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  • Lenka Veselá (Ed.)

    Synthetic Becoming

  • Stavros Stavrides, Penny Travlou (Eds)

    Housing as Commons. Housing Alternatives as Response to the…

  • Christiane Rösinger

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  • Christian Dehli, Andrea Grolimund

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  • Boris Groys

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  • DeForrest Brown, Jr.

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  • Yuma Shinohara, Andreas Ruby (Hg.)

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  • Zara Pfeifer

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  • CuratorLab (Ed.)

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  • Michael Rawson

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  • Patricia Ribault

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  • Silke Langenberg (Hg.)

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  • Wilfried Wang (Hg.)

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  • Christian Sander

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  • Marie-France Rafael

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  • Mohsen Mostafavi (ed)

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  • Material Cultures

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  • Sven Lütticken

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  • Christian Brox (Brox+1)

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  • Florian Strob (Hg.)

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    Umstrittene Methoden. Architekturdiskurse der…

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    Atlas des Dazwischenwohnens. Wohnbedürfnisse jenseits der…

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  • Lauren Berlant

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  • Lucius Burckhardt

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  • Vittoria Pavesi (Hg)

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  • Gottfried Schnödl, Florian Sprenger

    Uexkülls Umgebungen. Umweltlehre und rechtes Denken

  • Gottfried Schnödl, Florian Sprenger

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  • Charles L. Davis II

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  • Teddy Cruz, Fonna Forman

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  • Jacopo Galimberti

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  • Frida Grahn (Hg.)

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  • Dagmar Pelger

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  • Michael Franz, Fabian Ginsberg (Hg.)

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  • David Sim

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  • Tobias Wallisser, Alexander Rieck

    LAVA Laboratory for Visionary Architecture. What If

  • Hannah Black

    Tuesday or September or the End

  • Adrienne Buller, Mathew Lawrence

    Owning the Future. Power and Property in the Age of Crisis

  • Sianne Ngai

    Das Niedliche und der Gimmick. Zwei ästhetische Kategorien

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    Liquidity, Flows, Circulation. The Cultural Logic of…

  • Bernard Fibicher (Hg)

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  • Reto Geiser, Michael Kubo (Hg)

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  • Institute for Postnatural Studies

    Compost Reader

  • Benjamin Bratton

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  • Rolf Lindner

    In einer Welt von Fremden. Eine Anthropolgie der Stadt

  • Lorenzo Fabian & Ludovico Centis

    The lake of Venice. A scenario for Venice and its lagoon

  • Peter Osborne

    Crisis as Form

  • Leslie Kern

    Gentrification Is Inevitable and Other Lies

  • Arch+ Zeitschrift für Architektur und…

    Arch+ 249. Learning Spaces

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    Exzentrische 80er: Tabea Blumenschein, Hilka Nordhausen,…

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  • Sinthujan Varatharajah, Hilal Moshtari

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  • Ina Blom

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  • Erik Spiekermann

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  • Luka Holmegaard

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  • IDEA Magazine

    IDEA 399. In the Design Field, Today: Thought and Practice…

  • Verena von Beckerath, Barbara Schönig (…

    Drei Zimmer, Küche, Diele, Bad. Eine Wohnung mit Optionen

  • Tresor

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  • Philippine Hoegen (Ed.)

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  • Emanuele Coccia

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  • Warren Neidich (Ed)

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  • B. B. Jensen, H. Ibelings (eds.)

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  • François Bonnet, Bartolomé Sanson (eds.)

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  • Claudia Rankine

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    Radical Pedagogies

  • Anouchka Grose, Robert Brewer Young

    Uneasy Listening. Notes on Hearing & Being Heard

  • Ursula Schulz-Dornburg

    Huts, Temples, Castles

  • Paulo Moreira (Ed.)

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  • Muñoz Sanz, V., Thomidou, A., eds.

    Roadside Picnics: Encounters with the Uncanny

From static oblivion

From static oblivion aims to deepen, starting from Ion Grigorescu's rich production, the reflection about the status of the image as a balance of forces in tension, as form of what is in continuous movement and as a paradoxical act of cancellation of the body through its own representation.
In the work of the Romanian artist, as in the book, the body is continually shown in different ways - from photography to film, from performance to drawing - and yet it remains absent, obscuring its own identity in an attempt to question the collective one. As it is impossible to carry out his performances and show his art during the regime, it ends up hiding, disappearing inside the image. Instead of showing, the image conceals, because it is non-documentary and non-transmittable; nevertheless, it is constitutive and executive, it is an act of birth, a prove of the artist's resistance, especially as a human being inside (or against) any geographical or historical background.
From static oblivion traces, with spiral movements, the progression, both expansive and inclusive, of Grigorescu's work, which, at the end, inscribes itself into the space of the body and into that of the world, in a complete superimposition of micro and macrocosm. Grigorescu absorbs elements of the surrounding reality, showing us a continuity between art and life, an interplay between work and work space: his act of dissidence is not an outcry of provocation, nor is it extreme; it is an anti-aesthetic operation which uses experimentation and rough techniques to uncover the fiction of art and to denounce the artifice of representation.
Grigorescu worked in the secrecy of his studio, defying prohibitions and risking denunciations, thereby showing that art can be a universe which is freer than the world of dreams and which is capable of representing the true space of desire as a critical category and of affirming the image as an instrument of a subversive power.
— Giuliana Prucca
https://p-u-n-c-h.ro/misc/ion-grigorescu-from-static-to-oblivion/


Ion Grigorescu
From static oblivion
Avarie, 2017, 978-2-9541974-2-5
43,00 €