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  • Jan Büchsenschuß

    Die Fassade. Verkleidung und Illusion, Verbrechen und Zitat

  • Francesco Fusaro (Ed.)

    Sonic Traces. From Italy

  • Ulrich Gutmair

    Wir sind die Türken von morgen. Neue Welle, neues…

  • Jumping He (Ed.)

    Another Reading. Contemporary Book Design from China

  • James Voorhies

    Postsensual Aesthetics. On the Logic of the Curatorial

  • Arvanitis, Blank, Michaelidi,…

    Krisenkunst - Kunstkrise? Kunst und die globale Umweltkrise…

  • Pier Paolo Tamburelli

    Grundkurs: What is Architecture About?

  • Oliver Marchart

    Hegemony Machine. documentaX to fifteen and the Politics of…

  • Adolf Loos

    Adolf Loos. Ins Leere gesprochen

  • Gilles Aubry

    Sawt, Bodies, Species. Sonic Pluralism in Morocco

  • Mohsen Mostafavi, Kayoko Ota (eds.)

    Sharing Tokyo. Artifice and the Social World

  • Nina Rappaport

    Hybrid Factory, Hybrid City

  • Arch+ Zeitschrift für Architektur und…

    Arch+ 251. Unternehmen Architektur

  • Keller Easterling

    Mediumdesign

  • Anke Graneß

    Philosophie in Afrika. Herausforderungen einer globalen…

  • Nancy Fraser

    Der Allesfresser. Wie der Kapitalismus seine eigenen…

  • Susanne Witzgall, Marietta Kesting (Hg.)

    Human after Man

  • Reinier de Graaf

    architect, verb. The New Language of Building

  • Rosalyn Deutsche

    Not-Forgetting. Contemporary Art and the Interrogation of…

  • Rafi Segal, Marisa Morán Jahn

    Design & Solidarity. Conversations on Collective…

  • 51N4E (Hg.)

    How to not demolish a Building

  • Morten Paul

    Suhrkamp Theorie. Eine Buchreihe im philosophischen…

  • David Vaner, Ilka Ruby (Hg.)

    Besser als neu

  • Helen Thomas (Ed.)

    Architecture in Islamic Countries. Selections from the…

  • Carolin Amlinger, Oliver Nachtwey

    Gekränkte Freiheit. Aspekte des libertären Autoritarismus

  • Nicholas Mirzoeff

    White Sight. Visual Politics and Practices of Whiteness

  • Brandon LaBelle (Ed.)

    Radical Sympathy

  • Réka Patrícia Gál, Petra Löffler

    Earth and Beyond in Tumultuous Times. A Critical Atlas of…

  • Matthias Ballestrem and Lidia Gasperoni…

    Epistemic Artefacts. A Dialogical Reflection on Design…

  • Chris Lee

    Immutable. Designing History

  • common room, Cornelia Escher

    Negotiating Ungers 2 - The Oberhausen Institute and the…

  • Gülşah Stapel

    Recht auf Erbe in der Migrationsgesellschaft

  • James Bridle

    Die unfassbare Vielfalt des Seins

  • Beatrice Lampariello, Andrea Anselmo,…

    UFO. Unidentified Flying Object for Contemporary…

  • dérive N° 90 (Jan-Mar/2023). Zeitschrift für Stadtforschung

  • Mojca Kumerdej (Ed.)

    New Extractivism

  • Alfie Bown

    Dream Lovers. The Gamification of Relationships

  • Steven Warwick

    Notes on Evil. Steven Warwick

  • Martín Ávila

    Designing for Interdependence. A Poetics of Relating

  • Rosi Braidotti, Emily Jones, Goda…

    More Posthuman Glossary

  • Malcolm Miles

    Art Rebellion. The Aesthetics of Social Transformation

  • Jennifer Kaufmann-Buhler, Victoria…

    Design History Beyond the Canon

  • Laurene Vaughan

    Designing Cultures of Care

  • Deborah Ascher Barnstone

    The Color of Modernism. Paints, Pigments, and the…

  • Craig Martin

    Deviant Design. The Ad Hoc, the Illicit, the Controversial

  • Felix Stalder, Janez Fakin Jansa (eds)

    From Commons to NFTs

  • Marion von Osten, Tyna Fritschy

    Marion von Osten: Knüppel aus dem Sack. Tyna Fritschy: Das…

  • Andreas Butter, Thomas Flierl (Hg.)

    Architekturexport DDR. Zwischen Sansibar und Halensee

  • Sabeth Buchmann, Susanne Leeb, Peter…

    Marion von Osten. In the Making: "In the Desert of…

  • Valerio Olgiati

    Built

  • Junius Frey, Yuk Hui

    Kosmotechnik und Kommunismus

  • Birgit Schneider

    Der Anfang einer neuen Welt. Wie wir den Klimawandel…

  • Dimitra Kondylatou, David Bergé (Eds.)

    Public Health in Crisis. Confined in the Aegean Archipelago

  • Redaktion Protocol

    Protocol 13. Adrenalin

  • Pavillion de Arsenal, Paris

    L'Empreinte de l'habitat / Housing Footprint

  • Nicolas Dorval Bory, Guillaume Ramillien

    Visible, Invisible

  • Michael Chanan

    From Printing to Streaming. Cultural Production under…

  • Erica Borg, Amedeo Policante

    Mutant Ecologies. Manufacturing Life in the Age of Genomic…

  • Deborah Fehlmann, Astrid Staufer (Hg.)

