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  • Mark Brend

    The Sound of Tomorrow. How Electronic Music Was Smuggled…

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    Sonderedition Zwölf Taschen für Pro qm

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    Geo Graphics (Geo/Graphics). Simple Form Graphics in Print…

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    The Subjective Object

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    Encyclopedia of Flowers

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    Autoprogettazione?

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    Sounds Like Silence. John Cage - 4’33” – Silence Today

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    Forget your past. Communist-Era Monuments in Bulgaria

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    Stefan Kanchev. Logo Book

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    What is the future of architecture?

  • Clog 4

    Rendering

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    Schriften. Erster Band

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    The Making of the Indebted Man. An Essay on the Neoliberal…

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    Sensible Politics. The Visual Culture of Nongovernmental…

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    Rosalind Nashashibi

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    In a Manner of Reading Design (The Blind Spot)

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    Sewn in the Sweatshops of Marx. Beuys, Warhol, Klein,…

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    Khhhhhhh

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    Institutions by Artists. Volume One

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    Design ist unsichtbar. Entwurf, Gesellschaft und Pädagogik

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    Megastrukturen. Architekturutopien zwischen 1955 und 1975

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    Vom Publicum. Das Öffentliche in der Kunst

  • John Miller

    The Ruin of Exchange

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    Critical Spatial Practice. What Is Critical Spatial…

  • Hito Steyerl

    The Wretched of the Screen (e-flux journal )

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    Druot, Lacaton & Vassal. Tour Bois Le Prêtre

  • Mark Rakatansky

    Architecture Words 9. Tectonic Acts of Desire and Doubt

  • Ester Manitto

    A Lesson with AG Fronzoni. From Teaching Design to Design…

  • Paul O'Neill

    The Culture of Curating and the Curating of Culture(s)

  • W. Thaler, M. Mrduljas, V. Kulic

    - Modernism In-between - The mediatory Architectures of…

  • Tony Brook, Adrian Shaughnessy (Hg)

    Unit.Design/Research 01. Ronald Clyne at Folkways

  • IDEA Magazine

    IDEA 354. Alternative History of Publishing in Japan 1923 -…

  • Alessandro Ludovico

    Post-Digital Print. The Mutation of Publishing Since 1884

  • Wolfgang Tillmans

    Neue Welt

  • Studienhefte Problemorientiertes Design…

    Lucius Burckhardt. Design heisst Entwurf

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    Horst Rittel. Die Denkweise von Designern

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    Wim Crouwel

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    Who is John Cage?

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    Work, Work, Work A Reader on Art and Labour

  • Susan Hiller

    Song Book (Die Gedanken sind frei)

  • Markus Miessen

    Albtraum Partizipation

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    Gallery as Community. Art, Education, Politics

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    Artificial Hells. Participatory Art and the Politics of…

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    DASH The Eco House. Typologies of Space, Production and…

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    Graphic Design: History in the Writing (1983–2011)

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    Unjustified Texts. Perspectives on Typography

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    Hands-On Urbanism 1850 - 2012

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    Performing the Curatorial With and Beyond Art

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    Das ABC eines Typografen

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    Second Hand Spaces. Recycling Sites Undergoing Urban…

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    Terunobu Fujimori. Architekt

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    Video Game Graphic

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    Typology. Hong Kong, Rome, New York, Buenos Aires. Review…

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    Not Moscow Not Mecca

  • Lisa Robertson, Matthew Stadler (Hg.)

    Revolution. A Reader

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    The Theorist's Mother

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    Intense Proximity. The Anthology of the Near and the Far

  • Quentin Meillassoux

    The Number and the Siren

  • Kenneth E. Silver

    Making Paradise. Art, Modernity, and the Myth of the French…

  • Laurenz Brunner

    Amber. Anrhem Mode Biennale

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    A House Full of Music. Strategien in Musik und Kunst

  • Sophie Elisabeth Hochhäusl

    Otto Neurath - City Planning. Proposing a socio-political…

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    Piecing Together Los Angeles. An Esther McCoy Reader

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    Lilly Reich. Designer and Architect

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    Leben zwischen Häusern. Konzepte für den öffentlichen Raum

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    Printing at Home

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    Home-Made Europe. Contemporary Folk Artifacts

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    Umbau mit Bestand. Nachhaltige Anpassungsstrategien für…

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    The Least of All Possible Evils

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    Design Like You Give a Damn, Volume 2

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    Berlin Sampler. From Cabaret to Techno: 1904-2012, a…

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    Prinzessinnengärten. Anders gärtnern in der Stadt

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    Rebel Cities. From the Right to the City to the Urban…

  • Kate Fletcher, Lynda Grose

    Fashion & Sustainability. Design for Change

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    Rumored Animals

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    Drawing A Hypothesis. Figures of Thought

