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  • Alexander Kluge

    Der Konjunktiv der Bilder. Meine Virtuelle Kamera (K.I.)

  • Sara Zeller, Evelyn Steiner (Hg.)

    Design für Alle? Inklusive Gestaltung heute

  • Arturo Escobar, Michal Osterweil, Kriti…

    Relationality. An Emergent Politics of Life Beyond the Human

  • Kim Dovey et. al.

    Atlas of Informal Settlement. Understanding Self-Organized…

  • Claire Bishop

    Disordered Attention. How We Look at Art and Performance…

  • Philip Widmann

    Film Undone – Elements of a Latent Cinema

  • McKenzie Wark

    Raven

  • Aruna D’Souza

    Imperfect Solidarities

  • Sandra Hofmeister

    Architektur und Klimawandel. 20 Interviews zur Zukunft des…

  • Gerry Leonidas (Ed.)

    Designing type revivals. Handbook for a historical approach…

  • Jochen Becker, Anna Schäffler, Simon…

    Glossar Urbane Praxis. Auf dem Weg zu einem Mannifest /…

  • Cyril Béghin (Ed.)

    Chantal Akerman. Oeuvre écrite et parlée

  • Hansjörg Gadient

    Spielraum. Kindergerechte Freiräume planen und bauen

  • Diamond Schmitt Architects

    Set Pieces. Architecture for the Performing Arts in Fifteen…

  • Roberto Gargiani, ed.

    Simple Architecture: Villa Baizeau in Carthage by Le…

  • Leonhard Laupichler, Sophia Brinkgerd (…

    New Aesthetic 1. A Collection of Experimental and…

  • Martin Mosch

    Die typografische Komposition

  • Vera Egbers, Christa Kamleithner, Özge…

    Architectures of Colonialism

  • Anna-Maria Meister, Teresa Fankhänel,…

    Are You a Model? On an Architectural Medium of Spatial…

  • Gilbert Simondon, Emmanuel Alloa (Hg.)

    Imagination und Invention

  • Philipp Schönthaler

    Wie rationale Maschinen romantisch wurden

  • Artemy Magun

    The Temptation of Non-Being: Negativity in Aesthetics

  • Nicolas Uphaus

    Frei. Selbstständig arbeiten als Designer (2. überarb.…

  • Anne Querrien, Brigitta Kuster (Hg.)

    Maschinen | Gefüge | Karten

  • Sabine Nuss

    Wessen Freiheit, welche Gleichheit? Das Versprechen einer…

  • Legacy Russell

    Black Meme. A History of The Images That Make Us

  • Benjamin H. D. Buchloh, Hal Foster

    Exit Interview. Benjamin Buchloh in conversation with Hal…

  • Gabriel Catren

    Pleromatica, or Elsinore's Trance

  • You Can Sit With Us

    You Can Sit With Us - 24/7

  • Johann Braun

    Stadt von Rechts. Über Brennpunkte und Ordnungsversuche

  • Domitilla Dardi

    Playgrounding. The playground as a symbolic form of society…

  • Paolo Pileri, Christina Renzoni, Paola…

    Piazze Scolastiche / School squares. Reinventing the…

  • El Croquis

    El Croquis 225. Macías Peredo. 2014 - 2024

  • Kim Förster

    Building Institution. The Institute for Architecture and…

  • Michael Marder

    The Phoenix Complex. A Philosophy of Nature

  • Florian Heilmeyer, Sandra Hofmeister

    Umbau Architektur in Flandern. Architecture of…

  • Andrea Baier, Christa Müller, Karin…

    Unterwegs in die Stadt der Zukunft. Urbane Gärten als Orte…

  • Paul Wood (ed.)

    Biting the Hand. Traces of Resistance in the Art &…

  • Sezgin Boynik, Taneli Viitahuhta (eds.)

    Free Jazz Communism.

