Direkt zum Inhalt

Warenkorb

  • Mark Brend

    The Sound of Tomorrow. How Electronic Music Was Smuggled…

  • Abäke, Bernadette Corporation, Laurenz…

    Sonderedition Zwölf Taschen für Pro qm

  • Viction Workshop (Hg.)

    Geo Graphics (Geo/Graphics). Simple Form Graphics in Print…

  • Kulturen des Kuratorischen, HGB Leipzig…

    The Subjective Object

  • Makoto Azuma

    Encyclopedia of Flowers

  • Enzo Mari

    Autoprogettazione?

  • Dieter Daniels, Inke Arns (Hg.)

    Sounds Like Silence. John Cage - 4’33” – Silence Today

  • Nikola Mihov

    Forget your past. Communist-Era Monuments in Bulgaria

  • Magdalina Stancheva

    Stefan Kanchev. Logo Book

  • Pieterjan Grandry

    What is the future of architecture?

  • Clog 4

    Rendering

  • Ja, Panik

    Schriften. Erster Band

  • Maurizio Lazzarato

    The Making of the Indebted Man. An Essay on the Neoliberal…

  • Meg McLagan, Yates McKee (Hg.)

    Sensible Politics. The Visual Culture of Nongovernmental…

  • Drawing Room Confessions Issue #6

    Rosalind Nashashibi

  • Katja Gretzinger (Hg.)

    In a Manner of Reading Design (The Blind Spot)

  • Thierry De Duve

    Sewn in the Sweatshops of Marx. Beuys, Warhol, Klein,…

  • Slavs and Tatars

    Khhhhhhh

  • Folio Series

    Institutions by Artists. Volume One

  • Lucius Burckhardt

    Design ist unsichtbar. Entwurf, Gesellschaft und Pädagogik

  • Christoph Düesberg

    Megastrukturen. Architekturutopien zwischen 1955 und 1975

  • Dietmar Kammerer (Hg)

    Vom Publicum. Das Öffentliche in der Kunst

  • John Miller

    The Ruin of Exchange

  • Nikolaus Hirsch, Markus Miessen (Hg.)

    Critical Spatial Practice. What Is Critical Spatial…

  • Hito Steyerl

    The Wretched of the Screen (e-flux journal )

  • Ilka und Andreas Ruby (Hg.)

    Druot, Lacaton & Vassal. Tour Bois Le Prêtre

  • Mark Rakatansky

    Architecture Words 9. Tectonic Acts of Desire and Doubt

  • Ester Manitto

    A Lesson with AG Fronzoni. From Teaching Design to Design…

  • Paul O'Neill

    The Culture of Curating and the Curating of Culture(s)

  • W. Thaler, M. Mrduljas, V. Kulic

    - Modernism In-between - The mediatory Architectures of…

  • Tony Brook, Adrian Shaughnessy (Hg)

    Unit.Design/Research 01. Ronald Clyne at Folkways

  • IDEA Magazine

    IDEA 354. Alternative History of Publishing in Japan 1923 -…

  • Alessandro Ludovico

    Post-Digital Print. The Mutation of Publishing Since 1884

  • Wolfgang Tillmans

    Neue Welt

  • Studienhefte Problemorientiertes Design…

    Lucius Burckhardt. Design heisst Entwurf

  • Studienhefte Problemorientiertes Design…

    Horst Rittel. Die Denkweise von Designern

  • Blind Gallery (Hg.)

    Wim Crouwel

  • Tacet #01

    Who is John Cage?

  • Enqvist, Masucci, Rosendahl, Widenheim…

    Work, Work, Work A Reader on Art and Labour

  • Susan Hiller

    Song Book (Die Gedanken sind frei)

  • Markus Miessen

    Albtraum Partizipation

  • Marijke Steedman (Hg.)

    Gallery as Community. Art, Education, Politics

  • Afterall Books (Hg.)

    From Conceptualism to Feminism: Lucy Lippard's Numbers…

  • Claire Bishop

    Artificial Hells. Participatory Art and the Politics of…

  • Delft University of Technology (Hg.)

    DASH The Eco House. Typologies of Space, Production and…

  • Catherine de Smet, Sara De Bondt (Hg.)

    Graphic Design: History in the Writing (1983–2011)

  • Robin Kinross

    Unjustified Texts. Perspectives on Typography

  • Elke Krasny (Hg.)

    Hands-On Urbanism 1850 - 2012

  • Maria Lind (Hg.)

    Performing the Curatorial With and Beyond Art

  • Jost Hochuli

    Das ABC eines Typografen

  • M. Ziehl, S. Oßwald, O. Hasemann, D.…

    Second Hand Spaces. Recycling Sites Undergoing Urban…

  • Michael Buhrs, Hannes Rössler (Hg.)

    Terunobu Fujimori. Architekt

  • Idea 352

    Video Game Graphic

  • Emanuel Christ, Christoph Gantenbein (…

    Typology. Hong Kong, Rome, New York, Buenos Aires. Review…

  • Slavs and Tatars

    Not Moscow Not Mecca

  • Lisa Robertson, Matthew Stadler (Hg.)

    Revolution. A Reader

  • Andrew Parker

    The Theorist's Mother

  • Okwui Enwezor (Hg.)

    Intense Proximity. The Anthology of the Near and the Far

  • Quentin Meillassoux

    The Number and the Siren

  • Kenneth E. Silver

    Making Paradise. Art, Modernity, and the Myth of the French…

  • Laurenz Brunner

    Amber. Anrhem Mode Biennale

  • Institut Mathildenhöhe Darmstadt (Hg.)

