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    Essential Eames. Words & Pictures

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    Suburban Planet: Making the World Urban from the Outside In

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    Massive, Expressive, Sculptural: Brutalism Now and Then

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    Duty Free Art: Art in the Age of Planetary Civil War

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    The Death of Graffiti

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    Making Design Theory

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    How to make yourself a Feminist Design Power Tool

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    Floor Plan Manual. Non-profit Housing.

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    Black: Architecture in Monochrome

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    Size Matters! (De)Growth of the 21st Century Art Museum

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    Live Wires: A History of Electronic Music

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    Holidays in Soviet Sanatoriums

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    IDEA 379. The Works of Suzuki Hitoshi, Book Designer

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    Ethics of the Urban: The City and the Spaces of the…

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    Raster Beton - Vom Leben in Großwohnsiedlungen zwischen…

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    Wright's Writings: Reflections on Culture and Politics…

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    Wanderlust: Actions, Traces, Journeys 1967-2017

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    Habitat: Regionale Bauweisen und globale Klimazonen

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    Door Between Either And Or

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    Soviet Bus Stops Volume II

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    Pictures of the Floating Microcosm: New Representations of…

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    Schoolbook. metroZones - Schule für städtisches Handeln

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    School: A Recent History of Self-Organized Art Education

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    Eurotopians. Fragmente einer anderen Zukunft

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    Jedes Tier ist einzigartig

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    Plywood. A Material Story

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    General Ecology: The New Ecological Paradigm

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    No Such St

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    Das Seltsame und Gespenstische

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    OKEANOS

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    Like a Woman: Essays, Readings, Poems

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    Die Stadt und die Architektur des Wandels. Die radikalen…

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    Finding Brutalism. Eine fotografische Bestandsaufnahme…

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    Experimental Fashion. Performance Art, Carnival and the…

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    World History of Design Volume 2

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    World History of Design Volume 1

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    Neuromacht: Kunst im Zeitalter des kognitiven Kapitalismus

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    The day my mother touched Robert Ryman

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    CoHousing Inclusive: Selbstorganisiertes,…

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    Autotelic Architect: Changing world, changing practice

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    Eternal Erasure. On Fashion Matters

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    Tel Aviv-Haifa

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    Werkstücke: Making Objects into Houses

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    Sollen wir mal ein Hochhaus bauen?

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    Turn Up The Strobe: The KLF, The JAMS, The Timelords - A…

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    Are We Human? Notes on an Archaeology of Design

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    Maisons / Häuser

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    The Books that Shaped Art History: From Gombrich and…

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    Space Packed: The Architecture of Alfred Neumann

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    Zukunft entwerfen: Architektonische Konzepte des GEAM (…

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    The Artist as Curator - An Anthology

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    Die Poesie der Klasse: Romantischer Antikapitalismus und…

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    Das metrische Wir: Über die Quantifizierung des Sozialen

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    Housing in the City - New York, London, Paris

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    Fashioning Spaces

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    The Gathering Cloud

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    Less is a Bore, Reflections on Memphis

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    Sifting the Trash. A History of Design Criticism

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    Uncreative Writing: Sprachmanagement im digitalen Zeitalter

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    Groundscapes. Other Topographies

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    Design und Improvisation: Produkte, Prozesse und Methoden

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    Kong Boos

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    Radical Technologies. The Design of Everyday Life

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    Rebuilding Babel. Modern Architecture and Internationalsim

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    New Urban Worlds. Inhabiting Dissonant Times

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    Together! Die Neue Architektur der Gemeinschaft

On Reconciliation / Über Versöhnung

The bilingual publication On Reconciliation / Über Versöhnung uses the letters exchanged between Martin Heidegger and Hannah Arendt from 1925 and 1975 as a departure for a series of essays and conversations aiming to encourage a public debate on a difficult subject: the question of ethics and artistic production. The conceptual background is Arendt’s notion of “reconciliation” as an act of political judgment that, unlike revenge or forgiveness, can respond to wrongs in a way that fosters the political project of building and preserving a common world. In García’s view, Arendt not only formulated the concept of reconciliation to make bearable the world after the Second World War, but also to rationalize her unconditional loyalty to Heidegger (founded in youthful love) and her lifelong devotion to his oeuvre. Heidegger was infamously a member of the Nazi party and (arguably) the most important philosopher of the twentieth century, while Arendt was a German Jew who fled Europe to escape the Holocaust, later becoming an acclaimed social, historical, and political theorist.
Begun in the wake of the debate following the publication of Heidegger’s Black Notebooks, the starting point for On Reconciliation / Über Versöhnung was a commission by the Galerie frür Gegenwartskunst of E-Werk in Freiburg in 2016. Shortly after these cahiers shamelessly exposed the philosopher’s Anti-Semitism and Nazism, the University of Freiburg (where he had been rector at the beginning of the Nazi period) eliminated its Heidegger Chair in the Philosophy Department—though the cause was never made fully explicit. Articulated through various formats such as an exhibition, performances, public dialogues, and a publication developed in collaboration with K. Verlag, On Reconciliation / Über Versöhnung approaches the following question: Should moral positions be demanded from authors (in addition to professional excellence), and should their failure to satisfy our (contemporary) ethical standards be a reason to dismiss their work completely?
A project by Dora García
With contributions by Dora García, Simon Asencio, Rebecka Katz Thor, Nikola Mirković, Anna-Sophie Springer, Mark Thomas, Yuliya A. Tsutserova, Etienne Turpin, and Adriano Wilfert Jensen; including facsimile reproductions of selected letters between Hannah Arendt and Martin Heidegger.
German translations by Herwig Engelmann; English translations by Kevin Kennedy and Andrew Shields. Design by Katharina Tauer.


Dora García (Ed.)
On Reconciliation / Über Versöhnung
K. Verlag, 2019, 978-3-9818635-2-9
24,00 €