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  • Olaf Nicolai

    Szondi/Eden

  • Philipp Oswalt (Hg.)

    Dessau 1945. Moderne zerstört: Bauhaus Edition 45

  • Robert Maxwell

    Ancient Wisdom and Modern Knowhow. Learning to Live with…

  • David Campany (Ed.)

    Walker Evans. The Magazine Work

  • Marc Angelil, Rainer Hehl (Eds.)

    Empower! Essays on the Political Economy of Urban Form. Vol…

  • Sandu Publishing (Ed.)

    Collective Housing

  • Tom Wilkinson

    Bricks & Mortals. Ten Great Buildings and the People…

  • Stefan Römer

    Inter-esse

  • Architektur in Gebrauch

    AG1 – Great Arthur House, AG2 – Falkenhorst, AG3 –…

  • Anke Fesel, Chris Keller (Ed.)

    Berlin Wonderland. Wild Years Revisited, 1990–1996

  • Agata Pyzik

    Poor but Sexy. Culture Clashes in Europe East and West

  • Tom Holert

    Übergriffe. Zustände und Zuständigkeiten der…

  • Chantal Mouffe

    Agonistik. Die Welt politisch denken

  • Nicola Louise Markhus and Marte…

    Another Space: Textile Spaces

  • Heike Gfrereis, Johannes Kempf (Hg.)

    Reisen. Fotos von unterwegs

  • Little Global Cities

    Sarajevo

  • Lilli Kuschel

    Cool World

  • Judith Collins

    Sculpture Today

  • Natalie Czech

    I can not repeat what I hear

  • Stefan Banz

    Jeff Wall. Mit dem Auge des Geistes

  • Florian Pfeffer

    To Do. Die neue Rolle der Gestaltung in einer veränderten…

  • Ernesto Laclau

    The Rhetorical Foundations of Society

  • Miki Hirabayashi

    Cute Farm Animals

  • Daniel Albright

    Panaesthetics. On the Unity and Diversity of the Arts

  • Carola Dertnig, Felicitas Thun-…

    Performing the Sentence. Research and Teaching in…

  • Shundana Yusaf

    Broadcasting Buildings. Architecture on the Wireless, 1927-…

  • Bettina Knaup, Beatrice Ellen (Ed.)

    re.act.feminism. A Performing Archive

  • Andrew Dent, Leslie Sherr

    Material Innovation. Architecture

  • Yasmin Merican

    The Right to Brand

  • Pinar Yoldas

    An Ecosystem of Excess

  • Matthew Gandy, BJ Nilsen (Eds.)

    The Acoustic City

  • Quinn Latimer (Hg.)

    Akram Zaatari. Film as a Form of Writing

  • Steirischer Herbst, Florian Malzacher (…

    Truth Is Concrete. A Handbook for Artistic Strategies in…

  • Jan Svankmajer

    Touching and Imagining. An Introduction to Tactile Art

  • Marc Glöde

    Farbige Lichträume. Manifestationen einer Veränderung des…

  • Olaf Habelmann

    Die Trauben auf deinem Bauch bilden ein Muster

  • Nick Aikens (Ed.)

    Too Much World. The Films of Hito Steyerl

  • L.I.E. (Library of Independent Exchange)

    L.I.E. Lists of Ten Books

  • Malcolm Miles

    Eco-Aesthetics. Art, Literature and Architecture in a…

  • Nikolaus Hirsch, Markus Miessen (Ed.)

    Subtraction. Keller Easterling. Critical Spatial Practice 4

  • Tom Steinert

    Komplexe Wahrnehmung und moderner Städtebau. Paul Hofer,…

  • Christine Ross

    The Past is the Present; It's the Future Too

  • Rachel Mader (Hg.)

    Radikal ambivalent. Engagement und Verantwortung in den…

  • Katharina Roters

    Hungarian Cubes. Subversive Ornamente im Sozialismus

  • John Paul Ricco

    The Decision Between Us. Art and Ethics in the Time of…

  • Ugo Mulas

    Cirque Calder

  • Adrian von Buttlar, Kerstin Wittmann-…

    Baukunst der Nachkriegsmoderne. Architekturführer Berlin…

  • Laura Bruns

    Stadt Selber Machen. Ein Handbuch

  • Michael Fried

    Warum Photographie als Kunst so bedeutend ist wie nie zuvor

  • Henri Lefèbvre

    Die Revolution der Städte. La Revolution urbaine

  • Martin Pawley

    Theorie und Gestaltung im Zweiten Maschinenzeitalter

  • Roberto Gargiani, Anna Rosellini

    Le Corbusier. Béton Brut und der unbeschreibliche Raum (…

  • Hannah Feldman

    From a Nation Torn. Decolonizing Art and Representation in…

  • Conditional Design Team

    Conditional Design Workbook

  • HomeShop (Ed.)

    Appendix

  • Marketa Uhlirova (Ed.)

    Birds of Paradise. Costume as Cinematic Spectacle

  • Stasis. Academic Journal

    Social and Political Theory. No. 1

  • Pavlos Lefas

    Architecture. A Historical Perspective

  • Thomas Girst

    The Duchamp Dictionary

  • Christopher Dell

    Das Urbane. Wohnen. Leben. Produzieren

  • Cathrine Veikos

    Lina Bo Bardi. The Theory of Architectural Practice

  • Gustau Galfetti Gili

    My House, My Paradise. The Construction of the Ideal…

  • Dieter Rams

    Less but better. Weniger, aber besser

  • Matt Zoller Seitz

    The Wes Anderson Collection

  • Louis Martin (Ed.)

