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  • Aaron Betsky

    The Monster Leviathan. Anarchitecture

  • Jason McBride

    Eat Your Mind. The Radical Life and Work of Kathy Acker

  • Nóra Ó Murchú, Janez Fakin Janša (Eds.)

    A Short Incomplete History of Technologies That Scale

  • Ingo Niermann

    The Monadic Age. Notes on the Coming Social Order

  • Dennis Pohl

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    Wonderflux - A Decade of e-flux Journal

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    HaFI 020: Erika Runge: Überlegungen beim Abschied von der…

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    HaFI 019: Natascha Sadr Haghighian: Was ich noch nicht…

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    HaFI 018: Skip Norman: On Africa

  • Clémentine Deliss

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  • Peter G. Rowe, Yoeun Chung

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  • Richard Weller

    To the Ends of the Earth. A Grand Tour for the 21st Century

  • François J. Bonnet, Bartolomé Sanson (…

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  • Edited by Jolanthe Kugler and Scott…

    Keep it Flat. A little history on flat earth

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  • Luis Manuel Garcia-Mispireta

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  • Matteo Pasquinelli

    The Eye of the Master. A Social History of Artificial…

  • Angelika Burtscher, Daniele Lupo

    AS IF - 16 Dialogues about Sheep, Black Holes, and Movement…

  • Anna Unterstab

    Design intersektional unter die Lupe nehmen. Gestaltung als…

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    What Design Can't Do. Essays on Design and Disillusion

  • OASE Journal for Architecture #116

  • Lena Enne

    Everyday Urban Design 8. Anmeldung not possible. Das…

  • Ruth Duma-Coman

    Everyday Urban Design 7. Der translokale Gebrauch des…

  • Andrew Berardini

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    Theorie und Geschichte des Designs 2. Reaktionen auf die…

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  • Lukas Feireiss, Florian Hadler (Hg)

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    dérive N° 94, Wohnungslosigkeit beenden (Jan-Mär 2024).…

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    Polylemma. raumlaborberlin

  • IDEA Magazine

    IDEA 404. Co-creation between AI and US

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  • Talja Blokland

    Gemeinschaft als urbane Praxis

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    Sounding Human. Music and Machines, 1740/2020

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  • Lukas Brecheler, Lionel Esche

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  • Gary Zhexi Zhang

    Catastrophe Time!

  • Pier Vittorio Aureli

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  • Ina Wudtke

    Black Studium. A Tribute to Fasia Jansen, Hilarius Gilges…

  • Małgorzata Bartosik

    Bronisław Zelek. In the letter wonderland

  • Lorraine Daston

    Regeln. Eine kurze Geschichte

  • Bernadette Krejs

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  • Myria Georgiou

    Being Human in Digital Cities

  • Francesca Ferrando

    The Art of Being Posthuman: Who Are We in the 21st Century?

  • Felix Dreesen, Stephan Thierbach

    Styrohaus

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    The Planetary Gentrification Reader

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    Architecture and Collective Life

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    Design Ethnography: Research, Responsibilities and Futures

  • Marcelo López-Dinardi

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  • Edna Bonhomme, Alice Spawls (Eds)

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  • Philipp Oswalt

    Bauen am nationalen Haus. Architektur als Identitätspolitik

  • Samuel Clowes Huneke

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  • Megan Francis Sullivan

    Megan Francis Sullivan. Oral History of Exhibitions

  • Bruno Munari

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  • Simone Jung, Steffi Hobuß, Sven Kramer

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  • Ben Schwartz (ed)

    UNLICENSED. Bootlegging As a Creative Practice

  • Rick Poynor

    Why Graphic Culture Matters

  • Katharina Sussek, Jens Müller

    PUMA - The Graphic Heritage

  • Jens Müller (Hg)

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  • Roger Behrens, Jonas Engelmann, Frank…

    testcard #27. Rechtspop

  • Jonathan Cary

    Tricks of the Light. Essays on Art and Spectacle

  • Monica Ponce De Leon (Ed.)

