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  • M. Hlavajova, S. Sheikh, J. Winder (Hg.)

    On Horizons. A Critical Reader in Contemporary Art

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    All Over the Map. Writing on Buildings and Cities

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    German Fashion Design 1946-2012

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    Retromania. Pop Culture's Addiction to its Own Past

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    Landform Building

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    Representing Capital. A Reading of Volume One

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    Modell Autodidakt

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    The Beach Beneath the Street. The Everyday Life and…

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    An Introduction to Architectural Theory. 1968 to the Present

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    After Crisis. Contemporary Architectural Conditions

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    On the Self-reflexive Page

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    Morphologie City Metaphors

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    Your Farm in the City

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    Captain Pamphile. Ein Bildroman

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    Democracy in What State?

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    Cognitive Architecture. From Biopolitics to NooPolitics

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    Sagmeister: Another Book about Promotion and Sales Material

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    The Intellectual Work. Sixty Paperweights

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    Catwalk to History - A Sourcebook

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    Sou Fujimoto 2003-2010

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    Lovely Language. Words Divide Images Unite

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    Artists' Magazines. An Alternative Space for Art [pb]

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    Preis dem Todesüberwinder

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    Kreation und Depression. Freiheit im gegenwärtigen…

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    Dark Matter. Art and Politics in the Age of Enterprise…

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    Iannis Xenakis. Architect, Composer, Visionary (Drawing…

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    A Little-Known Story about a Movement

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    Tomás Maldonado in Conversation with María Amalia García

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    Where Art Belongs

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    Assume Vivid Astro Focus

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    Louis Kahn. On the Thoughtful Making of Spaces

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    Elfter September. 2010

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    Contemporary Painting in Context

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    Los Logos. Compass

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    Coma

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    Marina City. Bertrand Goldberg's Urban Vision

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    Solution 186–195. Dubai Democracy

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    Städtebau in Berlin. Schreckbild und Vorbild für Europa

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    An Architektur 23: On the Commons

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    Acoustic Territories. Sound Culture and Everyday Life.…

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    Die Stadt ist unsere Fabrik. The City is Our Factory.

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    The Situationists and the City

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    85 Zeichnungen

Isa Genzken (October Files)

Since the late 1970s, the Berlin-based contemporary artist Isa Genzken (b. 1948) has produced a body of work that is remarkable for its formal and material inventiveness. In her sculptural practice, Genzken has developed an expanded material repertoire that includes plaster, concrete, epoxy resin, and mass-produced objects that range from action figures to discarded pizza boxes. Her heterogeneous assemblages, a New York Times critic observes, are "brash, improvisational, full of searing color and attitude." Genzken, the recent subject of a major retrospective at MoMA, offers a highly original interpretation of modernist, avant-garde, and postminimalist practices even as she engages pressing sociopolitics and economic issues of the present. These illustrated essays address the full span of Genzken's work, from the elegant floor sculptures with which she began her career to the assemblages, bursting with color and bristling with bric-a-brac, that she has produced since the beginning of the millennium. The texts, by writers including Yve-Alain Bois, Benjamin H. D. Buchloh, and the artist herself, consider her formation in the West German milieu; her critique of conventions of architecture, reconstruction, and memorialization; her sympathy with mass culture; and her ongoing interrogation of public and private spheres. Two texts appear in English for the first time, including a quasi-autobiographical screenplay written by Genzken in 1993. Contributors Yve-Alain Bois, Benjamin H. D. Buchloh, Diedrich Diederichsen, Hal Foster, Isa Genzken, Isabelle Graw, Lisa Lee, Pamela M. Lee, Birgit Pelzer, Juliane Rebentisch, Josef Strau, Wolfgang Tillmans, Lawrence Weiner Contents Isa Genzken: Two Exercises (1974)Birgit Pelzer: Axiomatics Subject to Withdrawal (1979)Benjamin H. D. Buchloh: Isa Genzken: The Fragment as Model (1992)Benjamin H. D. Buchloh: Isa Genzken: Fuck the Bauhaus. Architecture, Design, and Photography in Reverse (2014)Isa Genzken: Sketches for a Feature Film (1993)Isabelle Graw: Free to Be Dependent: Concessions in the Work of Isa Genzken (1996)Diedrich Diederichsen: Subjects at the End of the Flagpole (2000)Pamela M. Lee: The Skyscraper at Ear Level (2003)Benjamin H. D. Buchloh: All Things Being Equal (2005)Wolfgang Tillmans: Isa Genzken: A Conversation with Wolfgang Tillmans (2003)Diedrich Diederichsen: Diedrich Diederichsen in Conversation with Isa Genzken (2006)Lisa Lee: "Make Life Beautiful!" The Diabolic in the Work of Isa Genzken (A Tour Through Berlin, Paris, and New York) (2007)Lawrence Weiner: Isa Genzken Again (2010)Juliane Rebentisch: The Dialectic of Beauty: On the Work of Isa Genzken (2007)Yve-Alain Bois: The Bum and the Architect (2007)Josef Strau: Isa Genzken: Sculpture as Narrative Urbanism (2009)Hal Foster: Fantastic Destruction (2014)


Lisa Lee (Ed.)
Isa Genzken (October Files)
The MIT Press, 2015, 9780262527118