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  • Geert Lovink

    Social Media Abyss. Critical Internet Cultures and the…

  • Tanja Seeböck

    Schwünge in Beton. Die Schalenbauten von Ulrich Müther

  • Honey-Suckle Company

    Spiritus

  • Arna Mackic

    Mortal Cities and Forgotten Monuments

  • Moritz Behrens, Christian Berkes,…

    Sentiment Architectures. A Field Trip to Behaviour and…

  • Donna J. Haraway

    Manifestly Haraway

  • A. Andraos, N. Akawi (eds)

    The Arab City: Architecture and Representation

  • HKW (Ed.)

    Nervous Systems

  • Felicity D. Scott

    Outlaw Territories. Environments of Insecurity/…

  • Owen Hatherley

    Landscapes of Communism. A History Through Buildings

  • Rashid Ali, Andrew Cross

    Mogadishu. Lost Moderns

  • Schmal, Elser, Scheuermann (eds.)

    Making Heimat. Germany, Arrival Country

  • Helge Mooshammer, Peter Mörtenböck

    Visual Cultures as Opportunity

  • Simone Neuenschwander, Thomas Thiel (…

    Transparenzen/Transparencies

  • A. Angelidakis, V. Pizzigoni, V. Scelsi…

    Super Superstudio

  • Peter Chadwick

    This Brutal World

  • Naomi Pollock

    Sou Fujimoto

  • P. Cachola Schmal, P. Sturm

    Zukunft von gestern - Visionäre Entwürfe von Future Systems…

  • Ina Blom

    The Autobiography of Video. The Life and Times of a Memory…

  • Timothy Morton

    Dark Ecology. For a Logic of Future Coexistence

  • Benjamin H. Bratton

    The Stack. On Software and Sovereignty

  • Nadine Barth (Hg.)

    Berlin Raum Radar. Neue Architekturfotografie

  • Biljana Ciric, Nikita Yingqian Cai (Ed)

    Active Withdrawals. Life and Death of Institutional Critique

  • Burkhardt Meltzer

    Rethinking the Modular. Adaptable Systems in Architecture…

  • Bibbl. Herzog von Bayern

    Gedruckt und erblättert. Das Fotobuch als Medium…

  • Estelle Blaschke

    Banking on Images. From the Bettmann Archive to Corbis

  • Georg Windeck

    Construction Matters

  • Walter Benjamin.

    Sonnets

  • Glenn Adamson, Julia Bryan-Wilson

    Art in the Making: Artists and Their Materials from the…

  • David Toop

    Into the Maelstrom: Music, Improvisation and the Dream of…

  • Nicolas Grospierre

    Modern Forms. A Subjective Atlas of 20th-Century…

  • Slavoj Zizek

    Against the Double Blackmail: Refugees, Terror and Other…

  • Ian Brennan

    How Music Dies (or Lives): Field Recording and the Battle…

  • Gustav Roßler

    Der Anteil der Dinge an der Gesellschaft. Sozialität -…

  • Berlinische Galerie (Hg.)

    Visionäre der Moderne. Paul Scheerbart, Bruno Taut, Paul…

  • Walter Grasskamp

    Das Kunstmuseum. Eine erfolgreiche Fehlkonstruktion

  • Kathrin Peters, Andrea Seier (Hg.)

    Gender & Medien-Reader

  • Nadir Z. Lahiji

    Can Architecture Be An Emancipatory Project? Dialogues on…

  • Siegfried Ebeling

    Der Raum als Membran

  • Patrick Joseph

    Poet Fool

  • M. Böttger, S. Carsten, L. Engel (Hg)

    Spekulationen Transformationen. Überlegungen zur Zukunft…

  • Joyce Hwang, Martha Bohm, Gabrielle…

    Beyond Patronage. Reconsidering Models of Practice

  • Charlotte Klonk (Ed.)

    New Laboratories. Historical and Critical Perspectives on…

  • Gwen Allen

    The Magazine (Documents of Contemporary Art)

  • Steven Shaviro

    Discognition

  • Helen Armstrong

    Digital Design Theory

  • Gerald Raunig

    Dividuum. Machinic Capitalism and Molecular Revolution

  • Mario Gooden

    Dark Space. Architecture, Representation, Black Identity

  • Mike Watson

    Towards a Conceptual Militancy

  • Guttmann, Kaiser, Mazanek, diachron (…

    Jan Turnovsky: The Weltanschauung as an Ersatz Gestalt.…

  • Rebecca Roke

    Nanotecture: Tiny Built Things

  • M. del Junco, M. Toledo (Eds.)

    Max Bill

  • Peter Pál Pelbart

    Cartography of Exhaustion. Nihilism Inside Out

  • Salomon Frausto

    Scenes from the Good Life. Nine investigations into the…

  • Annette Gilbert (Ed.)

    Publishing as Artistic Practice

  • Daniel M. Abramson

    Obsolescence. An Architectural History

  • Isabelle Graw, Ewa Lajer-Burcharth (Eds…

    Painting beyond Itself. The Medium in the Post-medium…

  • Liam Gillick

    Industry and Intelligence

  • Robert Stalla (Hg.)

