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  • Alina Serban & Kalliopi Dimou,…

    Enchanting Views: Romanian Black Sea Tourism Planning and…

  • David Blamey (Ed.)

    Specialism

  • Gabrielle Cody, Meiling Cheng (Eds.)

    Reading Contemporary Performance. Theatricality Across…

  • Andre Lepecki

    Singularities. Dance in the Age of Performance

  • M. R. Stein, L. Miller, M. Henrichs (Hg)

    Blueprint for Counter Education. Curriculum, Handbook, Eall…

  • Helen Marten

    Parrot Problems

  • Owen Hatherley

    The Chaplin Machine. Slapstick, Fordism and the Communist…

  • Lina Dokuzović

    Struggles for Living Learning. Within Emergent Knowledge…

  • Marcus Quent (Hg)

    Absolute Gegenwart

  • Fabian Frenzel

    Slumming It: The Tourist Valorisation of Urban Poverty

  • Keller Easterling

    Extrastatecraft. The Power of Infrastructure Space

  • Yuk Hui, Andreas Broeckmann

    30 Years after Les Immatériaux: Art, Science and Theory

  • Jacques Lucan

    Composition, Non-Composition. Architecture and Theory in…

  • Seth Price

    Fuck Seth Price (Second Edition, Hardcover)

  • J. Herzog, P. de Meuron

    Herzog de Meuron. Trügerische Transparenz. Beobachtungen…

  • Florentine Sack

    Open House 2. Gestaltungskriterien für eine neue…

  • Beti Zerovc

    When Attitudes Become the Norm: The Contemporary Curator…

  • Stuart Bailey (Hg.)

    Extended Caption (DDDG)

  • Luca Lo Pinto, Vanessa Joan Müller (Eds…

    Frederick Kiesler. Function Follows Vision, Vision Follows…

  • Thun-Hohenstein, Bogner, Lind, Vischer…

    Friedrich Kiesler – Lebenswelten / Life Visions

  • Ruben Pater

    The Politics of Design: A (Not So) Global Manual for Visual…

  • Giovanna Silva

    Syria, A Travel Guide to Disappearance

  • Amie Siegel

    Double Negative. Ricochet 10

  • Jens Balzer

    Pop. Ein Panorama der Gegenwart

  • Timothy D. Taylor

    Music and Capitalism. A History of the Present

  • GRAFT

    Architecture Activism

  • Nav Haq (Ed.)

    RAVE. Rave and its Influence on Art and Culture

  • Trudy Nieuwenhuys, Gemeente Museum Den…

    Constant. New Babylon. To Us, Liberty

  • Borja Ballbé

    Ordinary Landscapes. Paisajes comunes

  • Riet Wijnen (Ed.)

    abstraction creation, art non figuratif 1932

  • A. Lepik, V. S. Bader (Hg)

    World of Malls. Architekturen des Konsums

  • C. Menrad, H. Creighton (Eds.)

    William Krisel's Palm Springs

  • Brandon Labelle

    Overheard and Interrupted

  • Jessica Helfand

    Design. The Invention of Desire

  • Stephen Prina

    galesburg, illinois+

  • Agnés Laube, Michael Widrig

    Archigrafie. Schrift am Bau

  • Marc Angélil, Charlotte Malterre-…

    Housing Cairo

  • Antje Ehmann, Carles Guerra (Eds.)

    Harun Farocki. Another Kind of Empathy

  • T. J. Demos

    Decolonizing Nature: Contemporary Art and the Politics of…

  • Hans Ulrich Obrist

    Lives of the Artists, Lives of the Architects

  • Gloria Moure(Ed.)

    Behind the facts. Interfunktionen 1968-1975

  • Roberto Simanowski

    Facebook-Gesellschaft

  • Berliner Hefte zu Geschichte und…

    Die Mauerpark-Affäre

  • Barnabas Calder

    Raw Concrete. The Beauty of Brutalism

  • François J. Bonnet

    The Order of Sounds. A Sonorous Archipelago

  • Leon van Schaik

    Practical Poetics in Architecture

  • Pozsár Péter

    Builders. Socially engaged Architecture from Hungary

  • Malzacher, Öğüt, Tan (eds.)

    The Silent University - Toward a Transversal Pedagogy

  • Markus Miessen

    Crossbenching: Toward a Proactive Mode of Participation,…

  • Bundesamt für Kultur (CH)

    Betrachtungen einer Ungestalt. Die schönsten Schweizer…

  • Francesca Balena Arista

    Poltronova Backstage: Archizoom, Sottsass and Superstudio.…

  • David Joselit

    Nach Kunst

  • Erika Balsom, Hila Peleg

    Documentary Across Disciplines

  • Kerstin Stakemeier, Marina Vishmidt

    Reproducing Autonomy. Work, Money, Crisis and Contemporary…

  • Frank Berzbach

    Formbewusstsein. Eine kleine Vernetzung der alltäglichen…

  • Jens Hoffmann, Claudia J. Nahson (eds.)

