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  • Isabell Lorey

    Immer Ärger mit dem Subjekt. Theoretische und politische…

  • Jan de Heer, Kees Tazelaar

    From Harmony to Chaos - Le Corbusier, Varese, Xenakis. and…

  • a+t 49

    Complex Buildings. Dwelling Mixers

  • Glenn Phillips, Phillip Kaiser, Doris…

    Harald Szeemann. Museum der Obsessionen

  • Fred Moten

    Black and Blur (Consent Not to Be a Single Being)

  • Philipp Oswalt (Ed.)

    Flying Plaza. Work Journal. The artist practice of Studio…

  • Holger Schulze

    The Sonic Persona. An Anthropology of Sound

  • Maurizio Lazzarato

    Experimental Politics: Work, Welfare, and Creativity in the…

  • Anitra Nelson

    Small is Necessary. Shared Living on a Shared Planet

  • Lorenzo Ciccarelli

    Renzo Piano Before Renzo Piano

  • Diane Barbé, Anne-Katrin Fenk, Rachel…

    Things Don’t Really Exist Until You Give Them a Name:…

  • Jennifer Liese (Ed.)

    Social Medium: Artists Writing, 2000 - 2015

  • P. Brugellis, G. Pettena, A. Salvadori…

    Radical Utopias - Archizoom, Buti, 9999, Pettena,…

  • MoneyLab

    Reader 2: Overcoming the Hype

  • Museum Marta Herford (Hg.)

    Max Bill: ohne Anfang, ohne Ende. No Beginning, No End

  • Diane Barbé, Anne-Katrin Fenk, Rachel…

    Talking Cities. Urban narratives from Dar es Salaam and…

  • M. Rebecchi, E. Vogman

    Sergei Eisenstein and the Anthropology of Rhythm

  • Alexander Kluge

    Gärten der Kooperation / Gardens of Cooperation

  • Krystian Woznicki

    Fugitive Belonging

  • Casa da Arquitetura

    Power/Architecture

  • Andreas Rumpfhuber (Ed.)

    Into the Great Wide Open

  • Molly Wright Steenson

    Architectural Intelligence

  • P. Gadanho, J. Laia, S. Ventura (Eds.)

    Utopia/Dystopia. A Paradigm Shift in Art and Architecture

  • Bettina Allamoda

    Spandex Studies

  • Paul Kuimet, Gregor Taul

    Notes on Space. Monumental Painting in Estonia 1947-2012

  • Romana Schmalisch

    Mobile Cinema

  • Bell Hooks,‎ Stuart Hall

    Uncut Funk. A Contemplative Dialogue

  • Michael Roy (Ed.)

    Jean Prouvé. Architect for Better Days

  • J. Höner, K. Schankweiler (Hg.)

    Affect Me. Social Media Images in Art

  • Lucie Kolb

    Studium, nicht Kritik

  • Raluca Betea, Beate Wild (Hg.)

    Brave New World. Romanian Migrants Dream' Houses

  • Terry Farrell, Adam Nathaniel Furman

    Revisiting Postmodernism

  • Daniel Drognitz,‎ Sarah Eschenmoser,…

    Ökologien der Sorge

  • Lori Waxman

    Keep Walking Intently. The Ambulatory Art of the…

  • Verena Hartbaum

    Disko 27. Retrospektiv Bauen in Berlin

  • Peter Osborne

    The Postconceptual Condition

  • Anne Magnien

    Sur les pavés la pub

  • David Hamers, Jessica Schoffelen et al…

    Trading Places: Practices of Public Participation in Art…

  • Boris Groys

    In the Flow

  • Allan Sekula

    Photography Against the Grain: Essays and Photo Works, 1973…

  • Stefan Moritsch (Hg)

    Craft-Based Design: Von Handwerkern und Gestaltern

  • F. Duque, M. Mauracher (Eds.)

    Entkunstung I

  • Jonas Mekas

    Ich hatte keinen Ort: Tagebücher 1944-1955

  • Kerstin Stakemeier

    Entgrenzter Formalismus. Verfahren einer antimodernen…

  • Cloe Pitiot (Ed.)

    Eileen Gray. Intimate Architecture. Une Architecture de l…

  • Issue 0

    Klassensprachen. Written Praxis

  • Witte de With, Defne Ayas, Adam Kleinman

    WdW Review. Arts, Culture, and Journalism in Revolt, Vol. 1…

  • Kerstin Ergenzinger

    Navigating Noise

  • Todd Gannon

    Reyner Banham and the Paradoxes of High Tech

  • Stephen Duncombe

    Notes from Underground: Zines and the Politics of…

  • Olga Blumhardt , Antje Drinkuth (Hg.)

    Traces: Fashion & Migration

  • Jacques Derrida, Catherine Malabou

    Die Seitenallee

  • Kirill Gluschenko

    Venets Welcome to the Ideal. (Venets Hotel)

  • Witte de With, Defne Ayas, Adam Kleinman

    WdW Review: Arts, Culture, and Journalism in Revolt, Vol. 1…

  • Rachel Stella

    E.1027 Maison en bord de mer - House by the sea (E1027)

  • Budde, Pepchinski, Schmal , Voigt (Hg.)

