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  • Walter Grasskamp

    Das Kunstmuseum. Eine erfolgreiche Fehlkonstruktion

  • Kathrin Peters, Andrea Seier (Hg.)

    Gender & Medien-Reader

  • Nadir Z. Lahiji

    Can Architecture Be An Emancipatory Project? Dialogues on…

  • Siegfried Ebeling

    Der Raum als Membran

  • Patrick Joseph

    Poet Fool

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    Spekulationen Transformationen. Überlegungen zur Zukunft…

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    The Magazine (Documents of Contemporary Art)

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    Digital Design Theory

  • Gerald Raunig

    Dividuum. Machinic Capitalism and Molecular Revolution

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    Dark Space. Architecture, Representation, Black Identity

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    Towards a Conceptual Militancy

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    Jan Turnovsky: The Weltanschauung as an Ersatz Gestalt.…

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    Nanotecture: Tiny Built Things

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    Cartography of Exhaustion. Nihilism Inside Out

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    Scenes from the Good Life. Nine investigations into the…

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    Publishing as Artistic Practice

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    Obsolescence. An Architectural History

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    Sou Fujimoto. Towards a Non-Intentional Space. About Sou…

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    Boooook: The Life and Work of Bob Cobbing

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    The Tale Of Tomorrow. Utopian Architecture in the Modernist…

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    The Use of Bodies

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    TESTO JUNKIE: Sex, Drogen und Biopolitik in der Ära der…

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    Luigi Moretti. Terme Bonifacio VIII Fiuggi 1963 - 1969

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    Das Recht auf Stadt

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    Archescape. On the tracks of Piranesi

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    Concrete Concept. Brutalist Buildings Around the World

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    Vision and Reality

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    Sensing the City. A Companion to Urban Anthropology

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    Sonorama: Listening to the view from the train

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    England's Hidden Reverse. Coil, Current 93, Nurse with…

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    Planetary Gentrification

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    The Radicality of Love

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    The Anatomy of the Architectural Book

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    Kritik der Kreativität

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    Das leichte Haus. Utopie und Realität der Membranarchitektur

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    Migrating the Feminine

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    An Architektur 11-13: Theorie und Praxis der Kartografie

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    An Architektur 04-09: Krieg und die Produktion von Raum

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    Japan Architects 1945 - 2010. Extra Edition

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    In The Realm of the Senses. A Materialist Theory of Seeing…

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    Disorientation: Bernard Rudofsky in the Empire of Signs.…

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    Die Zukunft der Architektur in 100 Bauwerken

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    Doppelleben. Kunst und Popmusik

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    Die Notwendigkeit von Irrtümern

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    Design Objects and the Museum

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Love, Icebox. Letters from John Cage to Merce Cunningham

Cage's passionate, distraught and affectionate letters to Cunningham provide a vivid portrait of the start of their life together
These early letters from John Cage to Merce Cunningham will be revelatory, for while the two are widely known as a dynamic, collaborative duo, the story of how and when they came together has never been fully revealed. In the 39 letters of this collection, spanning 1942-46, Cage shows himself to be a man falling deeply in love. When they first met at the Cornish School in Seattle in the 1930s, Cage was 26 to Cunningham's 19. Their relationship was purely that of teacher and student, and Cage was also very much married.
It was in Chicago that their romantic relationship would begin. Cage was teaching at Moholy-Nagy's School of Design when Cunningham passed through town as a dancer with the Martha Graham Company, appearing on stage on March 14, 1942. Cage's letters, which begin in earnest a week later, are increasingly passionate, distraught, romantic and confused, and occasionally contain snippets of poetry and song. They are also more than love letters, as we see intimations that resonate with our experience of the later John Cage.
Love, Icebox takes its shape from these letters--transcribed, chronologically ordered, and in some instances reproduced in facsimile. Laura Kuhn, Cage's assistant from 1986 to 1992 and now longtime director of the John Cage Trust, adds a foreword, afterword and running commentary. Photographic illustrations of their final 18th Street loft in New York City, as well as personal and household objects left behind, remind us of the substance and rituals of their long-shared life.


John Cage (Laura Kuhn, Ed.)
Love, Icebox. Letters from John Cage to Merce Cunningham
John Cage Trust, 2019