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  • Kathleen James-Chakraborty

    Modernism as Memory: Building Identity in the Federal…

  • Christoph Metzger

    Neuroarchitektur

  • Rainer Hehl, Ludwig Engel (Hg)

    Transtopia: Wie wir städtische Transformation gestalten

  • Isabell Lorey

    Immer Ärger mit dem Subjekt. Theoretische und politische…

  • Jan de Heer, Kees Tazelaar

    From Harmony to Chaos - Le Corbusier, Varese, Xenakis. and…

  • a+t 48

    Complex Buildings. Generators, Linkers, Mixers &…

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    Complex Buildings. Dwelling Mixers

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    Harald Szeemann. Museum der Obsessionen

  • Fred Moten

    Black and Blur (Consent Not to Be a Single Being)

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    Flying Plaza. Work Journal. The artist practice of Studio…

  • Holger Schulze

    The Sonic Persona. An Anthropology of Sound

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    Experimental Politics: Work, Welfare, and Creativity in the…

  • Anitra Nelson

    Small is Necessary. Shared Living on a Shared Planet

  • Lorenzo Ciccarelli

    Renzo Piano Before Renzo Piano

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    Things Don’t Really Exist Until You Give Them a Name:…

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    Social Medium: Artists Writing, 2000 - 2015

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    Radical Utopias - Archizoom, Buti, 9999, Pettena,…

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    Speculative Art Histories. Analysis at the Limits

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    Reader 2: Overcoming the Hype

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    Max Bill: ohne Anfang, ohne Ende. No Beginning, No End

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  • M. Rebecchi, E. Vogman

    Sergei Eisenstein and the Anthropology of Rhythm

  • Alexander Kluge

    Gärten der Kooperation / Gardens of Cooperation

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    Fugitive Belonging

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    Into the Great Wide Open

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    Architectural Intelligence

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    Utopia/Dystopia. A Paradigm Shift in Art and Architecture

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    Spandex Studies

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    Notes on Space. Monumental Painting in Estonia 1947-2012

  • Romana Schmalisch

    Mobile Cinema

  • Bell Hooks,‎ Stuart Hall

    Uncut Funk. A Contemplative Dialogue

  • Joanna Boehnert

    Design Ecology Politics. Towards the Ecocene

  • Michael Roy (Ed.)

    Jean Prouvé. Architect for Better Days

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    Affect Me. Social Media Images in Art

  • Lucie Kolb

    Studium, nicht Kritik

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    Brave New World. Romanian Migrants Dream' Houses

  • Oraib Toukan

    Sundry Modernism . Materials for a Study of Palestinian…

  • Terry Farrell, Adam Nathaniel Furman

    Revisiting Postmodernism

  • Hella Jongerius, Louise Schouwenberg

    Beyond the New on the Agency of Things

  • Daniel Drognitz,‎ Sarah Eschenmoser,…

    Ökologien der Sorge

  • Lori Waxman

    Keep Walking Intently. The Ambulatory Art of the…

  • Verena Hartbaum

    Disko 27. Retrospektiv Bauen in Berlin

  • Peter Osborne

    The Postconceptual Condition

  • Amanda Reeser Lawrence, Ana Miljacki (…

    Terms of Appropriation: Modern Architecture and Global…

  • Anne Magnien

    Sur les pavés la pub

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    Trading Places: Practices of Public Participation in Art…

  • Boris Groys

    In the Flow

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    Photography Against the Grain: Essays and Photo Works, 1973…

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    Craft-Based Design: Von Handwerkern und Gestaltern

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    Entkunstung I

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    Ich hatte keinen Ort: Tagebücher 1944-1955

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    Bruno Munari. Total Artist

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    Entgrenzter Formalismus. Verfahren einer antimodernen…

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    Eileen Gray. Intimate Architecture. Une Architecture de l…

  • Issue 0

    Klassensprachen. Written Praxis

  • Witte de With, Defne Ayas, Adam Kleinman

    WdW Review. Arts, Culture, and Journalism in Revolt, Vol. 1…

  • Akos Moravanszky

    Stoffwechsel. Materialverwandlung in der Architektur

  • Kerstin Ergenzinger

    Navigating Noise

  • Todd Gannon

    Reyner Banham and the Paradoxes of High Tech

  • Stephen Duncombe

    Notes from Underground: Zines and the Politics of…

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    Traces: Fashion & Migration

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    Die Seitenallee

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    Venets Welcome to the Ideal. (Venets Hotel)

  • Witte de With, Defne Ayas, Adam Kleinman

    WdW Review: Arts, Culture, and Journalism in Revolt, Vol. 1…

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    Skopje. Architektur im Mazedonischen Kontext. Macedonian…

  • Rachel Stella

    E.1027 Maison en bord de mer - House by the sea (E1027)