    Frau Architekt: Seit mehr als 100 Jahren: Frauen im…

  • Jesse Lerner

    L.A. collects L.A.: Latin America in Southern California…

  • E-Flux / J. Aranda, B. Kuan Wood, A.…

    Supercommunity. Diabolical Togetherness Beyond Contemporary…

  • M. Mancini, G. Perrella, B. Reichenbach…

    Pasolini's Bodies and Places

  • Research Center for Proxy Politics (Hg)

    Proxy Politics. Power and Subversion in a Networked Age

  • Isabelle Graw

    Die Liebe zur Malerei. Genealogie einer Sonderstellung

  • Georges Perec

    Das Leben Gebrauchsanweisung

  • Merlin Carpenter

    Militant

  • Merlin Carpenter

    Heroes

  • Christian Kravagna

    Transmoderne: Eine Kunstgeschichte des Kontakts

  • Fredrik Liew (Ed.)

    Öyvind Fahlström. Manipulate the World: Connecting Öyvind…

  • Josef H. Reichholf

    Haustiere. Unsere nahen und doch so fremden Begleiter

  • Guillaume Paoli

    Die lange Nacht der Metamorphose: Über die Gentrifizierung…

  • Marion von Osten

    Once We Were Artists

  • Mario Carpo

    The Second Digital Turn: Design Beyond Intelligence

  • N. Gribat, P. Misselwitz, M. Görlich (…

    Vergessene Schulen. Architekturlehre zwischen Reform und…

  • Terry Burrows, Daniel Miller

    Mute. Die Geschichte eines Labels: 1978 bis morgen

  • Anna-Lisa Dieter, Silvia Tiedtke (Hg)

    Radikales Denken. Zur Aktualität Susan Sontags

  • Florian Urban

    The New Tenement: Residences in the Inner City Since 1970

  • Bik Van der Pol (Ed.)

    School of Missing Studies

  • Elena Filipovic

    David Hammons: Bliz-aard Ball Sale

  • Maria Cristina Didero

    SuperDesign: Italian Radical Design 1965-75

  • Geraint Franklin, Elain Harwood

    Post-Modern Buildings in Britain

  • Eames Demetrios, Carla Hartman (Eds.)

    Essential Eames. Words & Pictures

  • Roger Keil

    Suburban Planet: Making the World Urban from the Outside In

  • Chris van Uffelen

    Massive, Expressive, Sculptural: Brutalism Now and Then

  • Hito Steyerl

    Duty Free Art: Art in the Age of Planetary Civil War

  • Jo Preußler Cogitatio.Factum

    The Death of Graffiti

  • Johan Redström

    Making Design Theory

  • Hélène Frichot

    How to make yourself a Feminist Design Power Tool

  • Stadt Zürich, Amt für Hochbauten

    Floor Plan Manual. Non-profit Housing.

  • Christopher Falbe, Dina Dorothea Falbe…

    Architekturen des Gebrauchs. Die Moderne beider deutscher…

  • Ryan Trecartin

    The Re'Search (Re'Search Wait'S) (Merge)

  • Theodora Vischer

    Wolfgang Tillmans

  • Alexander Kluge

    Pluriversum

  • Reinier Graaf

    Four Walls and a Roof: The Complex Nature of a Simple…

  • Beatrix Ruf, John Slyce (Eds.)

    Size Matters! (De)Growth of the 21st Century Art Museum

  • AWP

    Invisible Modern Architecture. Office for Territorial…

  • O'Neill, Steeds, Wilson (Eds.)

    How Institutions Think. Between Contemporary Art and…

  • Daniel Warner

    Live Wires: A History of Electronic Music

  • Brunner, Kubaczek, Mulvaney, Raunig (Hg)

    Die neuen Munizipalismen: Soziale Bewegung und die…

  • Maryam Omidi

    Holidays in Soviet Sanatoriums

  • IDEA Magazine

    IDEA 379. The Works of Suzuki Hitoshi, Book Designer

HaFI 011: Souvenirs, Ursprünge, Gefundene Fiktion / Souvenirs, Origins, Found Fiction

A small selection of texts written by the outstanding film critic and translator Frieda Grafe, complemented by the speech that Harun Farocki gave when Grafe and Enno Patalas were given the “01 award” in 2000.
Grafe’s three texts published in this booklet provide a glimpse into her cosmos of film thinking, which has always emerged in close contact to its subject. “Souvenirs, in Celebration of Cinema” was written at the occasion of the 100th anniversary of cinema. The review of Ingemo Engström’s film Kampf um ein Kind (1975), in which Hartmut Bitomsky and Harun Farocki, two of the new members of the Filmkritik staff, appear as actors, is one of her regular texts for the Süddeutsche Zeitung. Grafe’s reflections on the essay film entitled “Found Fiction: Better Documentaries” was presented at the symposium Essay Films at the Stadtkino in Vienna in May 1991.
“In Frieda Grafe’s texts,” Farocki writes, “we experience how she reads a film neither symptomatically, which would be a kind of film sociology, nor does she judge a film as a property title, as an announced or declined investment, which would be common, courtly film gossip. In her texts, the film appears as it is and she does not set it apart from what is otherwise common as I am now doing with her writing.”


Frieda Grafe
HaFI 011: Souvenirs, Ursprünge, Gefundene Fiktion / Souvenirs, Origins, Found Fiction
Harun Farocki Institut / Motto, 2020, 978-2-940672-06-6