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  • Elias Guenoun

    198 Wood Joints

  • Alison J. Clarke

    Victor Papanek. Designer for the Real World

  • Philipp P. Metzger

    Wohnkonzerne enteignen! Wie Deutsche Wohnen & Co ein…

  • Elizabeth Ezra

    The Cinema of Things. Globalization and the Posthuman Object

  • MMS (Maryam Fanni, Matilda Flodmark and…

    Natural Enemies of Books. A Messy History of Women in…

  • Sascha Roesler

    Weltkonstruktion. Eine Globalgeschichte der…

  • Owen Hatherley

    Clean Living under Difficult Circumstances. Finding a Home…

  • Benjamin Bratton

    The Revenge of the Real. Politics for a Post-Pandemic World

  • Gisela Notz

    Genossenschaften. Geschichte, Aktualität und Renaissance

  • Lorenz Engell

    Das Schaltbild. Philosophie des Fernsehens

  • Rafal Niemojewski

    Biennials: The Exhibitions We Love to Hate

  • Gerold Kunz, Hilar Stadler, Jonathan…

    On and Around Architecture. Ten conversations. Sergison…

  • Jens Balzer

    High Energy. Die Achtziger - das pulsierende Jahrzehnt

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  • ETH Newrope (Ed.)

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  • J. Wangel, E. Fauré

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  • Michael Erlhoff

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  • Michelle Christensen, Ralf Michel,…

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  • Chiara Carpenter, Giovanna Silva

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  • Brandon LaBelle, Víctor Aguado, Ramón…

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  • Tom Holert (Hg.)

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  • Barnabas Calder

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  • Anne Miltenburg

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  • IDEA Magazine

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  • Marie Staggat, Timo Stein

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  • Andreas Malm and the Zetkin Collective

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  • Andrej Holm, Ulrike Hamann, Sandy…

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  • Giulia Foscari / UNLESS (Hg)

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  • Daniel Kiss, Simon Kretz (Hg)

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  • Raúl Sánchez Cedillo

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  • Anne Boyer

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  • Jeffrey Hou, Sabine Knierbein (Eds.)

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  • Philipp Zitzlsperger

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  • Donald K. Carter (Ed.)

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  • Edward Tufte

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  • Francesco Garutti (ed.)

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  • Jakob Schoof (Hg)

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  • Klaus Englert

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  • Nikolaus Hirsch, Jason Waite (eds)

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  • Vitra Design Museum

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  • Sebastian Felix Ernst, Jonas Tratz/FAKT

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  • Reinier De Graaf

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  • Antoine Picon

    The Materiality of Architecture

  • Katherine McKittrick

    Dear Science and Other Stories

  • Lisa Marei Schmidt, Kerstin Wittmann-…

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  • Joseph Vogl

    Kapital und Ressentiment. Eine kurze Theorie der Gegenwart

Places of Memory. Hafiza Mekanlari. For the occasion of 14th International Architecture Exhibition la Biennale die Venezia.

Pavilion of Turkey
Places of Memory
—Murat Tabanlıoğlu
Rather than conducting a historical account of modern epoch in Turkey, presenting an exhaustive catalogue, or trying to capture its unique local attributes, “Places of Memory” attempts to explore the main theme of the biennial via perceptions and experiences.
The project idea departs from three areas of Istanbul: The first comprises Taksim, where I was born and grew up. Taksim is also an important square, with a constantly changing appearance because of partial and inconsistent interventions. The Atatürk Cultural Center, situated on the narrower end of the square, is a symbol of modern architecture in Turkey. My father, Hayati Tabanlıoğlu, was the architect. This first area spreads out across a wider zone, and continues downhill from the square to the coast, passes along the warehouses designed by Sedad Hakkı Eldem, an important representative of 20th century architecture in Turkey, reaching Salıpazarı harbor. Like many other areas in Istanbul, this area, too, is undergoing transformation. The GalataPort project (a master plan proposal, 2001) developed by us (Tabanlıoğlu Architects) for the area, and the Istanbul Museum of Modern Art, which we transformed from a warehouse into a museum (2004), were among projects that triggered change in this area. The second area is Bâb-ı Âli, where I spent my youth. Starting in Sirkeci, the area used to host the headquarters of important newspapers and printing houses in Turkey along two sides of the Cağaloğlu slope. I used to pass through this world every day since I studied in a high school in the same area. The final one is Büyükdere Boulevard and its environs. This area, once lined with fields and orchards, later with light industry buildings, today is in juxtaposition with the CBD, featuring high-rise buildings especially between Levent-Maslak axes that connect main transportation routes of the city.
A detailed discussion of these places that acted as thresholds during different stages of my life—or in a sense, my memory—seeded the first layers of the conceptual framework. Our focus in the exhibition is not necessarily on these places, but rather on the concept of place itself, incorporated with the subjective vision of every exhibitor in the team. The works interact with each other via different approaches based on different scales and mediums.
We chose not to write in advance the story that might emerge from this project. We will see the outcome together. This is a conscious decision that keeps us on edge, but one that also holds potentials.
http://placesofmemory.iksv.org/en/content.asp


Murat Tabanlıoğlu
Places of Memory. Hafiza Mekanlari. For the occasion of 14th International Architecture Exhibition la Biennale die Venezia.
IKSV, 2014, 978-605-5275-15-0