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  • K. Grimstad, S. Rennie (Hg)

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  • Sofia Bempeza

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  • Vilém Flusser

    Vom Stand der Dinge. Eine kleine Philosophie des Design

  • Jane Hall

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  • Kenya Hara

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  • Lucy Cotter

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    Raummaschine: Exploring the Manifold Spaces

  • Peter Donhauser

    Musikmaschinen: Die Geschichte der Elektromusik

  • Amanda Boetzkes

    Plastic Capitalism. Contemporary Art and the Drive to Waste

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    Resilienz im Krisenkapitalismus: Wider das Lob der…

  • Daniel Johnston

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  • Daniel Birnbaum, Sven-Olov Wallenstein

    Spacing Philosophy: Lyotard and the Idea of the Exhibition

  • Roland Meyer

    Operative Porträts. Eine Bildgeschichte der…

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    Vokabular des Zwischenraums: Gestaltungsmöglichkeiten von…

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  • Annette Jael Lehmann

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    Bobst Graphic. 1972 - 1981

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    Grünfrage und Stadtentwicklung. 100 Jahre Groß-Berlin

  • Christoph Cox

    Sonic Flux: Sound, Art, and Metaphysics

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    Posthuman Ecologies. Complexity and Process after Deleuze

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  • David Byrne

    Wie Musik wirkt

  • James Bridle

    New Dark Age: Der Sieg der Technologie und das Ende der…

  • Sabine Breitwieser (Ed.)

    E.A.T. - Experiments in Arts and Technology

  • Richard Buckminster Fuller

    R. Buckminster Fuller. Nine Chains to the Moon. An…

  • Ulrike Bernard

    Wuan Wandeln

  • Jenelle Porter

    Less Is a Bore: Maximalist Art & Design

  • Agata Toromanoff

    Impossible Design: Außergewöhnliche Designobjekte der…

  • C. Leonard, L. Khonsary (Hg)

    The Halifax Conference. Oct. 5&6 1970

  • Birgit Rieger, Claudia Wahjudi

    Berlin Interviews. 16 Künstlerinnen und Künstler über eine…

  • Paolo Cirio

    Evidentiary Realism. Investigative, Forensic, Documentary…

  • Robert Kronenburg

    This Must Be The Place: An Architectural History of Popular…

  • Oliver Marchart

    Conflictual Aesthetics: Artistic Activism and the Public…

  • Jürgen Hasse, Sara F. Levin

    Betäubte Orte: Erkundungen im Verdeckten

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    Wie das Bauhaus nach Tel Aviv kam: Re-Konstruktion einer…

  • Sarah Banet-Weiser

    Empowered. Popular Feminism and Popular Misogyny

  • Stephen Prina

    As He Remembered It

  • Christoforos Savva

    Untimely, Again

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    Commoning with George Caffentzis and Silvia Federici

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  • Bernard Stiegler

    The Age of Disruption: Technology and Madness in…

  • Edgar Cabanas, Eva Illouz

    Manufacturing Happy Citizens: How the Science and Industry…

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    The Middle Matter. Sound as Interstice

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    Museums at the Post-Digital Turn

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  • Victor Papanek

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Cover "Kengo Kuma 2006 - 2024", Hochhaus

Kengo Kuma. Arquitectura Urbana 2006--2024. TC Cuadernos 165/166

This double issue of TC Cuadernos explores two decades of Kengo Kuma & Associates' prolific production, focusing on their urban architecture between 2006 and 2024. Through a careful selection of projects, the monograph offers a comprehensive overview of KKAA's evolution and its constant interplay between the rural, explored in TC 158, and the urban.

The work is organised around five key strategies: attract, mimetize, hide, occupy and organise. These categories reveal how Kuma approaches urban design in complex contexts. Projects such as the V&A Dundee Museum in Scotland and the 1550 Alberni Street Tower in Vancouver demonstrate his ability to create architectural landmarks without resorting to traditional monumentalism, prioritising materiality and the environment. On the other hand, the Asakusa Tourist Information Centre in Tokyo and the Nezu Museum show how his architecture is subtly integrated into the urban landscape.

Kuma is also known for his ability to conceal or revitalise structures, such as the Z58 Offices and the 1862 Shipyard in Shanghai, where he combines the old and the new in dialogues that enrich the urban fabric. Each project is accompanied by plans and construction details redrawn for the occasion, providing a unique technical insight into the creative process.


Guillermo Rubio Boronat, Javier Villar Ruiz
Kengo Kuma. Arquitectura Urbana 2006--2024. TC Cuadernos 165/166
TC Cuadernos, 2024, 978-84-17753-65-8
49,00 €