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Warenkorb

  • Carola Dertnig, Diedrich Diederichsen,…

    Troubling Research. Performing Knowledge in the Arts

  • Filip Dujardin

    Fictions

  • Steven Cleeren

    Hugo Puttaert. Think in Colour: Visionandfactory

  • Kevin Bone

    Lessons from Modernism. Environmental Design Strategies in…

  • Maurizio Lazzarato

    Signs and Machines. Capitalism and the Production of…

  • Ueli Mäder

    Raum und Macht. Die Stadt zwischen Vision und Wirklichkeit…

  • Gabriel Orozco, Lily Luahana Cole

    Impossible Utopias

  • Kay von Keitz, Sabine Voggenreiter (Hg.)

    Architektur im Kontext. Architecture in Context

  • Michelle Cotton (Ed.)

    Aleksandra Domanovic. From yu to me

  • Selena Savic, Gordan Savicic (Ed.)

    Unpleasant Design

  • Justin McGuirk

    Radical Cities. Across Latin America in Search of a New…

  • Armen Avanessian, Robin Mackay (Ed.)

    #Accelerate: The Accelerationist Reader

  • Lukasz Stanek (Ed.)

    Team 10 East. Revisionist Architecture in Real Existing…

  • Tom Avermaete, Maristella Casciato

    Casablanca Chandigarh. A Report on Modernization

  • Max Jacobson, Shelley Brock

    Invitation to Architecture. Discovering Delight in the…

  • Stephen Cairns, Jane M. Jacobs

    Buildings Must Die. A Perverse View of Architecture

  • Kim Jong-il

    Kim Jong-il. De l'Architecture. Morceaux choisis. B2-…

  • Jay Swayze

    Le Meilleur des (deux) Mondes. Maisons et Jardins…

  • Styliane Philippou

    Modernisme et Vanité. Happy Days à Miami et la Havane. B2-…

  • Olaf Nicolai

    Szondi/Eden

  • Philipp Oswalt (Hg.)

    Dessau 1945. Moderne zerstört: Bauhaus Edition 45

  • Robert Maxwell

    Ancient Wisdom and Modern Knowhow. Learning to Live with…

  • David Campany (Ed.)

    Walker Evans. The Magazine Work

  • Marc Angelil, Rainer Hehl (Eds.)

    Empower! Essays on the Political Economy of Urban Form. Vol…

  • Sandu Publishing (Ed.)

    Collective Housing

  • Tom Wilkinson

    Bricks & Mortals. Ten Great Buildings and the People…

  • Stefan Römer

    Inter-esse

  • Architektur in Gebrauch

    AG1 – Great Arthur House, AG2 – Falkenhorst, AG3 –…

  • Anke Fesel, Chris Keller (Ed.)

    Berlin Wonderland. Wild Years Revisited, 1990–1996

  • Agata Pyzik

    Poor but Sexy. Culture Clashes in Europe East and West

  • Tom Holert

    Übergriffe. Zustände und Zuständigkeiten der…

  • Chantal Mouffe

    Agonistik. Die Welt politisch denken

  • Nicola Louise Markhus and Marte…

    Another Space: Textile Spaces

  • Heike Gfrereis, Johannes Kempf (Hg.)

    Reisen. Fotos von unterwegs

  • Little Global Cities

    Sarajevo

  • Lilli Kuschel

    Cool World

  • Judith Collins

    Sculpture Today

  • Natalie Czech

    I can not repeat what I hear

  • Stefan Banz

    Jeff Wall. Mit dem Auge des Geistes

  • Florian Pfeffer

    To Do. Die neue Rolle der Gestaltung in einer veränderten…

  • Ernesto Laclau

    The Rhetorical Foundations of Society

  • Miki Hirabayashi

    Cute Farm Animals

  • Daniel Albright

    Panaesthetics. On the Unity and Diversity of the Arts

  • Carola Dertnig, Felicitas Thun-…

    Performing the Sentence. Research and Teaching in…

  • Shundana Yusaf

    Broadcasting Buildings. Architecture on the Wireless, 1927-…

  • Bettina Knaup, Beatrice Ellen (Ed.)

    re.act.feminism. A Performing Archive

  • Andrew Dent, Leslie Sherr

    Material Innovation. Architecture

  • Yasmin Merican

    The Right to Brand

  • Pinar Yoldas

    An Ecosystem of Excess

  • Matthew Gandy, BJ Nilsen (Eds.)

