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  • Gloria Moure (Ed.)

    Marcel Broodthaers. Collected Writings

  • Brigitte Schultz

    Was heißt hier Stadt? 50 Jahre Stadtdiskurs am Beispiel der…

  • Alex Coles, Catharine Rossi (Eds.)

    The Italian Avant-Garde. 1968–1976 EP Vol. 1

  • Alice Rawsthorn

    Hello World. Where Design Meets Life

  • David Evans

    The Art of Walking. A field guide

  • Iris Därmann, Anna Echterhölter (Hg.)

    Konfigurationen. Gebrauchsweisen des Raums

  • Sylvia Leydecker (Hg.)

    Innenräume entwerfen. Konzept, Typologie, Material,…

  • Ila Bêka & Louise Lemoine

    Koolhaas Houselife (Book + DVD)

  • Branka Stipancic (Ed.)

    Mladen Stilinovic. Sing!

  • Genesis Breyer P-Orridge

    30 Years of Being Cut Up

  • Heidrun Holzfeind

    Strictly Private

  • Doreen Mende, Estelle Blaschke, Armin…

    Doppelte Ökonomien / Double Bound Economies

  • Bernadette Corporation

    Reena Spaulings. A Novel by Bernadette Corporation

  • Peter Osborne

    Anywhere or Not at All. The Philosophy of Contemporary Art

  • Richard Shone, John-Paul Stonard (Ed.)

    The Books that Shaped Art History. From Gombrich and…

  • René Furer

    Landschaften. Eine Architekturtheorie in Bildern

  • Flora Samuel, Inge Linder-Gaillard

    Sacred Concrete. The Churches of le Corbusier

  • Lucy Steeds and other authors

    Making Art Global (Part 2). Magiciens de la Terre 1989

  • Stefan Hölscher, Gerald Siegmund (Hg.)

    Dance, Politics & Co-Immunity

  • Kunsthaus Bregenz (Hg.)

    Anfang Gut, Alles Gut. Actualizations of the Futurist Opera…

  • Unit Editions (Ed.)

    Jurriaan Schrofer (1926-90). Restless typographer

  • Atelier Bow-Wow

    A Primer

  • Beatrice von Bismarck, Jörn Schafaff,…

    Cultures of the Curatorial

  • Kerstin Faber, Philipp Oswalt (Hg.)

    Raumpioniere in ländlichen Regionen. Neue Wege der…

  • Michael Hensel

    Performance-Oriented Architecture. Rethinking Architectural…

  • Louis I. Kahn

    Silence and Light

  • Unit Editions (Ed.)

    Herb Lubalin. American Graphic Designer 1918—81

  • Christoph Menke

    Die Kraft der Kunst

  • T. J. Demos

    Return to the Postcolony

  • Elke Bippus, Jörg Huber, Robert Nigro (…

    Ästhetik x Dispositiv

  • IDEA Magazine

    IDEA 357. Architecture in Print: The Development of…

  • Clog

    Brutalism

  • Index Book

    Geo Graphic. A Book for Map Lovers

  • Marbacher Katalog

    Zettelkästen. Maschinen der Phantasie

  • Andreas Rumpfhuber

    Architektur immaterieller Arbeit

  • Axel Simon (Hg.)

    Knapkiewicz & Fickert. Wohnungsbau/Housing

  • Julie Ault

    Tell It To My Heart

  • René Pollesch

    "Der Schnittchenkauf". 2011-2012

  • Armen Avanessian (Hg.)

    Realismus Jetzt

  • Schnittpunkt (Hg.)

    Educational Turn. Handlungsräume der Kunst- und…

  • Clog 5

    National Mall

  • Kristien Ring (Hg.)

    Selfmade City

  • Elena Filipovic (Hg.)

    Leigh Ledare, et al.

