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    Liquid: The Delightful and Dangerous Substances That Flow…

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    Stolen Life

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    Trans-Europe Express: Tours of a Lost Continent

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    Nicht-Referenzielle Architektur: Gedacht von Valerio Olgiati

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    "" #2 James Hoff / Marian Kaiser

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    "" #5 Badlands Unlimited (Act 1)

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    Prompt: Socially Engaging Objects and Environments

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    Das Kotti-Prinzip. Urbane Komplizenschaften zwischen Räumen…

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    Denken in einer schlechten Welt

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    Curatorial Activism. Towards an Ethics of Curating

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    The Other Country. L'autre Pays

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    Flow. Interior, Landscape, and Architecture in the Era of…

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    A Short Account of the Library. (Everyday the Urge Gets…

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    Citymakers. The Culture and Craft of Practical Urbanism

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    The Artist As Producer, Quarry, Thread, Director, Writer,…

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    From Dwelling to Dwelling: Radical Housing Transformation

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    Was erzählt Pop?

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    The Standard Book of Noun-Verb Exhibition

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    The Largest Art. A Measured Manifesto for a Plural Urbanism

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    Wars and Capital

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    New Commons for Europe

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    Automatic Architecture: Motivating Form After Modernism

  • Omar Kholeif

    Goodbye, World! Looking at Art in the Digital Age

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    The Outside can´t go Outside

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    Eco-Visionaries: Art, Architecture, and New Media after the…

  • Steven Shaviro

    Die Pinocchio Theorie

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    From Palaces to Pre-fabs: Pioneering Women Interior…

  • Bruno Giuliana

    Atlas of Emotion: Journeys in Art, Architecture, and Film

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    Unbuilding Walls: Vom Todesstreifen zum freien Raum/From…

  • Tom Dyckhoff

    The Age of Spectacle: The Rise and Fall of Iconic…

  • Isabelle Graw

    The Love of Painting: Genealogy of a Success Medium

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    European Art Book Fairs on the Shelf

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    Marcel Breuer: Building Global Institutions

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    When Artists Curate. Contemporary Art and the Exhibition as…

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    Made of Beton

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    Fahr Rad!: Die Rückeroberung der Stadt

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    Conversations with Film-Makers. Movie Journal Columns 1961…

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    Bibliotheksbauten

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    Die Musik der Zukunft

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    Unruhig bleiben. Die Verwandtschaft der Arten im Chthuluzän

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    Feminist Spaces: Gender and Geography in a Global Context

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    Marmor und Asphalt. Soziale Oberflächen im Berlin des 20.…

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    A Book About Colab (and Related Activities)

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    The Adventure

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    Grounds for Possible Music

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    Prose Poetry and the City

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    Ungehorsam der Probleme

The Projectionists. Eadweard Muybridge and the Future Projections of the Moving Image

Eadweard Muybridge is among the seminal originators of the contemporary world’s visual form, with its concentrated image-sequences of bodies in movement and its ocular obsessions. This book examines an almost unknown dimension of Muybridge’s work, as a moving-image projectionist, who toured Europe’s cities to enthral beyond-capacity audiences with unprecedented projections and who built a moving-image auditorium - long before cinemas were created - in which to project his work at the 1893 Chicago World’s Columbian Exposition. That final invention of Muybridge’s was both an all-engulfing catastrophe and the vital precursor for the following century’s worldwide manias for projection. Based on entirely new research into Muybridge’s travels, audiences, auditoria and projectors, this book explores his initiating role in moving-image projection and also maps Muybridge’s driving inspiration for subsequent artists and filmmakers preoccupied with the volatile entity of projection, from 1890s Berlin to contemporary Japan, via further spectacular World’s Exposition events and cinemas’ overheated projection-boxes.
The book looks closely at the enigmatic figure of the moving-image projectionist, from its origins in Muybridge’s experiments, across glass, celluloid and digital projections, to the contemporary moment. Moving-image projection formed a crucial determinant in the imagining of new corporealities and new urban spaces, through its irrepressible capacity to envision future bodies and cities. The cinema projectionist - a solitary figure of compulsion and restlessness, inhabiting a profession touched with the multiple addictions and deaths of the moving image - was once a pivotal presence for global cinema audiences but is now consigned to near-obsolescence.
The book investigates contemporary urban projections as aberrant manifestations derived from Muybridge’s first conjurations of projection’s power for its spectators. Throughout, the book interrogates the strange figure of the projectionist, embodied first of all by Muybridge himself.
The Projectionists will attract and fascinate all lovers of cinemas, photography and moving-image cultures.


Stephen Barber
The Projectionists. Eadweard Muybridge and the Future Projections of the Moving Image
Diaphanes, 2020, 978-3-0358-0289-4
30,00 €