    Bauen mit Künstlern: Architekt Peter Ottmann

  • Georg Diez/Christopher Roth

    80*81: What Happened?

  • Keith Evan Green

    Architectural Robotics. Ecosystems of Bits, Bytes, and…

  • S. De Bondt, F. Muggeridge

    The Form of the Book Book

  • K. Busch, B. Meltzer, T. von Oppeln (Hg)

    Ausstellen: Zur Kritik der Wirksamkeit in den Künsten

  • Fiona McGovern

    Die Kunst zu zeigen: Künstlerische Ausstellungsdisplays bei…

  • Hu Fang

    Sou Fujimoto. Towards a Non-Intentional Space. About Sou…

  • Nicholas Felton, Sven Ehmann, Robert…

    Photoviz. Visuailzing Information Through Photography

  • Rudolf Fischer, Wolf Tegethoff (Hg.)

    Modern wohnen. Möbeldesign und Wohnkultur der Moderne

  • W. Cobbing, R. Cooper (Eds.)

    Boooook: The Life and Work of Bob Cobbing

  • Robert Klanten, Sofia Borges (Eds.)

    The Tale Of Tomorrow. Utopian Architecture in the Modernist…

  • Ray Lucas

    Research Methods for Architecture

  • Giorgio Agamben

    The Use of Bodies

  • Mathilde Villeneuve, Virginie Bobin (…

    Republications

  • Andreas Seltzer

    Der Sendermann / The Transmitter Man

  • Lada Umstätter (Hg)

    Le Corbusier und die Macht der Fotografie

  • Tilman Baumgärtel (Hg)

    Pirate Essays. A Reader on International Media Piracy

  • Paul B. Preciado

    TESTO JUNKIE: Sex, Drogen und Biopolitik in der Ära der…

  • Guendalina Salimei

    Luigi Moretti. Terme Bonifacio VIII Fiuggi 1963 - 1969

  • Henri Lefebvre

    Das Recht auf Stadt

  • Gijs Wallis de Vries

    Archescape. On the tracks of Piranesi

  • Christopher Beanland

    Concrete Concept. Brutalist Buildings Around the World

  • Stephen Willats

    Vision and Reality

  • Anja Schwanhäußer (ed)

    Sensing the City. A Companion to Urban Anthropology

  • Jeannette Kuo, Frank Barkow (Eds.)

    Space of Production. Projects and Essays on Rationality,…

  • Claudia Molitor

    Sonorama: Listening to the view from the train

  • David Keenan

    England's Hidden Reverse. Coil, Current 93, Nurse with…

  • Nils Aschenbeck

    Reformarchitektur. Die Konstituierung der Ästhetik der…

  • Christian Schittich (Hg.)

    Best of Detail: Beton / Concrete

  • August Sarnitz, Inge Scholz-Strasser (…

    Private Utopia: Cultural Setting of the Interior in the…

  • René Zechlin (Hg.)

    Wie leben? Zukunftsbilder von Malewitch bis Fujimoto

  • Loretta Lees, Hyun Bang Shin, Ernesto…

    Planetary Gentrification

  • Srećko Horvat

    The Radicality of Love

  • Busch, Klanten, Hellige (Hg.)

    The Age of Collage Vol. 2: Contemporary Collage in Modern…

  • André Tavares

    The Anatomy of the Architectural Book

  • Susanne Leeb

    Die Kunst der Anderen. "Weltkunst" und die…

  • Heike Jenss (Ed.)

    Fashion Studies. Research Methods, Sites and Practices

  • Maud Meyzaud (Hg.)

    Arme Gemeinschaft. Die Moderne Rousseaus

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    Schriften zur Kunst

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    Öffentliche Gestaltungsberatung. Public Design Support 2011…

I'm Isa Genzken, the Only Female Fool

Foreword by Nicolaus Schafhausen; texts by Joshua Decter and Tom McDonough
“The Only Female Fool” is how Isa Genzken describes herself in the self-chosen title of her exhibition at the Kunsthalle Wien. This statement is typical of the fluid boundaries between deep seriousness and the exuberant, eccentric spirit that pervades her work. Genzken’s artistic practice is characterized by a wide spectrum of media and forms, although her roots in sculpture always remain visible. The exhibition and catalogue focus on specific aspects of her oeuvre, including the mirror motif, the examination of architecture, and space as a social sphere; where early works are juxtaposed with series from later creative periods. Genzken’s collaboration with other artists and her admiration for certain artistic positions is also brought into focus, and selected works by Dan Graham, Gordon Matta-Clark, Jasper Johns, Gerhard Richter, Wolfgang Tillmans, and Lawrence Weiner are presented in dialogue with Genzken’s multilayered work.
Copublished with Kunsthalle Wien on the occasion of Isa Genzken’s exhibition “I’m Isa Genzken, the Only Female Fool,” May 28–September 7, 2014
Design by Kummer & Herrman
September 2014, English/German
14.3 x 21 cm, 114 pages, 48 color ill., softcover
out of print!


Kunsthalle Wien (Ed.)
I'm Isa Genzken, the Only Female Fool
Sternberg Press, 2014, 978-3-95679-081-2