  • Slavoj Žižek, Rastko Močnik, Zoja Skušek

    Punk Suprematism. Theoretical Writings on Punk, Nation,…

  • Naomi Keena, Avi Friedman

    Sustainable Housing in a Circular Economy

  • Karel Teige

    The Marketplace of Art. 2 Volumes

  • Lukas Feireiss (ed.)

    Parasite 2.0: Collective Keywords

  • Riccardo Badano, Tomas Percival, Susan…

    Militant Media. Centre for Research Architecture 2

  • Exhibition Politics. Die documenta und die DDR

  • Karsten Krampitz

    Pogrom im Scheunenviertel. Antisemitismus in der Weimarer…

  • Thomas Irmer

    René Pollesch – Arbeit. Brecht. Cinema. Interviews und…

  • Işil Eğrikavuk

    Global Protests Through Art. collaboration, co-creation,…

  • Felix Sommer, SB5ÜNF

    Beton & Nicht Beton

  • Julia Schulz-Dornburg

    The Complete Guide to Combat City

  • Dorothee Albrecht

    Assemblages of the Future

  • Sam Ashby (ed.)

    Little Joe: A book about queers and cinema, mostly

  • Jürg Graser, Astrid Staufer, Christian…

    Architektur Klima Atlas. Klimabewusst entwerfen in…

  • Charlotte Malterre-Barthes

    On Architecture and Greenwashing. The Political Economy of…

  • Judith Hopf

    Judith Hopf. Énergies

  • Marcus Steinweg, Sonja Dierks

    Kafka

  • Onur Erdur

    Schule des Südens. Die kolonialen Wurzeln der französischen…

  • Michael Marder, Giovanbattista Tusa (…

    Contemporanea. A Glossary for the Twenty-First Century

  • dérive

    dérive N° 95, Sampler (Apr-Jun 2024)

  • Vladimir Guculak, Paul Bourel

    Sh*tscapes. 100 Mistakes in Landscape Architecture

  • Fulya İLBEY

    CONSTRUCTIVE MANIPULATIONS™ FOR STRATEGIC RESILIENCE

  • Alan Smart, Jack Henrie Fisher (ed.)

    Counter-Signals 5. Systems and their Discontents

  • Silke Kapp, Mariana Moura (ed.)

    Sérgio Ferro. Architecture from Below. An Anthology

  • Daniel Loick

    Die Überlegenheit der Unterlegenen. Eine Theorie der…

  • Víctor Aguado, Ramón del Buey, Brandon…

    Party Studies Vol. 2. Underground Clubs, Parallel…

  • Nina Dragičević

    Auditory Poverty and its Discontents – An Essay

  • Iracema Dulley, Özgün Eylül İşcen (eds)

    Displacing Theory through the Global South

  • Karoline Mayer, Katharina Ritter,…

    Über Tourismus

  • Bernd Stiegler

    Bildpolitiken der Identität. Von Porträtfotografie bis zu…

  • Chris Kraus

    Ehrgeiz, Demut, Glück. Texte zu Kunst und Freundschaft

  • Laboratory EAST

    Studies on Assemblies: Mass Made Units.

  • Tom Holert

    „ca. 1972” Gewalt – Umwelt – Identität – Methode

  • Nadejda Bartels (Hg.)

    Alvar Aalto in Deutschland: Gezeichnete Moderne / Alvar…

  • Tchoban Foundation

    Sauerbruch Hutton. Drawing in Space

  • Derek McCormack

    Judy Blame's Obituary. Writings on Fashion and Death

  • Corinne Cath

    Eaten by the Internet

  • Nike

    After All, there is No Finish Line

  • ECCHR

    Beyond Limitations. Wolfgang Kaleck, Tomas Saraceno

  • ECCHR

    Challenging Corporate Power. Gearoid O Cuinn, Miriam Saage-…

  • Jeanne Gang

    The Art of Architectural Grafting. Usefulness and Desire in…

  • Jochen Eisenbrand

    Transform! Designing the Future of Energy

  • Adam Gibbons, Eva Wilson

    Abbas Zahedi in conversation with Eva Wilson "" #7

  • Kevin Yuen Kit Lo

    Design Against Design. Cause and consequence of a…

  • Timon Beyes

    Organizing Color. Toward a Chromatics of the Social

  • Eric Drott

    Streaming Music, Streaming Capital

  • Francois Laruelle

    Phenomenon & Difference. Essay on the Ontology of…

  • Mohammad Salemy (ed.)