    Wohnen im Einklang. Strategien zum Bauen im Lärm auf…

  • Stephan Trinkaus

    Ökologien des Prekären. Zu einer Theorie des Haltens

  • Edited by Moises Puente. Introduction…

    2G 86. Arquitectura-G

  • Marie-France Rafael

    Passing Images. Kunst in post-digitalen Zeiten

  • Isabell Lorey

    Democracy in the Political Present. A Queer-Feminist Theory

  • Alexandra Schauer

    Mensch ohne Welt. Eine Soziologie spätmoderner…

  • Laura Tripaldi

    Parallel Minds. Discovering the Intelligence of Materials

  • Ashley Dawson

    Aussterben. Eine radikale Geschichte

  • Evi D. Sampanikou, Jan Stasienko (ed.)

    Posthuman Studies Reader. Core Readings on Transhumanism,…

  • Mindy Seu (ed.)

    Cyberfeminism Index

  • Maria Muhle

    Mimetische Milieus. Eine Ästhetik der Reproduktion

  • David Grubbs

    Good night the pleasure was ours.

  • Nicholas Thoburn

    Brutalism as Found. Housing, Form, and Crisis at Robin Hood…

  • Andreas Schätzke

    Verzweigte Moderne. Beiträge zur Architektur des 20.…

  • Kuba Szreder

    The ABC of the projectariat

  • Judith Butler

    What World Is This? A Pandemic Phenomenology

  • Andrew M. Shanken

    The Everyday Life of Memorials

  • Doreen Massey (Eds.: David Featherstone…

    Selected Political Writings

  • Gwendolyn Owens, Philip Ursprung (Eds.)

    Gordon Matta-Clark. An Archival Sourcebook

  • Wolfgang Thöner, Karoline Lemke (Hg.)

    Bauhaus. Sprachrohr der Studierenden. Organ der Kostufra.…

  • Carolin Overhoff Ferreira

    Dekoloniale Kunstgeschichte. Eine methodische Einführung

  • Das Synagogen Projekt. Zum Wiederaufbau von Synagogen in…

  • Ramon Amaro

    The Black Technical Object. On Machine Learning and the…

  • Magdalena Jadwiga Härtelova

    It Is: You Appeared Once. A Story about Potential…

  • Bénédicte Ramade

    Vers un art anthropocène

  • Cache

    Ware Reinheit. Cache 02

  • Brandon Labelle (Hg)

    The Listening Biennial Reader. Vol. 1: Waves of Listening

  • Arch+ Zeitschrift für Architektur und…

    Arch+ 250.The Great Repair. Politiken einer…

  • Judith Siegmund (Hg)

    Handbuch Kunstphilosophie

  • Gleb Albert, Brigitta Bernet, Svenja…

    Im Krieg. Ukraine, Belarus, Russland. Geschichte der…

  • Hermann Funke

    Architekturkritiken 1962-2003. Hermann Funke

  • Stephanie Herold, Harald Engler,…

    Das Kollektiv. Formen und Vorstellungen gemeinschaftlicher…

  • Achille Mbembe, Felwine Sarr (eds)

    To Write the Africa World

  • Angela McRobbie, Daniel Strutt,…

    Fashion as Creative Economy. Micro-Enterprises in London,…

  • Amit Prasad

    Science Studies Meets Colonialism

  • Guillaume Blanc

    The Invention of Green Colonialism

  • IDEA Magazine

    IDEA 400. Graphic Design Recollections & Records:…

  • Nathaniel Marcus

    Breathing Room. A dialogue with Lakuti & Tama Sumo. Ein…

  • Jörg Schröder, Riccarda Cappeller,…

    Circular Design. Towards Regenerative Territories

  • Álvaro Sevilla-Buitrago

    Against the Commons: A Radical History of Urban Planning

Rosalind Nashashibi

(…) You can go into a situation knowing that you’re interested and even knowing why you’re interested, but it’s the filmmaking that gets you closer to the parts of your knowledge that are inaccessible or not yet accessible. The way I used to make films was to look at places that attracted me – places that intimidated me or excited me or places I liked – and then film in order to really look at them. Now I try to get a bit closer to knowing, to constructing something. I’m already one step further when I start than I used to be. I’d like to put those two ways of working together. Still, it’s really only about trying to find out why I’m going back to this place or situation in the first place. (…)
THE CAST
ROSALIND ……………………………….. Rosalind Nashashibi1
THE EGOIST ……………………………….. Raimundas Malašauskas2
THE BLIND MAN ……………………………….. Laure Prouvost3
TANGO ……………………………….. Emma Davie4
1. Rosalind Nashashibi is a London-born artist based in Liverpool. She makes 16mm films and other things. She often works collaboratively with artist Lucy Skaer, and teaches part time at Liverpool John Moores University.
2. Raimundas Malašauskas’s was born in Vilnius, curates world-wide, and writes occasionally.
3. Laure Prouvost is an artist born in France, now living and working in London, who creates multi-media environments that often invoke loose narratives centred around a single event. Her work has been shown at Tate Britain, ICA (London), Serpentine Gallery, and the Sculpture Centre (New York). She is the recipient of the 2011 Max Mara Art Prize for Women.
4. Emma Davie is a documentary filmmaker and Programme Director of Film & Television at Edinburgh College of Art, University of Edinburgh.


Drawing Room Confessions Issue #6
Rosalind Nashashibi
DRC, 2012, 978-88-67490-04-2