    Roberto Burle Marx: Brazilian Modernist

  • Jacek Mrowczyk

    VeryGraphic. Polish Designers of the 20th Century

  • Sabine Bitter & Helmut Weber

    Front, Field, Line, Plane. Researching the Militant Image

  • Annette Gigon, Mike Guyer, Felix…

    Residential Towers

  • 9. Berlin Biennale für zeitgenössische…

    The Present in Drag

  • Geert Lovink

    Social Media Abyss. Critical Internet Cultures and the…

  • Tanja Seeböck

    Schwünge in Beton. Die Schalenbauten von Ulrich Müther

  • Honey-Suckle Company

    Spiritus

  • Arna Mackic

    Mortal Cities and Forgotten Monuments

  • Moritz Behrens, Christian Berkes,…

    Sentiment Architectures. A Field Trip to Behaviour and…

  • Donna J. Haraway

    Manifestly Haraway

  • A. Andraos, N. Akawi (eds)

    The Arab City: Architecture and Representation

  • HKW (Ed.)

    Nervous Systems

  • Felicity D. Scott

    Outlaw Territories. Environments of Insecurity/…

  • Owen Hatherley

    Landscapes of Communism. A History Through Buildings

  • Rashid Ali, Andrew Cross

    Mogadishu. Lost Moderns

  • Schmal, Elser, Scheuermann (eds.)

    Making Heimat. Germany, Arrival Country

  • Helge Mooshammer, Peter Mörtenböck

    Visual Cultures as Opportunity

  • Simone Neuenschwander, Thomas Thiel (…

    Transparenzen/Transparencies

  • A. Angelidakis, V. Pizzigoni, V. Scelsi…

    Super Superstudio

  • Peter Chadwick

    This Brutal World

  • Naomi Pollock

    Sou Fujimoto

  • P. Cachola Schmal, P. Sturm

    Zukunft von gestern - Visionäre Entwürfe von Future Systems…

  • Ina Blom

    The Autobiography of Video. The Life and Times of a Memory…

  • Timothy Morton

    Dark Ecology. For a Logic of Future Coexistence

  • Benjamin H. Bratton

    The Stack. On Software and Sovereignty

  • Nadine Barth (Hg.)

    Berlin Raum Radar. Neue Architekturfotografie

  • Biljana Ciric, Nikita Yingqian Cai (Ed)

    Active Withdrawals. Life and Death of Institutional Critique

  • Burkhardt Meltzer

    Rethinking the Modular. Adaptable Systems in Architecture…

  • Bibbl. Herzog von Bayern

    Gedruckt und erblättert. Das Fotobuch als Medium…

  • Estelle Blaschke

    Banking on Images. From the Bettmann Archive to Corbis

  • Georg Windeck

    Construction Matters

  • Walter Benjamin.

    Sonnets

  • Glenn Adamson, Julia Bryan-Wilson

    Art in the Making: Artists and Their Materials from the…

  • David Toop

    Into the Maelstrom: Music, Improvisation and the Dream of…

  • Nicolas Grospierre

    Modern Forms. A Subjective Atlas of 20th-Century…

  • Slavoj Zizek

    Against the Double Blackmail: Refugees, Terror and Other…

  • Ian Brennan

    How Music Dies (or Lives): Field Recording and the Battle…

  • Gustav Roßler

    Der Anteil der Dinge an der Gesellschaft. Sozialität -…

  • Berlinische Galerie (Hg.)

    Visionäre der Moderne. Paul Scheerbart, Bruno Taut, Paul…

  • Walter Grasskamp

    Das Kunstmuseum. Eine erfolgreiche Fehlkonstruktion

  • Kathrin Peters, Andrea Seier (Hg.)

    Gender & Medien-Reader

  • Nadir Z. Lahiji

    Can Architecture Be An Emancipatory Project? Dialogues on…

Selected Maria Lind Writing

Selections and responses by Beatrice von Bismarck, Ana Paula Cohen, Liam Gillick, Brian Kuan Wood, and Tirdad Zolghadr
Working in a number of contexts and capacities has shown Maria Lind to be a curator who, over time, has engaged in a rethinking of the art institution and the formats and methodologies connected with it, taking art itself as a starting point. Following on the various endgames outlined by institutional critique, Lind has forged paths out of hegemonic institutional regimes precisely by identifying other ways of working through them, from both inside and outside.
For Lind, writing is integral to her curatorial work. It is where she accounts for her decisions, explains her intention, justifies her interest, toys with new possibilities and develops new ideas, and recognizes historical precedents. It is where the craft of curating, already pointed out towards a public, finds another channel of articulation.
Selected Maria Lind Writing brings together twenty-two essays selected by Beatrice von Bismarck, Ana Paula Cohen, Liam Gillick, Brian Kuan Wood, and Tirdad Zolghadr.
The collection of essays spanning from 1997 to 2010 forms a tapestry of Lind's own interweaving interests, but also of those of a panel of readers invited by Lind to project their own concerns onto her corpus of writing. Essays on individual artists, monographic and group exhibitions, funding structures, new contexts and spatial paradigms, together comprise a rare opportunity to swivel a spotlight on its axis back towards a figure who always tries to aim it at what really matters.
Maria Lind is a curator and writer based in Stockholm. She was the director of the graduate program at the Center for Curatorial Studies, Bard College, 2008 to 2010. She was director of Iaspis in Stockholm 2005 to 2007 and from 2002 to 2004 was the director of Kunstverein München. From 1997 to 2001, Lind was curator at Moderna Museet in Stockholm, where she was responsible for Moderna Museet Projekt. She was co-curator of Manifesta 2 in 1998. Lind has contributed widely to magazines and other publications, as well as to numerous exhibition catalogues. She was the 2009 recipient of the Walter Hopps Award for Curatorial Achievement.
Design by Liam Gillick


Brian Kuan Wood (Hg.)
Selected Maria Lind Writing
Sternberg Press, 2010, 978-1-934105-18-4