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    The Culture of Curating and the Curating of Culture(s)

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    Post-Digital Print. The Mutation of Publishing Since 1884

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    Who is John Cage?

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    Performing the Curatorial With and Beyond Art

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    Revolution. A Reader

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    The Number and the Siren

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    Leben zwischen Häusern. Konzepte für den öffentlichen Raum

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    The Least of All Possible Evils

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    Rumored Animals

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    Drawing A Hypothesis. Figures of Thought

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    Le Corbusier. Beton Brut and Ineffable Space (1940 - 1965)

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    Atelier und Galerie. Studio and Cube

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    Toward a Minor Architecture

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    A world without words

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    Introduction to Antiphilosophy

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    Paper Exhibition. Selected Writings by Raimundas Malasauskas

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    Thoughtform-La forma del pensiero

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    Die eigenen vier Wände. Wohnen als Erinnern

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    Our Kind of Movie. The Films of Andy Warhol

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Painting - The Implicit Horizon

Painting - The Implicit Horizon documents a symposium which took place at the Jan van Eyck Academie in Maastricht, the Netherlands. The book presents essays and transcripts of discussions between European and American artists, art historians, and critics who have looked at some of the ways painting has been conceived of in the eras after Conceptual Art. Addressing ideas of production and consumption, critiques of the end of art, issues of age, accomplishment, and the myth of the painter, the book posits that painting, as a working practice as well as a historical referent, serves as an implicit horizon or limit condition for other media. "Jimson lives in a ramshackle houseboat on the Thames river, where he reminisces about the days when the state collected his paintings, hides from the police (who pursue him for his minor infractions and debts) and schemes about how to extract money from various wealthy patrons. That is, his struggles are conceptual, material and financial and always involve a race against time and an acknowledgement of his own limitations even in light of his successes. After a series of roguish scrapes, he finally receives a retrospective at Tate Britain: a triumph that does little to alleviate his destitution. But the film's dénouement comes when Jimson paints a "monument to England": a giant mural representing "The last Judgment" on the side of a bombed-out church aided by a cadre of voluntary art student assistants who he keeps remunerated in cups of coffee. The film ends when Jimson - threatened by council developers looking to capitalize on the land - voluntarily bulldozes his mural in advance of the city bureaucrats and sails off down the Thames in search of a new horizon: perhaps another, larger wall (or a further expansion of painting as such)." With: Carol Armstrong, Warren Carter, Helmut Draxler, Kerstin Stakemeier, Elisabeth Lebovici, Esther Leslie, Avigail Moss, Ulrike Müller, Dierk Schmidt, and Amy Sillman.
vergriffen, Neuauflage vorraussichtlich 2014


Avigail Moss, Kerstin Stakemeier (Hg.)
Painting - The Implicit Horizon
Jan van Eyck Academie, 2012, 9789072076618