Direkt zum Inhalt

Warenkorb

  • Ben Green

    The Smart Enough City: Putting Technology in Its Place to…

  • Make_Shift (Hg.)

    Make City. Stadt anders machen. A Compendium of Urban…

  • Lizzie O'Shea

    Future Histories: What Ada Lovelace, Tom Paine, and the…

  • Alex Bykov, Ievgeniia Gubkina

    Soviet Modernism. Brutalism. Post-Modernism

  • Yuk Hui

    Recursivity and Contingency

  • David Bennewith, Sereina Rothenberger (…

    Questions? Looking for answers in the middle of somewhere

  • Eduardo Viveiros de Castro, Deborah…

    In welcher Welt leben?: Ein Versuch über die Angst vor dem…

  • Alina Popa, Florin Flueras

    Unsorcery

  • Goodman, Heys, Ikoniadou (Eds.)

    AUDINT. Unsound : Undead

  • Tabea Nixdorff.

    Fehler lesen. Korrektur als Textproduktion

  • Silvia Federici

    Re-enchanting the World: Feminism and the Politics of the…

  • Daniel McClean

    Artist, Authorship & Legacy. A Reader

  • Christian Bjone

    Almost Nothing. 100 Artists Comment on the Work of Mies van…

  • André Cadere

    Geschichte einer Arbeit/ Unordnung herstellen

  • Kirsten Maar

    Entwürfe und Gefüge. William Forsythes choreographische…

  • James Bridle

    New Dark Age: Technology and the End of the Future

  • David Rothenberg

    Nightingales in Berlin: Searching for the Perfect Sound

  • Sabine von Fischer

    Das akustische Argument. Wissenschaft und Hörerfahrung in…

  • K. Klaus, R. Bittner (Hg.)

    Gestaltungsproben: Gespräche zum Bauhausunterricht

  • Fröhlich, Fröhlich, Borges, Lippok (Hg.)

    Plans & Images. An Archive of Projects on Typology in…

  • Daniel Martin Feige

    Zur Dialektik des Social Design (Studienhefte…

  • Ursula Böckler

    Die Photos der "Magical Misery Tour" mit Martin…

  • Michael Scheer / Gesellschaft für…

    Stadtwirte. Von Sozialraumfarmern und Inklusionswirten

  • re:form e. V. (Hg.)

    Re:Eden. Neue Blicke auf die älteste Reformsiedlung…

  • Alice Maude-Roxby, Stefanie Seibold

    Censored Realities / Changing New York

  • Nathan Jurgenson

    The Social Photo: On Photography and Social Media

  • Randy Deutsch

    Superusers: Design Technology Specialists and the Future of…

  • John Latham

    John Latham. The N-U Niddrie Heart

  • IDEA Magazine

    IDEA 385. Focusing on Locality in Design Practices of the…

  • Anna Harding (Hg.)

    Artists in the City. SPACE in '68 and beyond

  • Damon Krukowski

    Ways of Hearing (SFX: Needle Drop)

  • Sophie Wolfrum, Alban Janson

    Die Stadt als Architektur

  • Heinz Peter Knes

    Der weltrevolutionäre Prozess seit Karl Marx und Friedrich…

  • Paulo Tavares

    Des-Habitat (revista das artes no Brasil)

  • Richard Butsch

    Screen Culture: A Global History

  • Hanne Loreck in Zusammenarbeit mit Jana…

    Visualität und Abstraktion. Eine Aktualisierung des Figur-…

  • TwoPoints.net (Ed.)

    On the Road to Variable: The Flexible Future of Typography

  • Angelika Schnell

    Aldo Rossis Konstruktion des Wirklichen: Eine…

  • Suely Rolnik

    Zombie Anthropophagie: Zur neoliberalen Subjektivität

  • Ulysses Voelker

    Ordnung in der Gestaltung: Grafische Raster in Theorie und…

  • Seth Price

    How to Disappear in America

  • Paolo Cirio

    Sociality. The Coloring Book of Technology for Social…

  • Beatriz Colomina

    X-Ray Architecture

  • Ross E. Exo Adams

    Circulation and Urbanization

  • Bruno Flierl

    Haus Stadt Mensch. Über Architektur und Gesellschaft.…

  • Jon Savage

    This Searing Light, the Sun and Everything Else: Joy…

  • Smiljan Radic

    Every So Often a Talking Dog Appears and other essays

  • Vince Aletti

    The Disco Files 1973-78: New York's Underground, Week…

  • Sharon Francis

    Bubbletecture: Inflatable Architecture and Design

  • Grace Lees-Maffei , Nicolas P. Maffei

    Reading Graphic Design in Cultural Context

  • Moisei Ginzburg

    Style and Epoch. Issues in Modern Architecture

  • Michalis Pichler

    Publishing Manifestos: An International Anthology from…

  • Vier5

    Modern typefaces

  • Reinaart Vanhoe

    Also-Space, From Hot to Something Else : How Indonesian Art…

  • Dehlia Hannah (Ed.)