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    Frau Architekt: Seit mehr als 100 Jahren: Frauen im…

  • Jesse Lerner

    L.A. collects L.A.: Latin America in Southern California…

  • E-Flux / J. Aranda, B. Kuan Wood, A.…

    Supercommunity. Diabolical Togetherness Beyond Contemporary…

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    Pasolini's Bodies and Places

  • Research Center for Proxy Politics (Hg)

    Proxy Politics. Power and Subversion in a Networked Age

  • Isabelle Graw

    Die Liebe zur Malerei. Genealogie einer Sonderstellung

  • Georges Perec

    Das Leben Gebrauchsanweisung

  • Merlin Carpenter

    Militant

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    Heroes

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    Transmoderne: Eine Kunstgeschichte des Kontakts

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    Öyvind Fahlström. Manipulate the World: Connecting Öyvind…

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    Haustiere. Unsere nahen und doch so fremden Begleiter

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    Die lange Nacht der Metamorphose: Über die Gentrifizierung…

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    Albert Frey and Lina Bo Bardi: A Search for Living…

  • Marion von Osten

    Once We Were Artists

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    The Second Digital Turn: Design Beyond Intelligence

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    Vergessene Schulen. Architekturlehre zwischen Reform und…

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    Mute. Die Geschichte eines Labels: 1978 bis morgen

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    Conatus und Lebensnot. Schlüsselbegriffe der…

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    Radikales Denken. Zur Aktualität Susan Sontags

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    SOS Brutalismus: Eine internationale Bestandsaufnahme

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    The New Tenement: Residences in the Inner City Since 1970

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    School of Missing Studies

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    David Hammons: Bliz-aard Ball Sale

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    SuperDesign: Italian Radical Design 1965-75

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    Post-Modern Buildings in Britain

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    Essential Eames. Words & Pictures

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    Suburban Planet: Making the World Urban from the Outside In

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    Massive, Expressive, Sculptural: Brutalism Now and Then

  • Hito Steyerl

    Duty Free Art: Art in the Age of Planetary Civil War

  • Jo Preußler Cogitatio.Factum

    The Death of Graffiti

The Sympathy of Things

The Sympathy of Things. Ruskin and the Ecology of Design
‘We have to find our way back to beauty,’ writes Lars Spuybroek in the introduction to The Sympathy of Things. In this book Spuybroek argues that we must ‘undo’ the twentieth century – the age of minimalism, abstraction and genocides. This leads him to the aesthetical insight of the nineteenth-century English art critic John Ruskin, from which he distils pointers for our time.
In Ruskin’s work, Lars Spuybroek has discovered a treasure trove of concepts in which the beauty of things is determined by a combination of variation, imperfection and fragility. Through these qualities, things once again earn our sympathy and friendship. A sympathy, Spuybroek argues, that not only occurs between human beings and things but also between things themselves: “Sympathy is what things feel when they shape each other.” Like Ruskin, Spuybroek seeks a world that is dedicated to composition and beauty, where things are governed by what Ruskin called the “law of help.”
Step by step, Spuybroek addresses Ruskin’s five central dual themes: the Gothic and work, ornament and matter, sympathy and abstraction, the picturesque and time, and ecology and design. He wrests these concepts from the Victorian context and compares them with ideas of later aestheticians and philosophers. The Sympathy of Things is the log of an exploratory journey into beauty. Spuybroek writes in a clear, accessible language that is by turns precise, elegant and moving, zooming in on the fascinating details of Gothic architecture, complex African textile patterns and the wallpaper designs of William Morris. The Sympathy of Things will leave no one unaffected. The book is not a mere critique but rather the first fully thought-out, positive aesthetics of a new generation who face the task of sustainably designing the 21st century.
Lars Spuybroek is Professor of Architectural Design and holder of the Thomas Ventulett Distinguished Chair of Architecture at the Georgia Institute of Technology in Atlanta. He is the author of The Architecture of Continuity (2008) and Research & Design: Textile Tectonics (2011).
"We are living through a change in paradigm, in the age of the flexible machine, where the concepts of matter, spirituality and design are under re-negotiation and we need such fearless thought to jolt complacency. If Spuybroek, like Ruskin, does not shake your design and aesthetic concepts, you haven’t understood him.” - Charles Jencks, author of The Language of Post-Modern Architecture
“The Sympathy of Things is a stirring call to action; an amazing reconstruction of the ideas of the Victorian sage John Ruskin; and, above all, a visionary look at the inner life of things. Lars Spuybroek makes the case that aesthetics is first philosophy, and proposes a radical new aesthetics for the digital age .” - Steven Shaviro, DeRoy Professor of English, Wayne State University, Detroit and author of Without Criteria


Lars Spuybroek
The Sympathy of Things
NAi, 2011, 978-90-5662-827-7