    A House Full of Music. Strategien in Musik und Kunst

  • Sophie Elisabeth Hochhäusl

    Otto Neurath - City Planning. Proposing a socio-political…

  • Susan Morgan (Hg.)

    Piecing Together Los Angeles. An Esther McCoy Reader

  • Magdalena Droste (Ed.)

    Lilly Reich. Designer and Architect

  • Jan Gehl

    Leben zwischen Häusern. Konzepte für den öffentlichen Raum

  • Xavier Antin

    Printing at Home

  • Vladimir Arkhipov

    Home-Made Europe. Contemporary Folk Artifacts

  • Alexander Eichenlaub

    Umbau mit Bestand. Nachhaltige Anpassungsstrategien für…

  • Eyal Weizman

    The Least of All Possible Evils

  • Architecture for Humanity

    Design Like You Give a Damn, Volume 2

  • Théo Lessour

    Berlin Sampler. From Cabaret to Techno: 1904-2012, a…

  • Nomadisch Grün (Hg.)

    Prinzessinnengärten. Anders gärtnern in der Stadt

  • David Harvey

    Rebel Cities. From the Right to the City to the Urban…

  • Kate Fletcher, Lynda Grose

    Fashion & Sustainability. Design for Change

  • Quinn Latimer

    Rumored Animals

  • Nikolaus Gansterer

    Drawing A Hypothesis. Figures of Thought

  • Jürgen Teller

    Bilder und Texte. Literatur

  • Roberto Gargiani, Anna Rosellini (Hg.)

    Le Corbusier. Beton Brut and Ineffable Space (1940 - 1965)

  • Brian O'Doherty

    Atelier und Galerie. Studio and Cube

  • Jill Stoner

    Toward a Minor Architecture

  • Jasper Morisson

    A world without words

  • Helmut Höge

    Spatzen

  • Boris Groys

    Introduction to Antiphilosophy

  • Raimundas Malasauskas

    Paper Exhibition. Selected Writings by Raimundas Malasauskas

  • The Otolith Group

    Thoughtform-La forma del pensiero

  • Gert Selle

    Die eigenen vier Wände. Wohnen als Erinnern

  • Pierre Keller (Hg.)

    Types We Can Make. A Selection of Contemporary Swiss Type…

  • Douglas Crimp

    Our Kind of Movie. The Films of Andy Warhol

  • Simona Malvezzi, Wilfried Kuehn

    Kuehn Malvezzi. Index

  • Garry Neill Kennedy

    The Last Art College. Nova Scotia College of Art and Design…

  • Joan Ockman

    Architecture School. Three Centuries of Educating…

  • Fucking Good Art #29

    Italian Conversations. Art in the Age of Berlusconi

  • Markus Miessen, Nina Valerie…

    Expothesis No2. Waking Up From The Nightmare Of…

  • Christof Migone

    Sonic Somatic. Performances of the Unsound Body

  • Adrian Shaughnessy, Tony Brook

    Kwadraat-Bladen A Series of Graphic Experiments 1955—74

  • 51N4E (Hg.)

    Reasons for Walling a House

  • Ute Frank (Hg.)

    Eklat. Entwerfen und Konstruieren in Lehre, Anwendung und…

Unpublished

Publications—both physical and digital—receive a constant stream of press releases, project updates, and photographs from architects yearning for the validation of having their work published. But still, the vast majority of buildings go unexamined by the critical press. How many times have we seen the same signature project reviewed? How many worthy unknown projects must, by extension, never receive an appraisal?
There are any number of factors to account for this. It seems undeniable, for example, that certain building typologies and regions remain underrep- resented in the mainstream architectural press, and it is perhaps too easy to imagine that this stems from a widespread editorial bias. It would be a mistake to discount the impact of logistics, however. The constraints of time, staff sizes, travel costs, image rights, formatting and layout requirements, and access to information simply cannot be ignored by publishers, editors, and writers. Equally important is the imperative to sell, or at least pay heed to the perceived interests of the readership. Sometimes a building falls by the wayside due to mere coincidence—another project was just published with the same exterior material, the press release came in on the day an editor was out sick, the photographer only took landscape-oriented images, the PDF was corrupted.
At a moment when new forms of publication are emerging and disrupting traditional models—and the definition of what it even means for a building to "be published" is an open question—it is time to analyze what is being pub- lished, why it's being published, and to examine what is being left out of the conversation.
Contributors
Michael Kimmelman, Paul Goldberger, Suzanne Stephens, Cathleen McGuigan, Michael Abrahamson, Matthias Altwicker, AJ Artemel, David Basulto, Aleksandr Bierig, Shumi Bose, Can Vu Bui, John Cantwell, Evan Chakroff, Justine Clark, Aran Coakley, Archie Lee Coates IV, Greg Corso, Keith Eggener, Jeffrey Franklin, Sean Gaffney, Matt Hall, Sallie Hambright-Belue and Robert Silance, J. Brantley Hightower, Yat-Sing Ha, Julia van den Hout, Eric J. Jenkins, Jayne Kelley, Yat-Shun Kei, Diana E. E. Kleiner, Stephanie Lee, Thomas Lozada, Kyle May, Craig McCormack, William Menking, Daniel Patrick Morrison, Dietrich Neumann, Andreas Papadantonakis, Trevor Patt, Jacob Reidel, Sam Roche, Nick Safley, Morten Scholz, Rachel Meade Smith, Brent Sturlaugson, Supersterz, Emilia Terragni, Andrew Torres, Tiago Trigo, Danny Wills, Arthur Wortmann, and Alex Yuen.


Clog
Unpublished
Clog, 2013, 978-0-983-8204-7-5