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  • Artur Beifuss

    Branding Terror. The Logotypes & Iconography of…

  • Gloria Moure (Ed.)

    Marcel Broodthaers. Collected Writings

  • Brigitte Schultz

    Was heißt hier Stadt? 50 Jahre Stadtdiskurs am Beispiel der…

  • Alex Coles, Catharine Rossi (Eds.)

    The Italian Avant-Garde. 1968–1976 EP Vol. 1

  • Alice Rawsthorn

    Hello World. Where Design Meets Life

  • David Evans

    The Art of Walking. A field guide

  • Iris Därmann, Anna Echterhölter (Hg.)

    Konfigurationen. Gebrauchsweisen des Raums

  • Sylvia Leydecker (Hg.)

    Innenräume entwerfen. Konzept, Typologie, Material,…

  • Ila Bêka & Louise Lemoine

    Koolhaas Houselife (Book + DVD)

  • Branka Stipancic (Ed.)

    Mladen Stilinovic. Sing!

  • Genesis Breyer P-Orridge

    30 Years of Being Cut Up

  • Heidrun Holzfeind

    Strictly Private

  • Doreen Mende, Estelle Blaschke, Armin…

    Doppelte Ökonomien / Double Bound Economies

  • Bernadette Corporation

    Reena Spaulings. A Novel by Bernadette Corporation

  • Peter Osborne

    Anywhere or Not at All. The Philosophy of Contemporary Art

  • Richard Shone, John-Paul Stonard (Ed.)

    The Books that Shaped Art History. From Gombrich and…

  • René Furer

    Landschaften. Eine Architekturtheorie in Bildern

  • Flora Samuel, Inge Linder-Gaillard

    Sacred Concrete. The Churches of le Corbusier

  • Lucy Steeds and other authors

    Making Art Global (Part 2). Magiciens de la Terre 1989

  • Stefan Hölscher, Gerald Siegmund (Hg.)

    Dance, Politics & Co-Immunity

  • Kunsthaus Bregenz (Hg.)

    Anfang Gut, Alles Gut. Actualizations of the Futurist Opera…

  • Unit Editions (Ed.)

    Jurriaan Schrofer (1926-90). Restless typographer

  • Atelier Bow-Wow

    A Primer

  • Beatrice von Bismarck, Jörn Schafaff,…

    Cultures of the Curatorial

  • Kerstin Faber, Philipp Oswalt (Hg.)

    Raumpioniere in ländlichen Regionen. Neue Wege der…

  • Michael Hensel

    Performance-Oriented Architecture. Rethinking Architectural…

  • Louis I. Kahn

    Silence and Light

  • Unit Editions (Ed.)

    Herb Lubalin. American Graphic Designer 1918—81

  • Christoph Menke

    Die Kraft der Kunst

  • T. J. Demos

    Return to the Postcolony

  • Elke Bippus, Jörg Huber, Robert Nigro (…

    Ästhetik x Dispositiv

  • IDEA Magazine

    IDEA 357. Architecture in Print: The Development of…

  • Clog

    Brutalism

  • Index Book

    Geo Graphic. A Book for Map Lovers

  • Marbacher Katalog

    Zettelkästen. Maschinen der Phantasie

  • Andreas Rumpfhuber

    Architektur immaterieller Arbeit

  • Axel Simon (Hg.)

    Knapkiewicz & Fickert. Wohnungsbau/Housing

  • Julie Ault

    Tell It To My Heart

  • René Pollesch

    "Der Schnittchenkauf". 2011-2012

  • Armen Avanessian (Hg.)

    Realismus Jetzt

  • Schnittpunkt (Hg.)

    Educational Turn. Handlungsräume der Kunst- und…

  • Clog 5

    National Mall

  • Kristien Ring (Hg.)

    Selfmade City

  • Elena Filipovic (Hg.)

    Leigh Ledare, et al.

  • Lina Bo Bardi

    Stones Against Diamonds (Architecture Words 12)

  • Ronan & Erwan Bouroullec

    Drawing

  • Markus Miessen, Chantal Mouffe

    The Space of Agonism. Critical Spatial Practice 2

  • Elena Basteri, Emanuele Guidi, Elisa…

    Rehearsing Collectivity - Choreography Beyond Dance

  • Klaus Zwerger

    Das Holz und seine Verbindungen. Traditionelle Bautechniken…

  • Lucy Lippard

    4,492,040 (Postkartenset)

  • Avigail Moss, Kerstin Stakemeier (Hg.)