    On Architecture. Melvin Charney, a Critical Anthology

  • Adaptive Actions

    Heteropolis

  • Thomas Durisch (Hg.)

    Peter Zumthor. 1985–2013

  • Martin Conrads

    Ohne Mich

  • Gertrud Vogler

    La Défense. Métro, boulot, dodo

  • James Nisbet

    Ecologies, Environments, and Energy Systems in Art of the…

  • October Files 16

    John Knight

  • Stadt Zürich, Amt für Hochbauten (Hg.)

    Grundrissfibel. 50 Wettbewerbe im gemeinnützigen…

  • Paolo Belardi

    Why Architects Still Draw

  • Forensic Architecture (Ed.)

    Forensis. The Architecture of Public Truth

  • Liesbeth Huybrechts (Ed.)

    Participation Is Risky. Approaches to Joint Creative…

  • Clog 10

    Prisons

  • Sylvère Lotringer, David Morris (Ed.)

    Schizo-Culture

  • Judith Laister, Margarethe Makovec,…

    Die Kunst des urbanen Handelns. The Art of Urban…

  • Verena Gerlach

    Karbid. Berlin - De La Lettre Peinte.. / Von Schriftmalerei…

  • Matt Ratto, Megan Boler (Eds.)

    DIY Citizenship. Critical Making and Social Media

  • Gilles Rouffineau (Ed.)

    Passing On History. Design Contribution To Knowledge…

  • Zeuler R. M. de A. Lima

    Lina Bo Bardi

  • Jacques Sbriglio

    Le Corbusier et la question du brutalisme. LC au J1

  • Kaja Grobe, Karin Kreuder

    Always the Same Faces. Aus dem Alltag philippinischer…

  • Christoph Tannert (Hg.)

    Berlin Art Scene

  • Clog

    Miami

  • Andreas van Dühren (Hg.)

    TEXT Gespräche

  • Dario Azzellini, Marina Sitrin

    They Can't Represent Us! Reinventing Democracy from…

  • James Langdon

    A School for Design Fiction

  • Valentin Groebner

    Wissenschaftssprache digital. Die Zukunft von gestern

  • Deyan Sudjic

    B is for Bauhaus. An A-Z of the Modern World

  • Andy Merrifield

    The New Urban Question

  • Hans Ulrich Obrist

    Ways of Curating

  • Stine Omar, Max Boss, Andy Grier

    SMAREAZY 001 12"EASTER, Champagne 121212 / Children…

  • Anke Westermann

    Anke Westermann. Atlas

  • Nina Möntmann (Ed.)

    Schöne Neue Arbeit / Brave New Work. Ein Reader zu Harun…

  • Christiane E. Fricke (Hg.)

    Der Gang der Dinge. Welche Zukunft haben photographische…

  • Emil Ruder

    Fundamentals

The Whole Earth. California and the Disappearance of the Outside

In the year 1966, a young man named Stewart Brand handed out buttons in San Francisco reading: “Why haven’t we seen a photograph of the whole Earth yet?” Two years later, the NASA photograph of the “blue planet” appeared on the cover of the Whole Earth Catalog. In creating the catalogue, frequently described as the analogue forerunner of Google, Brand had founded one of the most influential publications of recent decades. It mediated between cyberneticists and hippies, nature romantics and technology geeks, psychedelia and computer culture, and thus triggered defining impulses for the environmentalist movement and the rise of the digital network culture.
The photo of the blue planet developed a sphere of influence like almost no other image: it stands not only for ecological awareness and crisis but also for a new sense of unity and globalization. The universal picture of “One Earth” hence anticipated an image of the end of the Cold War, whose expansion into space it accompanied, and overwrote or neutralized political lines of conflict by transferring classical politics and criticism of it to other categories, such as cybernetic management or ecology.
The exhibition “The Whole Earth” is an essay composed of cultural-historical materials and artistic positions that critically address the rise of the image of “One Earth” and the ecological paradigm associated with it. The accompanying publication includes image-rich visual essays that explore key themes: “Universalism,” “Whole Systems,” “Boundless Interior,” and “Apocalypse, Babylon, Simulation,” among others. These are surrounded by critical essays that shed light onto 1960s California and the networked culture that emerged from it.
Artists: Nabil Ahmed, Ant Farm, Eleanor Antin, Martin Beck, Jordan Belson, Ashley Bickerton, Dara Birnbaum, Erik Bulatov, Angela Bulloch, Bruce Conner, Öyvind Fahlström, Robert Frank, Jack Goldstein, Nancy Holt and Robert Smithson, Lawrence Jordan, Silvia Kolbowski, Philipp Lachenmann, David Lamelas, Sharon Lockhart, Piero Manzoni, Raymond Pettibon, Adrian Piper, Robert Rauschenberg, Ira Schneider, Richard Serra, Alex Slade, Jack Smith, Josef Strau, The Center for Land Use Interpretation, The Otolith Group, Suzanne Treister, Andy Warhol, Bruce Yonemoto, et al.
With contributions by Sabeth Buchmann, Mercedes Bunz, Diedrich Diederichsen, Kodwo Eshun, Anselm Franke, Erich Hörl, Norman M. Klein, Maurizio Lazzarato, Flora Lysen, Eva Meyer, John Palmesino, Laurence Rickels, Bernd M. Scherer, Fred Turner
A German-language version of this publication is also available:
The Whole Earth. Kalifornien und das Verschwinden des Außen
ISBN 978-3-943365-76-4, €26,00
sold out, both!


Diedrich Diederichsen, Anselm Franke (Eds.)
The Whole Earth. California and the Disappearance of the Outside
Sternberg Press, 2013, 978-3-943365-76-4