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  • Alexander Stumm, Victor Lortie (Hg)

    Überbau. Produktionsverhältnisse der Architektur im…

  • Robin Becker, David Hagen, Livia von…

    Ästhetik nach Adorno. Positionen zur Gegenwartskunst

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    A Section of Now. Social Norms and Rituals as Sites for…

  • Boris Groys

    Philosophy of Care

  • Terry Smith

    Curating the Complex and the Open Strike

  • Pedro Neves Marques (ed.)

    YWY, Searching for a Character between Future Worlds Gender…

  • Bassam El Baroni (ed.)

    Between the Material and the Possible. Infrastructural Re-…

  • AA Cavia

    Logiciel. Six Seminars on Computational Reason

  • IDEA Magazine

    IDEA 397. Encountering Books. Art Book Fairs of the World,…

  • Oxana Timofeeva

    Solar Politics (Theory Redux)

  • Dhanveer Singh Brar

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    Toward the Not-Yet. Art as Public Practice

  • Karin Harrasser

    Surazo

  • Oli Freke

    Synthesizer Evolution: From Analogue to Digital and Back

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    Berlin U-Bahn Architecture & Design Map. Berliner U-…

  • Alvin Lucier

    Eight Lectures on Experimental Music

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    Brutalismus Stadtplan Berlin. Brutalist Berlin Map

  • Laurie Penny

    Sexuelle Revolution. Rechter Backlash und feministische…

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    Männer, Männlichkeit und Liebe

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    Spatial Transformations. Kaleidoscopic Perspectives on the…

  • Simone Forti

    Simone Forti. Handbook in Motion. An Account of an Ongoing…

  • Paul Dobraszcyk

    Architecture and Anarchism. Building without Authority

  • El Croquis

    El Croquis 215/216. Alvaro Siza (2015-2022)

  • Elke Genzel, Pamela Voigt

    BUCH ZWEI. Leben in Kunststoffbauten

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    Nichtbewusst. Affektive Kurzschlüsse zwischen Psyche und…

  • Martin Eberle

    Hi Schatz!

  • Ernesto Laclau

    Die populistische Vernunft

  • Desiree Förster

    Aesthetic Experience of Metabolic Processes

  • Brandon LaBelle

    Dreamtime X

  • Israel Martínez

    Dead People Whispering to Us

  • Rodrigo Karmy Bolton

    The Future Is Inherited: Fragments of a Chile in Revolt

  • Ina Wudtke

    Worker Writers / Arbeiterschriftsteller:innen

  • Ekaterina Degot, David Riff, Jan Sowa (…

    Perverse decolonisation? (Deutsche Ausg.)

  • The Otolith Group, Megs Morley (Hg)

    Xenogenesis. The Otolith Group (Anjalika Sagar, Kodwo Eshun)

  • Karin Krauthausen, Rebekka Ladewig (Hg.)

    Modell Hütte. Von emergenten Strukturen, schützender Haut…

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    The Wood That Makes Our City

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    Hellmuth Costard. Das Wirkliche war zum Modell geworden

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    A.J. Lode Janssens 1,47 mbar

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    Der Streit um Pluralität. Auseinandersetzungen mit Hannah…

  • Helke Sander

    I like chaos, but I don’t know, whether chaos likes me

  • Viction Workshop (Hg.)

    More Is More: Designing Bigger, Bolder, Brighter

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    Over and Over and Over Again Reenactment Strategies in…

  • Pauline Agustoni, Satomi Minoshima

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    Couplets. Travels in Speculative Pragmatism

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    Revolutionary Mathematics. Artificial Intelligence,…

  • Melissa Anderson

    Inland Empire

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    Arch+ 246. Zeitgenössische feministische Raumpraxis

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    Uncomputable. Play and Politics in the Long Digital Age

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    Kleine Formen – Archiv für Mediengeschichte, Bd. 19

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    Eingeweide, Pillen, Feminismus

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  • Oda Pälmke

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    Zirkus / Kommentar

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    Tools for Men-with-Feminist-Ambitions

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  • Lisa Beißwanger

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    On the Anarchic Organization of Cinematic Spaces

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    Gegenwartskunst. Konstruktionen der Zeit

Video Vortex Reader III: Inside the YouTube Decade. INC Reader #14

What is online video today, fifteen years into its exponential growth? What started with amateur work of YouTube prosumers has spread to virtually all communication apps: an explosion in the culture of mobile sound and vision. Now, in the age of the smart phone, video accompanies, informs, moves, and distracts us. Are you addicted yet? Look into that tiny camera, talk, move the phone, show us around — prove to others that you exist!
Founded in 2007, Video Vortex is a lively network of artists, activists, coders, curators, critics, and researchers linked by the exchange of ideas, materials, and discussions both online and offline. Video Vortex has produced two an- thologies, a website, a mailing list, 12 international conferences, several art exhibitions, and more to come as the internet and video continue to merge and miniaturize.
The first Video Vortex reader came out in 2008, followed by a second in 2011. This third anthology covers the turbulent period from Video Vortex #7 (2013) in Yogyakarta, across the meetings that followed in Zagreb, Lüneburg, Istanbul, Kochi, and finally Malta in 2019, where the foundations for this publication where laid before its production began in the midst of the corona crisis.
The contributions herein respond to a broad range of emerging and urgent topics, from bias in YouTube’s algorithms, to the use of video in messaging, image theory, the rise of deepfakes, a reconsideration of the history of video art, a reflection on the continuing role and influence of music video, indy servers, synthetic intimacies, love and sadness, artist videos, online video theory in the age of platform capitalism, video as online activism, and the rise of streaming. Click, browse, swipe, like, share, save, and enjoy!
Contributors: Annie Abrahams, Ina Blom, Natalie Bookchin, Pablo deSoto, Ben Grosser, Adnan Hadzi, Judit Kis, Patricia G. Lange, Hang Li, Patrick Lichty, Geert Lovink, Gabriel Menotti, Sabine Niederer, Dan Oki, Aras Ozgun, Daniel Pinheiro, Rahee Punyashloka, Albert Figurt, Oliver Lerone Schultz, Ana Peraica, Florian Schneider, Peter Snowdon, Andreas Treske, Colette Tron, Jack Wilson, Dino Ge Zhang.


Geert Lovink, Andreas Treske (Hg)
Video Vortex Reader III: Inside the YouTube Decade. INC Reader #14
Institute of Network Cultures, 2020, 978-94-92302-61-8
18,00 €