    Painting - The Implicit Horizon

  • Gregor Sailer

    Closed Cities

  • Ludwig Hilberseimer

    Metropolisarchitecture and Selected Essays

  • Theresa Beyer, Thomas Burkhalter (Hg.)

    Out of the Absurdity of Life. Globale Musik

  • Dennis Elbers (Hg.)

    Search Find Like Share. Perspectives in visual storytelling

  • Wolfgang Müller

    Subkultur Westberlin 1979–1989 - Freizeit

  • Janet Harbord

    Chris Marker. La Jetee

  • Mark Brend

    The Sound of Tomorrow. How Electronic Music Was Smuggled…

  • Abäke, Bernadette Corporation, Laurenz…

    Sonderedition Zwölf Taschen für Pro qm

  • Viction Workshop (Hg.)

    Geo Graphics (Geo/Graphics). Simple Form Graphics in Print…

  • Kulturen des Kuratorischen, HGB Leipzig…

    The Subjective Object

  • Makoto Azuma

    Encyclopedia of Flowers

  • Enzo Mari

    Autoprogettazione?

  • Dieter Daniels, Inke Arns (Hg.)

    Sounds Like Silence. John Cage - 4’33” – Silence Today

  • Nikola Mihov

    Forget your past. Communist-Era Monuments in Bulgaria

  • Magdalina Stancheva

    Stefan Kanchev. Logo Book

  • Pieterjan Grandry

    What is the future of architecture?

  • Clog 4

    Rendering

  • Ja, Panik

    Schriften. Erster Band

  • Maurizio Lazzarato

    The Making of the Indebted Man. An Essay on the Neoliberal…

  • Meg McLagan, Yates McKee (Hg.)

    Sensible Politics. The Visual Culture of Nongovernmental…

  • Drawing Room Confessions Issue #6

    Rosalind Nashashibi

  • Katja Gretzinger (Hg.)

    In a Manner of Reading Design (The Blind Spot)

  • Thierry De Duve

    Sewn in the Sweatshops of Marx. Beuys, Warhol, Klein,…

  • Slavs and Tatars

    Khhhhhhh

  • Folio Series

    Institutions by Artists. Volume One

  • Lucius Burckhardt

    Design ist unsichtbar. Entwurf, Gesellschaft und Pädagogik

  • Christoph Düesberg

    Megastrukturen. Architekturutopien zwischen 1955 und 1975

  • Dietmar Kammerer (Hg)

    Vom Publicum. Das Öffentliche in der Kunst

  • John Miller

    The Ruin of Exchange

  • Nikolaus Hirsch, Markus Miessen (Hg.)

    Critical Spatial Practice. What Is Critical Spatial…

  • Hito Steyerl

    The Wretched of the Screen (e-flux journal )

  • Ilka und Andreas Ruby (Hg.)

    Druot, Lacaton & Vassal. Tour Bois Le Prêtre

  • Mark Rakatansky

    Architecture Words 9. Tectonic Acts of Desire and Doubt

  • Ester Manitto

    A Lesson with AG Fronzoni. From Teaching Design to Design…

  • Paul O'Neill

    The Culture of Curating and the Curating of Culture(s)

  • W. Thaler, M. Mrduljas, V. Kulic

    - Modernism In-between - The mediatory Architectures of…

  • Tony Brook, Adrian Shaughnessy (Hg)

    Unit.Design/Research 01. Ronald Clyne at Folkways

  • IDEA Magazine

    IDEA 354. Alternative History of Publishing in Japan 1923 -…

  • Alessandro Ludovico

    Post-Digital Print. The Mutation of Publishing Since 1884

  • Wolfgang Tillmans

    Neue Welt

  • Studienhefte Problemorientiertes Design…

    Lucius Burckhardt. Design heisst Entwurf

  • Studienhefte Problemorientiertes Design…

    Horst Rittel. Die Denkweise von Designern

  • Blind Gallery (Hg.)

    Wim Crouwel

  • Tacet #01

    Who is John Cage?

