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    The Subjective Object

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    Encyclopedia of Flowers

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    Autoprogettazione?

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    Sounds Like Silence. John Cage - 4’33” – Silence Today

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    Forget your past. Communist-Era Monuments in Bulgaria

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    Rosalind Nashashibi

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    In a Manner of Reading Design (The Blind Spot)

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    Khhhhhhh

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    Design ist unsichtbar. Entwurf, Gesellschaft und Pädagogik

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    Megastrukturen. Architekturutopien zwischen 1955 und 1975

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    Vom Publicum. Das Öffentliche in der Kunst

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    The Ruin of Exchange

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    Architecture Words 9. Tectonic Acts of Desire and Doubt

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    A Lesson with AG Fronzoni. From Teaching Design to Design…

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    The Culture of Curating and the Curating of Culture(s)

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    Post-Digital Print. The Mutation of Publishing Since 1884

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    Graphic Design: History in the Writing (1983–2011)

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    Unjustified Texts. Perspectives on Typography

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    Hands-On Urbanism 1850 - 2012

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    Performing the Curatorial With and Beyond Art

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    Das ABC eines Typografen

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    Typology. Hong Kong, Rome, New York, Buenos Aires. Review…

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    Not Moscow Not Mecca

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    Revolution. A Reader

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    The Theorist's Mother

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    The Number and the Siren

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    Amber. Anrhem Mode Biennale

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    A House Full of Music. Strategien in Musik und Kunst

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    Lilly Reich. Designer and Architect

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    Leben zwischen Häusern. Konzepte für den öffentlichen Raum

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    Printing at Home

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    Home-Made Europe. Contemporary Folk Artifacts

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    The Least of All Possible Evils

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    Design Like You Give a Damn, Volume 2

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    Rumored Animals

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    Drawing A Hypothesis. Figures of Thought

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    Le Corbusier. Beton Brut and Ineffable Space (1940 - 1965)

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    Atelier und Galerie. Studio and Cube

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    Toward a Minor Architecture

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    A world without words

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    Spatzen

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    Introduction to Antiphilosophy

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    Paper Exhibition. Selected Writings by Raimundas Malasauskas

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    Thoughtform-La forma del pensiero

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    Die eigenen vier Wände. Wohnen als Erinnern

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    Types We Can Make. A Selection of Contemporary Swiss Type…

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    Our Kind of Movie. The Films of Andy Warhol

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    Kuehn Malvezzi. Index

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    Architecture School. Three Centuries of Educating…

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    Italian Conversations. Art in the Age of Berlusconi

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    Sonic Somatic. Performances of the Unsound Body

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    Kwadraat-Bladen A Series of Graphic Experiments 1955—74

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How I Became One of the Invisible (New Edition)

Since its first publication in 1992, David Rattray's How I Became One of the Invisible has functioned as a kind of secret history and guidebook to a poetic and mystical tradition running through Western civilization from Pythagoras to In Nomine music to Hölderlin and Antonin Artaud. Rattray not only excavated this tradition, he embodied and lived it. He studied at Harvard and the Sorbonne but remained a poet, outside the academy. His stories “Van” and “The Angel” chronicle his travels in southern Mexico with his friend, the poet Van Buskirk, and his adventures after graduating from Dartmouth in the mid-1950s. Eclipsed by the more mediagenic Beat writers during his lifetime, Rattray has become a powerful influence on contemporary artists and writers.
Living in Paris, Rattray became the first English translator of Antonin Artaud, and he understood Artaud's incisive scholarship and technological prophecies as few others would. As he writes of his translations in How I Became One of the Invisible, “You have to identify with the man or the woman. If you don't, then you shouldn't be translating it. Why would you translate something that you didn't think had an important message for other people? I translated Artaud because I wanted to turn my friends on and pass a message that had relevance to our lives. Not to get a grant, or be hired by an English department.”
Compiled in the months before his untimely death at age 57, How I Became One of the Invisible is the only volume of Rattray's prose. This new edition, edited by Robert Dewhurst, includes five additional pieces, two of them previously unpublished.
Edited by Chris Kraus
Introduction by Robert Dewhurst
Afterword by Rachel Kushner


David Rattray
How I Became One of the Invisible (New Edition)
Semiotext(e), 2019, 9781635900729