    Lina Bo Bardi. Material Ideologies

  • Ghislaine Leung

    Bosses

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    Deserts Are Not Empty

  • Rizvana Bradley

    Anteaesthetics. Black Aesthesis and the Critique of Form

  • Nerea Calvillo

    Aeropolis. Queering Air in Toxicpolluted Worlds

  • George Papam, David Bergé (Eds.)

    Islands After Tourism. Escaping the Monocultures of Leisure

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    Urban Lament. Collective Expressions of Pain, Rage, and…

  • Mark Manders

    Mark Manders. House With All Existings Words

  • Peter Mörtenböck, Helge Mooshammer

    In/formal Marketplaces. Experiments with Urban…

  • Jakob Claus, Petra Löffler (Eds.)

    Records of Disaster. Media Infrastructures and Climate…

  • George Brugmans

    Down To Earth. Designing For The Endgame

  • Eric Frijters, Matthijs Ponte (Eds.)

    The City as a System. Metabolic Design for New Urban Forms…

  • Hans-Christian Dany, Valérie Knoll

    No Dandy, No Fun. Looking Good as Things Fall Apart

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  • McKenzie Wark

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  • Cordula Daus & Charlotta Ruth

    Questionology – Are you here? Research Practices No 1

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    Rechtspopulismen der Gegenwart. Kulturwissenschaftliche…

  • Behnaz Farahi, Nail Leach (eds.)

    Interactive Design. Towards a Responsive Environment

  • Natasha Stagg

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    Feminist Designer. On the Personal and the Political in…

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    Slanted 42. Books

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    b for the birds by Graeme Thomson & Silvia Maglioni

  • Gabriela Burkhalter (Hg)

    The Playground Project

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    Liquifer. Living beyond Earth. Architecture for Extreme…

  • Fabian Hörmann (Ed.)

    The Real Deal. Post-Fossil Construction for Game Changers

  • Elizabeth A. Povinelli

    Geontologien. Requiem auf den Spätliberalismus

  • Simon Baier, Markus Klammer (Hg.)

    Aesthetics of Equivalence. Art in Capitalism

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    Specology. Zu einer ästhetischen Forschung

  • bell hooks

    Die Welt verändern lernen. Bildung als Praxis der Freiheit

  • Regina Bittner (Editor), JJ Adibrata,…

    Decolonising Design Education

The Hacienda. How Not to Run a Club

Eine Achterbahnfahrt durch Erfolg, Geld, Verwirung und wahren Glauben - dies sind die verrückten und und spannenden Erinnerungen von Robert Hook, dem Mitbegründer der Bands Joy Division und New Order, an die Ära des Manchester Hacienda Clubs. Als junger naiver Musiker eröffneten er und seine Bandkollegen von New Order den Club - und erlebten eine Zeit, die weit trauriger, lustiger, furchterregender und seltsamer war, als man es sich vorstellen kann. Alle Protagonisten - Barney, Tony Wilson und Shaun Ryder - haben hier ihr Stelldichein, wenn Robert Hook erzählt, wie es wirklich gewesen ist.
Peter Hook, as co-founder of Joy Division and New Order, has been shaping the course of popular music for thirty years. He provided the propulsive bass guitar melodies of 'Love Will Tear Us Apart' and the bestselling 12-inch single ever, 'Blue Monday' among many other songs. As co-owner of Manchester's Hacienda club, Hook propelled the rise of acid house in the late 1980s, then suffered through its violent fall in the 1990s as gangs, drugs, greed and a hostile police force destroyed everything he and his friends had created. This is his memory of that era and 'it's far sadder, funnier, scarier and stranger' than anyone has imagined. As young and naive musicians, the members of New Order were thrilled when their record label Factory opened a club. Yet as their career escalated, they toured the world and had top ten hits, their royalties were being ploughed into the Hacienda and they were only being paid GBP20 per week. Peter Hook looked back at that exciting and hilarious time to write HACIENDA. All the main characters appear - Tony Wilson, Barney, Shaun Ryder - and Hook tells it like it was - a rollercoaster of success, money, confusion and true faith.
http://www.cerysmaticfactory.info/the_hacienda_how_not_to_run_a_club.htm...


Peter Hook
The Hacienda. How Not to Run a Club
Simon and Schuster , 2010, 978-1847391773