  • Enqvist, Masucci, Rosendahl, Widenheim…

    Work, Work, Work A Reader on Art and Labour

  • Susan Hiller

    Song Book (Die Gedanken sind frei)

  • Markus Miessen

    Albtraum Partizipation

Pink Noises. Women on Electronic Music and Sound

Pink Noises brings together twenty-four interviews with women in electronic music and sound cultures, including club and radio DJs, remixers, composers, improvisers, instrument builders, and installation and performance artists. The collection is an extension of Pinknoises.com, the critically-acclaimed website founded by musician and scholar Tara Rodgers in 2000 to promote women in electronic music and make information about music production more accessible to women and girls. That site featured interviews that Rodgers conducted with women artists, exploring their personal histories, their creative methods, and the roles of gender in their work. This book offers new and lengthier interviews, a critical introduction, and resources for further research and technological engagement.
Contemporary electronic music practices are illuminated through the stories of women artists of different generations and cultural backgrounds. They include the creators of ambient soundscapes, “performance novels,” sound sculptures, and custom software, as well as the developer of the Deep Listening philosophy and the founders of the Liquid Sound Lounge radio show and the monthly Basement Bhangra parties in New York. These and many other artists open up about topics such as their conflicted relationships to formal music training and mainstream media representations of women in electronic music. They discuss using sound to work creatively with structures of time and space, and voice and language; challenge distinctions of nature and culture; question norms of technological practice; and balance their needs for productive solitude with collaboration and community. Whether designing and building modular synthesizers with analog circuits or performing with a wearable apparatus that translates muscle movements into electronic sound, these artists expand notions of who and what counts in matters of invention, production, and noisemaking. Pink Noises is a powerful testimony to the presence and vitality of women in electronic music cultures, and to the relevance of sound to feminist concerns.
Interviewees: Maria Chavez, Beth Coleman (M. Singe), Antye Greie (AGF), Jeannie Hopper, Bevin Kelley (Blevin Blectum), Christina Kubisch, Le Tigre, Annea Lockwood, Giulia Loli (DJ Mutamassik), Rekha Malhotra (DJ Rekha), Riz Maslen (Neotropic), Kaffe Matthews, Susan Morabito, Ikue Mori, Pauline Oliveros, Pamela Z, Chantal Passamonte (Mira Calix), Maggi Payne, Eliane Radigue, Jessica Rylan, Carla Scaletti, Laetitia Sonami, Bev Stanton (Arthur Loves Plastic), Keiko Uenishi (o.blaat)
Le Tigre is proud to be included in this long-awaited book by Tara Rodgers AKA Analog Tara, founder of pinknoises.com. This is a diverse group of interviews with women working within the field of electronic music -- producers, composers, performers, and DJs. Rodgers has compiled her conversations with these artists within a graceful academic framework, and she has elicited fascinating responses from her interviewees. Rodger's perspective as a peer lends the discussions transcribed in "PINK NOISES: Women on Electronic Music and Sound" an intimacy and thoroughness not often found in music journalism. She addresses issues of gender, sexism, and economics alongside/intertwined with details of artistic processes and technologies.
Review
"Pink Noises is a breath of fresh air when you look at how many electronic music books are about more of the same: boys with toys. From the Middle Eastern-inflected electronica of DJ Mutamassik, to the Punjabi rhythms of DJ Rekha, to the academix of Pamela Z and Pauline Oliveros, Tara Rodgers's examination of women as central figures in the creative processes of twenty-first-century art and music is a must-read for anyone who cares about the future of music in our hyper-connected and hyper-post-everything contemporary life."oPaul D. Miller, aka DJ Spooky "A wonderfully diverse international mix of interviews, essays, reviews, and links."oMichael Paoletta, Billboard "Great practical advice on music making."oURB "Everything you ever wanted to know about electronic music and the women making it."oTamara Warren, Nylon "Pinknoises doesn't just talk girl power, they enable it."oSoo-Hyun Chung, Mixer "Acknowledges women's space in the world of electronic music and celebrates it with information, education, and innovation."oFlavorpill "Go girls!"oAnne Hilde Neset, The Wire
From the Back Cover
“Pink Noises is a breath of fresh air when you look at how many electronic music books are about more of the same: boys with toys. From the Middle Eastern–inflected electronica of DJ Mutamassik, to the Punjabi rhythms of DJ Rekha, to the academix of Pamela Z and Pauline Oliveros, Tara Rodgers’s examination of women as central figures in the creative processes of twenty-first-century art and music is a must-read for anyone who cares about the future of music in our hyper-connected and hyper-post-everything contemporary life.”—Paul D. Miller, aka DJ Spooky


Tara Rodgers
Pink Noises. Women on Electronic Music and Sound
Duke University Press, 2010, 978-0822346739