    Model Is the Message. Incredible Machines Conference 2022

  • Joshua Comaroff, Ong Ker-Shing

    Horror in Architecture. The Reanimated Edition

  • Armen Avanessian, Daniel Falb

    Planeten Denken. Hyper-Antizipation und Biografische…

  • Achim Szepanski

    Die Ekstase der Spekulation. Kapitalismus im Zeitalter der…

  • Arch+ Zeitschrift für Architektur und…

    Arch+ 254. Klaus Heinrich - Dahlemer Vorlesungen: Giovanni…

  • Florian Reischauer

    Pieces of Berlin 2019-2023

  • Tim Carpenter

    To Photograph is to Learn How to Die

  • Oxana Timofeeva

    Solarpolitik. Ein philosophischer Essay über die Sonne,…

  • Hans-Christian Dany

    Schuld war mein Hobby. Bilanz einer Familie

  • Andreas Weber

    Indigenialität

  • Achim Szepanski, Force Inc. / Mille…

    In the Delirium of the Simulation: Baudrillard Revisited by…

  • Never Sleep (Ed.)

    Archivio #1 - Records Store Ads & Paper Ephemera From…

You can be a wealthy art collector in the digital age // You can be a Cash-Strapped Art Collector in the Digital Age

This book is a practical guide to collecting contemporary art using the tools available online and on any smartphone or tablet, with a special focus on digital art and the particular advantages and challenges it presents to collectors. The guide is intended for anyone who would like to collect art, regardless of their knowledge of the art market—or their budget.
The volume is divided into three parts: two separate (but related) manuals and a troubleshooting guide for collectors of digital art.  
    The first manual, titled ‘You can be a wealthy art collector in the digital age’, addresses all the basic aspects of collecting contemporary art, from finding a moti- vation to buy art and exploring the art market, to considering quantified analyses of artworks and sharing one’s collection on social media. It also provides insights and advice for collectors of software-based, web-based, and interactive artworks, as well as an analysis of the impact of artificial intelligence and blockchain technologies on art collecting.
    The second manual, titled ‘You can be a cash-strapped collector in the digital age’, turns to the possible ways of collecting contemporary art on a small budget (from $3 to $300) made available nowadays on online stores, app stores, and digital edition marketplaces. It also discusses the basic aspects of collecting, including motivation, searching for art on a budget, and understanding the type of objects on sale. This manual provides an additional focus on art in digital formats, including art apps, digital editions, and digital art frames.  
    The troubleshooting guide offers solutions to common questions and problems faced by collectors of digital art, such as digital editions, software art, interactive installations, and web-based, virtual reality (VR) or augmented reality (AR) artworks.
Each section in the book can be read independently, providing different points of entry to its content. Furthermore, in each section the main text is complemented with graphs and illustrations, as well as insets describing case studies and providing lists with additional references.
The book provides up-to-date, useful information for any kind of collector, as well as guidance on understanding the art world and navigating the art market.
About the author:
Pau Waelder is a curator, writer and researcher. PhD in Information and Knowledge Society by the Universitat Oberta de Catalunya (UOC). He teaches at the UOC, as well as in postgraduate courses at ESDi and NODE Curatorial Studies Online.
He has written extensively about digital art and the art market in magazines, journals, and books. He is also the author of $8,793 Worth of [Art] (Merkske, 2014).


Pau Waelder
You can be a wealthy art collector in the digital age // You can be a Cash-Strapped Art Collector in the Digital Age
Printer Fault Press, 2020, 978-84-09-23382-3