  • Lina Bo Bardi

    Stones Against Diamonds (Architecture Words 12)

  • Ronan & Erwan Bouroullec

    Drawing

  • Markus Miessen, Chantal Mouffe

    The Space of Agonism. Critical Spatial Practice 2

  • Elena Basteri, Emanuele Guidi, Elisa…

    Rehearsing Collectivity - Choreography Beyond Dance

  • Klaus Zwerger

    Das Holz und seine Verbindungen. Traditionelle Bautechniken…

  • Lucy Lippard

    4,492,040 (Postkartenset)

  • Avigail Moss, Kerstin Stakemeier (Hg.)

    Painting - The Implicit Horizon

  • Gregor Sailer

    Closed Cities

  • Ludwig Hilberseimer

    Metropolisarchitecture and Selected Essays

  • Theresa Beyer, Thomas Burkhalter (Hg.)

    Out of the Absurdity of Life. Globale Musik

  • Dennis Elbers (Hg.)

    Search Find Like Share. Perspectives in visual storytelling

  • Wolfgang Müller

    Subkultur Westberlin 1979–1989 - Freizeit

  • Janet Harbord

    Chris Marker. La Jetee

  • Mark Brend

    The Sound of Tomorrow. How Electronic Music Was Smuggled…

  • Abäke, Bernadette Corporation, Laurenz…

    Sonderedition Zwölf Taschen für Pro qm

  • Viction Workshop (Hg.)

    Geo Graphics (Geo/Graphics). Simple Form Graphics in Print…

  • Kulturen des Kuratorischen, HGB Leipzig…

    The Subjective Object

  • Makoto Azuma

    Encyclopedia of Flowers

  • Enzo Mari

    Autoprogettazione?

  • Dieter Daniels, Inke Arns (Hg.)

    Sounds Like Silence. John Cage - 4’33” – Silence Today

  • Nikola Mihov

    Forget your past. Communist-Era Monuments in Bulgaria

  • Magdalina Stancheva

    Stefan Kanchev. Logo Book

  • Pieterjan Grandry

    What is the future of architecture?

  • Clog 4

    Rendering

  • Ja, Panik

    Schriften. Erster Band

  • Maurizio Lazzarato

    The Making of the Indebted Man. An Essay on the Neoliberal…

  • Meg McLagan, Yates McKee (Hg.)

    Sensible Politics. The Visual Culture of Nongovernmental…

  • Drawing Room Confessions Issue #6

    Rosalind Nashashibi

  • Katja Gretzinger (Hg.)

    In a Manner of Reading Design (The Blind Spot)

  • Thierry De Duve

    Sewn in the Sweatshops of Marx. Beuys, Warhol, Klein,…

  • Slavs and Tatars

    Khhhhhhh

  • Folio Series

    Institutions by Artists. Volume One

  • Lucius Burckhardt

    Design ist unsichtbar. Entwurf, Gesellschaft und Pädagogik

  • Christoph Düesberg

    Megastrukturen. Architekturutopien zwischen 1955 und 1975

  • Dietmar Kammerer (Hg)

    Vom Publicum. Das Öffentliche in der Kunst

  • John Miller

    The Ruin of Exchange

  • Nikolaus Hirsch, Markus Miessen (Hg.)

    Critical Spatial Practice. What Is Critical Spatial…

  • Hito Steyerl

    The Wretched of the Screen (e-flux journal )

  • Ilka und Andreas Ruby (Hg.)

    Druot, Lacaton & Vassal. Tour Bois Le Prêtre

  • Mark Rakatansky

    Architecture Words 9. Tectonic Acts of Desire and Doubt

  • Ester Manitto

    A Lesson with AG Fronzoni. From Teaching Design to Design…

  • Paul O'Neill

    The Culture of Curating and the Curating of Culture(s)

  • W. Thaler, M. Mrduljas, V. Kulic

    - Modernism In-between - The mediatory Architectures of…

  • Tony Brook, Adrian Shaughnessy (Hg)

    Unit.Design/Research 01. Ronald Clyne at Folkways

  • IDEA Magazine

    IDEA 354. Alternative History of Publishing in Japan 1923 -…

  • Alessandro Ludovico

    Post-Digital Print. The Mutation of Publishing Since 1884

  • Wolfgang Tillmans

    Neue Welt

  • Studienhefte Problemorientiertes Design…

    Lucius Burckhardt. Design heisst Entwurf

  • Studienhefte Problemorientiertes Design…

    Horst Rittel. Die Denkweise von Designern

  • Blind Gallery (Hg.)

