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  • Steffen Sauerteig, Svend Smital, Kai…

    eBoy. Pixorama

  • Ilka & Andreas Ruby (Hg.)

    Urban Transformations

  • Jörg Schröder, Barbara Kalender

    Schröder erzählt

  • Diedrich Diederichsen

    On (Surplus) Value in Art. Reflections 01

  • Michael Fried

    Why Photography Matters as Art as Never Before

  • Ralph Heidenreich, Stefan Heidenreich

    Mehr Geld

  • Anne Becker, Olga Burkert, Anne Doose,…

    Verhandlungssache Mexiko Stadt. Umkämpfte Räume,…

  • Sven Spieker

    The Big Archive. Art From Bureaucracy

  • Thomas Meinecke

    Jungfrau

  • Grada Kilomba

    Plantation Memories. Episodes of Everyday Racism

  • Hadas A. Steiner

    Beyond Archigram. The Structure of Circulation

  • Susanne von Falkenhausen

    KugelbauVisionen. Kulturgeschichte einer Bauform von der…

  • Felix Guattari

    The Three Ecologies

  • Antonio Negri

    The Porcelain Workshop. For a New Grammar of Politics

  • Christoph Schaub, Michael Schindhelm

    Bird's Nest (DVD, 87 min.). Jacques Herzog und Pierre…

  • Felicity D. Scott

    Architecture or Techno-Utopia. Politics after Modernism

  • Birgit Schneider

    Textiles Prozessieren

  • Bruno Latour

    Wir sind nie modern gewesen. Versuch einer Symmetrischen…

  • Georges Canguilhem

    Wissenschaft, Technik, Leben. Beiträge zur historischen…

  • Joachim Krausse (Hg.)

    Richard Buckminster Fuller. Bedienungsanleitung für das…

  • Stuart Elden, Elizabeth Lebas, Eleonore…

    Henri Lefebvre. Key Writings

  • Laurence A. Rickels

    Ulrike Ottinger. Eine Autobiografie

  • N. John Habraken, Arnulf Lüchinger

    Die Träger und die Menschen. Das Ende des Massenwohnungsbau…

  • Liz Kotz

    Words to Be Looked at. Language in 1960s Art

  • Brian O'Doherty

    Studio and Cube. On The Relationship Between Where Art is…

  • Guy Debord

    Comments on the Society of the Spectacle

  • Michel de Certeau

    Kunst des Handelns

  • Jacques Ranciere

    Ist Kunst widerständig?

  • Alain Badiou

    Wofür steht der Name Sarkozy?

  • Donna Haraway

    When Species Meet

  • Donna Haraway

    Die Neuerfindung der Natur. Primaten, Cyborgs und Frauen.

  • Stefanie Schulte Strathaus, Florian…

    Wer sagt denn, dass Beton nicht brennt, hast Du’s probiert?

  • Henri Lefebvre

    Writings on Cities

  • Henri Lefebvre

    The Production of Space

  • Hiromasa Shirai, André Schmidt (Hg.)

    Big Bang Beijing. Urban Change in Beijing

  • John F. C. Turner

    Housing by People. Towards Autonomy in Building…

  • Loretta Napoleoni

    Rogue Economics. Capitalism's New Reality

  • AD

    AD 174. Vol. 75. Nr. 2. Samantha Hardingham. The 1970'…

  • IDEA Magazine

    IDEA 296. Books <preposition> graphic design

  • IDEA Magazine

    IDEA 293. Stanley Donwood / Vacances. DD-DDD / Dimensions…

cover Tactical Publishing

Tactical Publishing

Using Senses, Software, and Archives in the Twenty-First Century

Publishing is experiencing one of the most transformative phases in its history. In Tactical Publishing, a sequel to Post-Digital Print, Alessandro Ludovico explores the forces driving this historical phase, highlighting the tremendous opportunities it presents. Our task, he believes, is to develop an alternative publishing system that transcends the dichotomy between paper and digital media. He focuses first on the two activities on which publishing is premised—reading and writing (with an emphasis on writing machines and post-truth in the latter)—and then deconstructs the concept, proposing alternative strategies inspired by recent practices and unconventional uses of technology. 

Ludovico shows how the radical and strategic use of print in the past can serve as the basis for our transition to the next phase of publishing. He argues that the new ecology of publishing should be based on three main elements: the stimulation of our senses, the role of software in forming the publishing infrastructure, and the importance of archives. During this transition from the current post-digital phase to the next phase, independent publishers and artists, as well as readers and machines, will enable new structures and actions that realize the potential of publishing and the preservation of content, thereby enriching social practices. The author also considers the crucial social role played by new forms of libraries, as artists and publishers shape the coming publishing world in its various manifestations. Combining analytical accounts of tactical strategies with examples from artworks and experimental practices, the book concludes with a manifesto for publishing in the twenty-first century and an appendix with a selection of one hundred publications representing the “periodic table” of future publishing.


Alessandro Ludovico
Tactical Publishing

Using Senses, Software, and Archives in the Twenty-First Century

MIT Press, 2024, 9780262542050