCormick

    No Fixed Points: Dance in the Twentieth Century

  • Design Studio for Social Intervention

    Ideas Arrangements Effects: Systems Design and Social…

  • Inke Arns, Marie Lechner (Hg)

    Computer Grrrls. HMKV Ausstellungsmagazin 2021/1

  • Claude Lévi-Strauss

    Strukturale Anthropologie Zero

  • Noam Chomsky, Robert Pollin

    Die Klimakrise und der Global Green New Deal. Die…

  • Amy Cimini, Bill Dietz (eds)

    Maryanne Amacher: Selected Writings and Interviews

  • Hélène Cixous (Wolfgang Hottner Hg.)

    Die meineidige Stadt oder das Erwachen der Erinyen

  • Harriet Harriss, Rory Hyde, Roberta…

    Architects After Architecture. Alternative Pathways for…

  • Jan Silberberger (Ed.)

    Against and For Method. Revisiting Architectural Design as…

  • Christine Eyene

    Sounds Like Her. Gender, Sound Art & Sonic Cultures

  • Judith Lochhead, Eduardo Mendieta,…

    Sound and Affect. Voice, Music, World

  • Tobias Michnik und Leander Nowack

    Übergangsräume. Die Bushaltestellen auf der Berliner…

  • Annett Busch, Tobias Hering (Eds.)

    Tell It to the Stones. Encounters with the Films of Danièle…

  • Boris Groys

    Logic of the Collection

  • Daniela Zyman (Ed.)

    Oceans Rising. A Companion to “Territorial Agency: Oceans…

  • Peter Sutherland

    Colorado

  • Elias Guenoun

    198 Wood Joints

  • Alison J. Clarke

    Victor Papanek. Designer for the Real World

  • Philipp P. Metzger

    Wohnkonzerne enteignen! Wie Deutsche Wohnen & Co ein…

  • Elizabeth Ezra

    The Cinema of Things. Globalization and the Posthuman Object

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    Natural Enemies of Books. A Messy History of Women in…

  • Sascha Roesler

    Weltkonstruktion. Eine Globalgeschichte der…

  • Owen Hatherley

    Clean Living under Difficult Circumstances. Finding a Home…

  • Benjamin Bratton

    The Revenge of the Real. Politics for a Post-Pandemic World

  • Gisela Notz

    Genossenschaften. Geschichte, Aktualität und Renaissance

  • Lorenz Engell

    Das Schaltbild. Philosophie des Fernsehens

  • Rafal Niemojewski

    Biennials: The Exhibitions We Love to Hate

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    On and Around Architecture. Ten conversations. Sergison…

  • Jens Balzer

    High Energy. Die Achtziger - das pulsierende Jahrzehnt

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    Architektinnen・BDA

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    Design in Dialogue. 51N4E, endeavour, Denkstatt

  • J. Wangel, E. Fauré

    Beyond Efficiency. Speculative design for living in the…

  • Michael Erlhoff

    Im Schatten von Design. Zur dunklen Seite der Gestaltung

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    NERD - New Experimental Research in Design 2

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    Nightswimming. Discotheques from the 1960s to the Present

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    Party Studies Vol. 1: Home Gatherings, Flat Events, Festive…

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    Harun Farocki. Unregelmäßig, nicht regellos. Texte 1986–2000

  • Barnabas Calder

    Architecture. From Prehistory to Climate Emergency

The Hacienda. How Not to Run a Club

Eine Achterbahnfahrt durch Erfolg, Geld, Verwirung und wahren Glauben - dies sind die verrückten und und spannenden Erinnerungen von Robert Hook, dem Mitbegründer der Bands Joy Division und New Order, an die Ära des Manchester Hacienda Clubs. Als junger naiver Musiker eröffneten er und seine Bandkollegen von New Order den Club - und erlebten eine Zeit, die weit trauriger, lustiger, furchterregender und seltsamer war, als man es sich vorstellen kann. Alle Protagonisten - Barney, Tony Wilson und Shaun Ryder - haben hier ihr Stelldichein, wenn Robert Hook erzählt, wie es wirklich gewesen ist.
Peter Hook, as co-founder of Joy Division and New Order, has been shaping the course of popular music for thirty years. He provided the propulsive bass guitar melodies of 'Love Will Tear Us Apart' and the bestselling 12-inch single ever, 'Blue Monday' among many other songs. As co-owner of Manchester's Hacienda club, Hook propelled the rise of acid house in the late 1980s, then suffered through its violent fall in the 1990s as gangs, drugs, greed and a hostile police force destroyed everything he and his friends had created. This is his memory of that era and 'it's far sadder, funnier, scarier and stranger' than anyone has imagined. As young and naive musicians, the members of New Order were thrilled when their record label Factory opened a club. Yet as their career escalated, they toured the world and had top ten hits, their royalties were being ploughed into the Hacienda and they were only being paid GBP20 per week. Peter Hook looked back at that exciting and hilarious time to write HACIENDA. All the main characters appear - Tony Wilson, Barney, Shaun Ryder - and Hook tells it like it was - a rollercoaster of success, money, confusion and true faith.
http://www.cerysmaticfactory.info/the_hacienda_how_not_to_run_a_club.htm...


Peter Hook
The Hacienda. How Not to Run a Club
Simon and Schuster , 2010, 978-1847391773