Direkt zum Inhalt

Warenkorb

  • Loretta Napoleoni

    Rogue Economics. Capitalism's New Reality

  • AD

    AD 174. Vol. 75. Nr. 2. Samantha Hardingham. The 1970'…

  • An Architektur

    An Architektur 18: Camp for Oppositional Architecture:…

  • An Architektur

    An Architektur 16-17

  • Vera Beyer, Jutta Voorhoeve, Anselm…

    Das Bild ist der König. Repräsentation nach Louis Marin

  • An Architektur

    An Architektur 15 / FFM 11: Europäische…

  • An Architektur

    An Architektur 14: Camp for Oppositional Architecture

  • An Architektur

    An Architektur 11-13: Theorie und Praxis der Kartografie

  • An Architektur

    An Architektur 10: Gemeinschaftsräume

  • An Architektur

    An Architektur 04-09: Krieg und die Produktion von Raum

  • IDEA Magazine

    IDEA 296. Books <preposition> graphic design

  • IDEA Magazine

    IDEA 293. Stanley Donwood / Vacances. DD-DDD / Dimensions…

  • gerade nicht auf Lager
    An Architektur

    An Architektur 01-03

  • gerade nicht auf Lager
    Pro qm

    Gutschein / Voucher

Situation. Documents of Contemporary Art

Situation - a unique set of conditions produced in both space and time and ranging across material, social, political, and economic relations--has become a key concept in twenty-first-century art. Rooted in artistic practices of the 1960s and 1970s, the idea of situation has evolved and transcended these in the current context of globalization. This anthology offers key writings on areas of art practice and theory related to situation, including notions of the site specific, the artist as ethnographer or fieldworker, the relation between action and public space, the meaning of place and locality, and the crucial role of the curator in recent situation specific art. In North America and Europe, the site-specific is often viewed in terms of resistance to art's commoditization, while elsewhere situation-specific practices have defied institutions of authority. The contributors discuss these recent tendencies in the context of proliferating international biennial exhibitions, curatorial place-bound projects, and strategies by which artists increasingly unsettle the definition and legitimation of situation-based art.
Artists surveyed include: Vito Acconci, Allora & Calzadilla, Francis Alÿs, Carl Andre, Artist Placement Group, Michael Asher, Amy Balkin, Ursula Biemann, Bik Van der Pol, Daniel Buren, Victor Burgin, Janet Cardiff, Center for Land Use Interpretation, Adam Chodzko, Tacita Dean, Elmgreen & Dragset, Andrea Fraser, Hamish Fulton, Dan Graham, Liam Gillick, Renee Green, Group Material, Douglas Huebler, Bethan Huws, Pierre Huyghe, Robert Irwin, Emily Jacir, Ilya Kabakov, Julius Koller, Langlands & Bell, Ligna, Richard Long, Gordon Matta-Clark, Cildo Meireles, Jonathan Monk, Robert Morris, Gabriel Orozco, Adrian Piper, Walid Ra'ad, Raqs Media Collective, Paul Rooney, Martha Rosler, Richard Serra, Situationist International, Tony Smith, Robert Smithson, Vivan Sundaram, Rirkrit Tiravanija, Lawrence Weiner, Rachel Whiteread, Krzysztof Wodiczko, Qiu Zhijie Writers include: Arjun Appadurai, Hannah Arendt, Marc Auge, Wim Beeren, Josephine Berry Slater, Daniel Birnbaum, Ava Bromberg, Markus Bruderlin, Susan Buck-Morss, Jon Bywater, Michel de Certeau, Douglas Crimp, Gilles Deleuze, T. J. Demos, Rosalyn Deutsche, Charles Esche, Graeme Evans, Patricia Falguieres, Hal Foster, Hou Hanru, Mark Hutchinson, Mary Jane Jacob, Vasif Kortun, Hari Kunzru, Miwon Kwon, Lu Jie, George E. Marcus, Doreen Massey, James Meyer, Ivo Mesquita, Brian O'Doherty, Craig Owens, Jane Rendell, Simon Sheikh, Jan Verwoert, Peter Weibel
Documents of Contemporary Arts series Copublished with Whitechapel Gallery, London


Claire Doherty (Hg.)
Situation. Documents of Contemporary Art
MIT Press, 2009, 978-0-262-51305-0
gerade nicht auf Lager