    A Year Without a Winter

  • A. Maccone, A. Martinelli

    The City at the End of the Underground

  • Andreas Müller, Lydia Kähny, Sophie…

    Re-reading the Manual of Travelling Exhibitions

  • Dora García (Ed.)

    On Reconciliation / Über Versöhnung

  • Bodo Mrozek

    Jugend – Pop – Kultur: Eine transnationale Geschichte

  • Franziska Bollerey

    Setting the Stage for Modernity. Trendsetter der Moderne:…

  • Sou Fujimoto, Noriko Takiguchi

    Sincere by Design: The Architecture of Sou Fujimoto

  • Dario Scodeller (Ed.)

    The Design of the Castiglioni Brothers. Research…

  • Loreck, Klier, Lindeborg (Hg.)

    (Mit) Pflanzen kartografieren - Mapping (with) Plants

  • Klanten, Niebius, Marinai (Hg.)

    Ricardo Bofill. Visions of Architecture

  • Cinzia Arruzza, Tithi Bhattacharya,…

    Feminism for the 99%. A Manifesto

  • Raquel Rolnik

    Urban Warfare. Housing under the Empire of Finance

  • Alexander Eisenschmidt

    The Good Metropolis: From Urban Formlessness to…

  • Marion von Osten, Grant Watson (Hg.)

    Bauhaus Imaginista. Die globale Rezeption bis heute

  • Davide Giannella, Massimo Torrigiani (…

    Salento Moderno. An Inventory of Private Houses in Southern…

  • Deboleena Roy

    Molecular Feminisms: Biology, Becomings, and Life in the Lab

  • Peter Rehberg

    Hipster Porn: Queere Männlichkeiten, affektive Sexualitäten…

  • Daniel Falb

    Geospekulationen: Metaphysik für die Erde im Anthropozän

  • Kathy Battista

    New York, New Wave: The Legacy of Feminist Artists in…

  • Martina Nußbaumer, Peter Stuiber

    Wo Dinge wohnen: Das Phänomen Selfstorage

  • Jörg Friedrich (Hg.)

    Refugees Welcome: Konzepte für eine menschenwürdige…

  • Katrin von Maltzahn, Mona Schieren (Hg)

    RE:BUNKER. Erinnerungskulturen, Analogien, Technoide…

  • Theodore Spyropoulos

    Adaptive Ecologies. Correlated Systems of Living

  • Kathryn Yusoff

    A Billion Black Anthropocenes or None

  • Franco ‘Bifo’ Berardi

    The Second Coming

  • Lisson Gallery London

    John Latham Films 1960 - 1971

  • Luca Lo Pinto, Olaf Nicolai

    La Boule de Voyante: A Narration Performed in 10 Episodes

  • Allan Kaprow

    Rates of Exchange

  • Deoksun Park, Julie Martin

    E.A.T. (Experiments In Art And Technology). Open-ended

  • Teal Triggs, Leslie Atzmon

    The Graphic Design Reader

  • Jeff Weber

    An Attempt At A Personal Epistemology

  • Andreas Lechner

    Entwurf einer architektonischen Gebäudelehre

  • Otto, Barnstone, Rossler (Hg.)

    Bauhaus Bodies: Gender, Sexuality, and Body Culture in…

  • Maria Lorena Lehman

    Adaptive Sensory Environments: An Introduction

  • Kees Christiaanse

    Kees Christiaanse Textbook. Collected Texts on the Built…

  • T. Flierl, P. Oswalt

    Hannes Meyer und das Bauhaus. Im Streit der Deutungen

  • Peter Chadwick, Ben Weaver (Eds.)

    The Town of Tomorrow: 50 years of Thamesmead

  • M. Miessen, Z. Ritts (Hg)

    Para-Platforms On the Spatial Politics of Right-Wing…

  • Robin Waart

    Part One

  • Juliana Huxtable

    Mucus in My Pineal Gland

  • Architizer (Ed.)