    Wim Crouwel

  • Tacet #01

    Who is John Cage?

  • Enqvist, Masucci, Rosendahl, Widenheim…

    Work, Work, Work A Reader on Art and Labour

  • Susan Hiller

    Song Book (Die Gedanken sind frei)

  • Markus Miessen

    Albtraum Partizipation

  • Marijke Steedman (Hg.)

    Gallery as Community. Art, Education, Politics

Isa Genzken (October Files)

Since the late 1970s, the Berlin-based contemporary artist Isa Genzken (b. 1948) has produced a body of work that is remarkable for its formal and material inventiveness. In her sculptural practice, Genzken has developed an expanded material repertoire that includes plaster, concrete, epoxy resin, and mass-produced objects that range from action figures to discarded pizza boxes. Her heterogeneous assemblages, a New York Times critic observes, are "brash, improvisational, full of searing color and attitude." Genzken, the recent subject of a major retrospective at MoMA, offers a highly original interpretation of modernist, avant-garde, and postminimalist practices even as she engages pressing sociopolitics and economic issues of the present. These illustrated essays address the full span of Genzken's work, from the elegant floor sculptures with which she began her career to the assemblages, bursting with color and bristling with bric-a-brac, that she has produced since the beginning of the millennium. The texts, by writers including Yve-Alain Bois, Benjamin H. D. Buchloh, and the artist herself, consider her formation in the West German milieu; her critique of conventions of architecture, reconstruction, and memorialization; her sympathy with mass culture; and her ongoing interrogation of public and private spheres. Two texts appear in English for the first time, including a quasi-autobiographical screenplay written by Genzken in 1993. Contributors Yve-Alain Bois, Benjamin H. D. Buchloh, Diedrich Diederichsen, Hal Foster, Isa Genzken, Isabelle Graw, Lisa Lee, Pamela M. Lee, Birgit Pelzer, Juliane Rebentisch, Josef Strau, Wolfgang Tillmans, Lawrence Weiner Contents Isa Genzken: Two Exercises (1974)Birgit Pelzer: Axiomatics Subject to Withdrawal (1979)Benjamin H. D. Buchloh: Isa Genzken: The Fragment as Model (1992)Benjamin H. D. Buchloh: Isa Genzken: Fuck the Bauhaus. Architecture, Design, and Photography in Reverse (2014)Isa Genzken: Sketches for a Feature Film (1993)Isabelle Graw: Free to Be Dependent: Concessions in the Work of Isa Genzken (1996)Diedrich Diederichsen: Subjects at the End of the Flagpole (2000)Pamela M. Lee: The Skyscraper at Ear Level (2003)Benjamin H. D. Buchloh: All Things Being Equal (2005)Wolfgang Tillmans: Isa Genzken: A Conversation with Wolfgang Tillmans (2003)Diedrich Diederichsen: Diedrich Diederichsen in Conversation with Isa Genzken (2006)Lisa Lee: "Make Life Beautiful!" The Diabolic in the Work of Isa Genzken (A Tour Through Berlin, Paris, and New York) (2007)Lawrence Weiner: Isa Genzken Again (2010)Juliane Rebentisch: The Dialectic of Beauty: On the Work of Isa Genzken (2007)Yve-Alain Bois: The Bum and the Architect (2007)Josef Strau: Isa Genzken: Sculpture as Narrative Urbanism (2009)Hal Foster: Fantastic Destruction (2014)


Lisa Lee (Ed.)
Isa Genzken (October Files)
The MIT Press, 2015, 9780262527118