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    Bilder und Texte. Literatur

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    Le Corbusier. Beton Brut and Ineffable Space (1940 - 1965)

  • Brian O'Doherty

    Atelier und Galerie. Studio and Cube

  • Jill Stoner

    Toward a Minor Architecture

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    A world without words

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    Spatzen

  • Boris Groys

    Introduction to Antiphilosophy

  • Raimundas Malasauskas

    Paper Exhibition. Selected Writings by Raimundas Malasauskas

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    Thoughtform-La forma del pensiero

  • Gert Selle

    Die eigenen vier Wände. Wohnen als Erinnern

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    Types We Can Make. A Selection of Contemporary Swiss Type…

  • Douglas Crimp

    Our Kind of Movie. The Films of Andy Warhol

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    Kuehn Malvezzi. Index

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    The Last Art College. Nova Scotia College of Art and Design…

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    Architecture School. Three Centuries of Educating…

  • Fucking Good Art #29

    Italian Conversations. Art in the Age of Berlusconi

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    Expothesis No2. Waking Up From The Nightmare Of…

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    Sonic Somatic. Performances of the Unsound Body

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    Kwadraat-Bladen A Series of Graphic Experiments 1955—74

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    Reasons for Walling a House

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    Eklat. Entwerfen und Konstruieren in Lehre, Anwendung und…

The Wes Anderson Collection

Wes Anderson is one of the most influential voices from the past two decades of American cinema. A true auteur, Anderson is known for the visual artistry, inimitable tone, and idiosyncratic characterizations that make each of his films—Bottle Rocket, Rushmore, The Royal Tenenbaums, The Life Aquatic with Steve Zissou, The Darjeeling Limited, Fantastic Mr. Fox, and Moonrise Kingdom—instantly recognizable as “Andersonian.” The Wes Anderson Collection is the first in-depth overview of Anderson’s filmography, guiding readers through his life and career. Previously unpublished photos, artwork, and ephemera complement a book-length conversation between Anderson and award-winning critic Matt Zoller Seitz. The interview and images are woven together in a meticulously designed book that captures the spirit of his films: melancholy and playful, wise and childish—and thoroughly original.
From Bookforum
Max Dalton's charming children's book-style illustrations introduce each film with a double-page spread of the movie's principal location, incorporating "fourth wall" views suggested by Anderson's familiar cutaway dollhouse technique, used so well in the opening of Moonrise Kingdom and The Life Aquatic. Designer Martin Venzky unpacks the filmmaker's sources and style—with an inspired deployment of stills, amusingly corny display type, and inventive layouts with images made to resemble postage stamps, scrapbook clippings, and other collectibles—perfectly capturing Anderson's seductively twee combination of obsessive detail and ironic distance. —Christopher Lyon
About the Author
Matt Zoller Seitz, a Pulitzer Prize finalist for criticism, currently writes for New York magazine. He lives in Brooklyn. Michael Chabon is the Pulitzer Prize–winning author of many novels, the most recent being Telegraph Avenue. He lives in Berkeley, California, with his wife and four children.
Praise for The Wes Anderson Collection:
“In The Wes Anderson Collection, Seitz expands a series of video essays on Anderson’s influences, illuminating as much of Anderson’s process as possible in a massive, beautifully rendered volume. Although it looks (and sometimes reads) like a coffee table book, The Wes Anderson Collection brings together style and substance to provide a loving homage to Anderson’s films and moviemaking in general.” —The A.V. Club
“Your coffee table wants—no, scratch that—needs this book . . . Packed with 400 images of everything from behind-the-scenes set shots to makeup inspiration to hand-drawn storyboards, the massive tome is pure eye candy. But in addition to the visuals, Seitz also dives deep into each and every Anderson film.” —NYLON
“A magical tour of Wes Anderson’s filmography.” —C magazine
“Each page of this book—filled with conversations, photographs and artwork surrounding each film—showcases Anderson’s pop-culture inspirations from Hitchcock and Star Wars to Jacques Cousteau and the French New Wave. Better than most of their kind, the talks reveal a candidness and honesty between critic and director, allowing Seitz to dig around Anderson’s vault and share his discoveries.” —FILTER
“The Wes Anderson Collection comes as close as a book can to reading like a Wes Anderson film. The design is meticulously crafted, with gorgeous full-page photos and touches like a still representation of Rushmore’s opening montage.” —The A.V. Club
“Reading the book, you feel as if you’re disappearing into the miniature world of Anderson’s movies, like you’re playing around in the files and fastidiously kept dossiers assembled for each project. In this way, the book mimics the work.” —Complex.com
“It’s smart, informative, and looks beautiful. In other words, it’s the perfect gift.” —Complex magazine


Matt Zoller Seitz
The Wes Anderson Collection
Abrams, 2014, 9780810997417