    Architizer: The World's Best Architecture

  • Jinyoun Na (Ed.)

    Brick, Brick What Do You Want To Be?

  • Dirk Van Den Heuvel (Ed.)

    Jaap Bakema And The Open Society

  • A. Suominen, T. Pusa (Hg)

    Feminism and Queer in Art Education

What was the Hipster? A Sociological Investigation

Preface
All descriptions of hipsters are doomed to disappoint, because they will not be the hipsters you know. But to those of you who are reading this in 2050, I can only say: Everything in this book is true, and its impressions are perfect.
SYMPOSIUM
Introduction
“Please do take the opportunity to answer each other. We’ll just beg your patience to make sure that it’s getting on tape. Okay?”
Positions
When we talk about the contemporary hipster, we’re talking about a kind of cross-subcultural figure who emerges by 1999 and enjoys a fairly narrow but robust first phase of existence from 1999 to 2003. At which point the category of hipster seemed about to dissipate and return to the primordial subcultural soup, for something else to take over. Instead what we witnessed was an increasing spread and durability of the term, in an ongoing second phase from 2003 to the present.
I Was Wrong
The truth was that there was no culture worth speaking of, and the people called hipsters just happened to be young and, more often than not, funny-looking.
Vampires of Lima
What are we not talking about when we’re talking about the hipster? For example, criticizing the hipster is often a way of discussing gentrification and neighborhood change — while exempting oneself from the process. Figured as scapegoats, hipsters ruin neighborhoods by driving up rents with their parental subsidies, while the non-hipsters just . . . live there. Which is a totally ridiculous conceit.
Discussion
“Before you guys ask each other any more questions I think we should go back to the gentleman standing by the microphone.”
DOSSIER
The Death of the Hipster
I went to n+1’s “What Was the Hipster?” panel discussion at the New School on Saturday but went away a bit unfulfilled. We all had a stake in defining “hipster” as “not me.”
Hipsters Die Another Death at n+1 Panel
The one guy sporting a trucker hat stared straight ahead as Mr. Greif talked about how guys in trucker hats were striving for some sort of faux-authenticity. And when Mr. Greif hit upon the prevalence of pornographic and pedophilic mustaches among hipsters, one heavily mustachioed man seemed to listen more intently.
RESPONSES
Williamsburg Year Zero
I was a gentrifier in Williamsburg. Like the maligned hipsters, I used my parents’ savings to secure a place to live. I wanted grocery stores that carried organic products like Horizon milk for $6 per half-gallon, and overpriced but aesthetically satisfying coffee shops like El Beit. I needed expensive boutiques, otherwise I would have felt bad for having left Manhattan.
19 Questions
It interests me that “hip-hop” also gestured to similar origins when it took the “hip” from “hipster.” Can it be a cultural accident that within about twenty years of each other, black and white vanguardists (and arrivistes) drew on the old black and white uses of the same word?
Hip-hop & Hipsterism
As a black boy looking at white boys, hipsterism strikes me as what happens when white folks become aware of power and inequity — but then say, “Well, what are we supposed to do? Throw our hands up and mug for the camera.”
ESSAYS
On Douchebags
Like “douchebag,” “hipster” was a name that no one could apply to oneself. But the opportunity to call someone else a “douchebag”: that offered the would-be hipster a means of self-identification by a name one could say, looking outward. In the douchebag, the hipster had found its Other.
You Know It When You See It
At the height of her fame, authenticity, desirability, specificity, inventiveness — her “roundness” as a character — the female hipster existed before the camera, photogenic and photographed; and so it was here, through the lens, that the hipster feminine came into definition.
Epitaph for the White Hipster
The uncanny thing about the early-period white hipsters is that symbolically, in their clothes, styles, and music and attitudes, they seemed to announce that whiteness was flowing back in [to the city]. Unconsciously, they wore what they were — because for reasons mysterious to the participants, those things suddenly seemed cool.
South Side Story
At their most extreme, hipsters and Hasids present rival heresies, dueling rejections of bourgeois modernity. That each group selected Williamsburg as the terrain for carving out a secessionist utopia can only be blamed on the cunning of history, plus the L train.
http://nplusonemag.com/pamphlet-3


n+1 (Hg.)
What was the Hipster? A Sociological Investigation
Eigenverlag, 2010, 978-0-9825977-1-2