    The Acoustic City

  • Quinn Latimer (Hg.)

    Akram Zaatari. Film as a Form of Writing

  • Steirischer Herbst, Florian Malzacher (…

    Truth Is Concrete. A Handbook for Artistic Strategies in…

  • Jan Svankmajer

    Touching and Imagining. An Introduction to Tactile Art

  • Marc Glöde

    Farbige Lichträume. Manifestationen einer Veränderung des…

  • Olaf Habelmann

    Die Trauben auf deinem Bauch bilden ein Muster

  • Nick Aikens (Ed.)

    Too Much World. The Films of Hito Steyerl

  • L.I.E. (Library of Independent Exchange)

    L.I.E. Lists of Ten Books

  • Malcolm Miles

    Eco-Aesthetics. Art, Literature and Architecture in a…

  • Nikolaus Hirsch, Markus Miessen (Ed.)

    Subtraction. Keller Easterling. Critical Spatial Practice 4

  • Tom Steinert

    Komplexe Wahrnehmung und moderner Städtebau. Paul Hofer,…

  • Christine Ross

    The Past is the Present; It's the Future Too

  • Rachel Mader (Hg.)

    Radikal ambivalent. Engagement und Verantwortung in den…

  • Katharina Roters

    Hungarian Cubes. Subversive Ornamente im Sozialismus

  • John Paul Ricco

    The Decision Between Us. Art and Ethics in the Time of…

  • Ugo Mulas

    Cirque Calder

  • Adrian von Buttlar, Kerstin Wittmann-…

    Baukunst der Nachkriegsmoderne. Architekturführer Berlin…

  • Laura Bruns

    Stadt Selber Machen. Ein Handbuch

  • Michael Fried

    Warum Photographie als Kunst so bedeutend ist wie nie zuvor

  • Henri Lefèbvre

    Die Revolution der Städte. La Revolution urbaine

  • Martin Pawley

    Theorie und Gestaltung im Zweiten Maschinenzeitalter

  • Roberto Gargiani, Anna Rosellini

    Le Corbusier. Béton Brut und der unbeschreibliche Raum (…

  • Hannah Feldman

    From a Nation Torn. Decolonizing Art and Representation in…

  • Conditional Design Team

    Conditional Design Workbook

  • HomeShop (Ed.)

    Appendix

  • Marketa Uhlirova (Ed.)

    Birds of Paradise. Costume as Cinematic Spectacle

  • Stasis. Academic Journal

    Social and Political Theory. No. 1

  • Pavlos Lefas

    Architecture. A Historical Perspective

  • Thomas Girst

    The Duchamp Dictionary

  • Christopher Dell

    Das Urbane. Wohnen. Leben. Produzieren

  • Cathrine Veikos

    Lina Bo Bardi. The Theory of Architectural Practice

  • Gustau Galfetti Gili

    My House, My Paradise. The Construction of the Ideal…

  • Dieter Rams

    Less but better. Weniger, aber besser

  • Matt Zoller Seitz

    The Wes Anderson Collection

  • Louis Martin (Ed.)

    On Architecture. Melvin Charney, a Critical Anthology

  • Adaptive Actions

    Heteropolis

  • Thomas Durisch (Hg.)

    Peter Zumthor. 1985–2013

  • Martin Conrads

    Ohne Mich

  • Gertrud Vogler

    La Défense. Métro, boulot, dodo

  • James Nisbet

    Ecologies, Environments, and Energy Systems in Art of the…

  • October Files 16

    John Knight

  • Stadt Zürich, Amt für Hochbauten (Hg.)

    Grundrissfibel. 50 Wettbewerbe im gemeinnützigen…

  • Paolo Belardi

    Why Architects Still Draw

  • Forensic Architecture (Ed.)

    Forensis. The Architecture of Public Truth

  • Liesbeth Huybrechts (Ed.)

    Participation Is Risky. Approaches to Joint Creative…

  • Clog 10

    Prisons

  • Sylvère Lotringer, David Morris (Ed.)

    Schizo-Culture

  • Judith Laister, Margarethe Makovec,…

    Die Kunst des urbanen Handelns. The Art of Urban…

  • Verena Gerlach

    Karbid. Berlin - De La Lettre Peinte.. / Von Schriftmalerei…

Pink Noises. Women on Electronic Music and Sound

Pink Noises brings together twenty-four interviews with women in electronic music and sound cultures, including club and radio DJs, remixers, composers, improvisers, instrument builders, and installation and performance artists. The collection is an extension of Pinknoises.com, the critically-acclaimed website founded by musician and scholar Tara Rodgers in 2000 to promote women in electronic music and make information about music production more accessible to women and girls. That site featured interviews that Rodgers conducted with women artists, exploring their personal histories, their creative methods, and the roles of gender in their work. This book offers new and lengthier interviews, a critical introduction, and resources for further research and technological engagement.
Contemporary electronic music practices are illuminated through the stories of women artists of different generations and cultural backgrounds. They include the creators of ambient soundscapes, “performance novels,” sound sculptures, and custom software, as well as the developer of the Deep Listening philosophy and the founders of the Liquid Sound Lounge radio show and the monthly Basement Bhangra parties in New York. These and many other artists open up about topics such as their conflicted relationships to formal music training and mainstream media representations of women in electronic music. They discuss using sound to work creatively with structures of time and space, and voice and language; challenge distinctions of nature and culture; question norms of technological practice; and balance their needs for productive solitude with collaboration and community. Whether designing and building modular synthesizers with analog circuits or performing with a wearable apparatus that translates muscle movements into electronic sound, these artists expand notions of who and what counts in matters of invention, production, and noisemaking. Pink Noises is a powerful testimony to the presence and vitality of women in electronic music cultures, and to the relevance of sound to feminist concerns.
Interviewees: Maria Chavez, Beth Coleman (M. Singe), Antye Greie (AGF), Jeannie Hopper, Bevin Kelley (Blevin Blectum), Christina Kubisch, Le Tigre, Annea Lockwood, Giulia Loli (DJ Mutamassik), Rekha Malhotra (DJ Rekha), Riz Maslen (Neotropic), Kaffe Matthews, Susan Morabito, Ikue Mori, Pauline Oliveros, Pamela Z, Chantal Passamonte (Mira Calix), Maggi Payne, Eliane Radigue, Jessica Rylan, Carla Scaletti, Laetitia Sonami, Bev Stanton (Arthur Loves Plastic), Keiko Uenishi (o.blaat)
Le Tigre is proud to be included in this long-awaited book by Tara Rodgers AKA Analog Tara, founder of pinknoises.com. This is a diverse group of interviews with women working within the field of electronic music -- producers, composers, performers, and DJs. Rodgers has compiled her conversations with these artists within a graceful academic framework, and she has elicited fascinating responses from her interviewees. Rodger's perspective as a peer lends the discussions transcribed in "PINK NOISES: Women on Electronic Music and Sound" an intimacy and thoroughness not often found in music journalism. She addresses issues of gender, sexism, and economics alongside/intertwined with details of artistic processes and technologies.
Review
"Pink Noises is a breath of fresh air when you look at how many electronic music books are about more of the same: boys with toys. From the Middle Eastern-inflected electronica of DJ Mutamassik, to the Punjabi rhythms of DJ Rekha, to the academix of Pamela Z and Pauline Oliveros, Tara Rodgers's examination of women as central figures in the creative processes of twenty-first-century art and music is a must-read for anyone who cares about the future of music in our hyper-connected and hyper-post-everything contemporary life."oPaul D. Miller, aka DJ Spooky "A wonderfully diverse international mix of interviews, essays, reviews, and links."oMichael Paoletta, Billboard "Great practical advice on music making."oURB "Everything you ever wanted to know about electronic music and the women making it."oTamara Warren, Nylon "Pinknoises doesn't just talk girl power, they enable it."oSoo-Hyun Chung, Mixer "Acknowledges women's space in the world of electronic music and celebrates it with information, education, and innovation."oFlavorpill "Go girls!"oAnne Hilde Neset, The Wire
From the Back Cover
“Pink Noises is a breath of fresh air when you look at how many electronic music books are about more of the same: boys with toys. From the Middle Eastern–inflected electronica of DJ Mutamassik, to the Punjabi rhythms of DJ Rekha, to the academix of Pamela Z and Pauline Oliveros, Tara Rodgers’s examination of women as central figures in the creative processes of twenty-first-century art and music is a must-read for anyone who cares about the future of music in our hyper-connected and hyper-post-everything contemporary life.”—Paul D. Miller, aka DJ Spooky


Tara Rodgers
Pink Noises. Women on Electronic Music and Sound
Duke University Press, 2010, 978-0822346739