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  • Hansjörg Gadient

    Spielraum. Kindergerechte Freiräume planen und bauen

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    Set Pieces. Architecture for the Performing Arts in Fifteen…

  • Roberto Gargiani, ed.

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    New Aesthetic 1. A Collection of Experimental and…

  • Martin Mosch

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    Architectures of Colonialism

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    The Temptation of Non-Being: Negativity in Aesthetics

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    Stadt von Rechts. Über Brennpunkte und Ordnungsversuche

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    Building Institution. The Institute for Architecture and…

  • Michael Marder

    The Phoenix Complex. A Philosophy of Nature

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    Biting the Hand. Traces of Resistance in the Art &…

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    Free Jazz Communism.

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    Punk Suprematism. Theoretical Writings on Punk, Nation,…

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    Sustainable Housing in a Circular Economy

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    The Marketplace of Art. 2 Volumes

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    Lodown Magazine: Sound

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    Parasite 2.0: Collective Keywords

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    Militant Media. Centre for Research Architecture 2

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    The Virtual Sentence: A Book of Exercises

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    Pogrom im Scheunenviertel. Antisemitismus in der Weimarer…

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    The Complete Guide to Combat City

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    Assemblages of the Future

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    Little Joe: A book about queers and cinema, mostly

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    Architektur Klima Atlas. Klimabewusst entwerfen in…

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    On Architecture and Greenwashing. The Political Economy of…

  • Judith Hopf

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  • dérive

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  • Vladimir Guculak, Paul Bourel

    Sh*tscapes. 100 Mistakes in Landscape Architecture

  • Fulya İLBEY

    CONSTRUCTIVE MANIPULATIONS™ FOR STRATEGIC RESILIENCE

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    Sérgio Ferro. Architecture from Below. An Anthology

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    Die Überlegenheit der Unterlegenen. Eine Theorie der…

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    Party Studies Vol. 2. Underground Clubs, Parallel…

  • Nina Dragičević

    Auditory Poverty and its Discontents – An Essay

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    Displacing Theory through the Global South

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    Über Tourismus

  • Ubani. Tbilisi cityscape research center

    Hollow. A Map of Tbilisi

  • Bernd Stiegler

    Bildpolitiken der Identität. Von Porträtfotografie bis zu…

  • Chris Kraus

    Ehrgeiz, Demut, Glück. Texte zu Kunst und Freundschaft

  • Laboratory EAST

    Studies on Assemblies: Mass Made Units.

  • Tom Holert

    „ca. 1972” Gewalt – Umwelt – Identität – Methode

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    Alvar Aalto in Deutschland: Gezeichnete Moderne / Alvar…

  • Tchoban Foundation

    Sauerbruch Hutton. Drawing in Space

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    Judy Blame's Obituary. Writings on Fashion and Death

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  • Nike

    After All, there is No Finish Line

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    Beyond Limitations. Wolfgang Kaleck, Tomas Saraceno

  • ECCHR

    Challenging Corporate Power. Gearoid O Cuinn, Miriam Saage-…

  • Jeanne Gang

    The Art of Architectural Grafting. Usefulness and Desire in…

  • Jochen Eisenbrand

    Transform! Designing the Future of Energy

  • Adam Gibbons, Eva Wilson

    Abbas Zahedi in conversation with Eva Wilson "" #7

  • Kevin Yuen Kit Lo

    Design Against Design. Cause and consequence of a…

  • Timon Beyes

    Organizing Color. Toward a Chromatics of the Social

  • Eric Drott

    Streaming Music, Streaming Capital

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    Phenomenon & Difference. Essay on the Ontology of…

  • Mohammad Salemy (ed.)

    Model Is the Message. Incredible Machines Conference 2022

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    Horror in Architecture. The Reanimated Edition

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  • Achim Szepanski

    Die Ekstase der Spekulation. Kapitalismus im Zeitalter der…

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    Arch+ 254. Klaus Heinrich - Dahlemer Vorlesungen: Giovanni…

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    To Photograph is to Learn How to Die

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    Indigenialität

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    Archivio #1 - Records Store Ads & Paper Ephemera From…

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    Das 21. Jahrhundert. Essays

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    Protocol 14. Nonkonforme Architekturpraxis

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    Agonistic Assemblies. On the Spatial Politics of…

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    Daidalos Nr 22-23

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    Gelenkstellen - Loose Joints

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    Beyond the Sovereign Self. Aesthetic Autonomy from the…

  • Jana Müller

    Jana Müller. Falscher Hase / Mock Rabbit

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    Anarcho-Indigenism. Conversations on Land and Freedom

We Are DEVO!

With flowerpots on their heads, distinctive post-Kraftwerk imagery and catchy electro-pop riffs, Devo carved an 80s niche setting them apart from the mish-mash of punk, new wave and rock surrounding them. Dellinger interviewed the band members and associates, ransacked their archives to provide illustrations, memorabilia and photographs documenting Devo's entire career and re-evaluate their complete works to provide a survey of the Devo phenomenon.
"This is the band of the future." (DAVID BOWIE, 1977)
"Of all the bands who came from the underground and actually made it in the mainstream, Devo is the most challenging and subversive of all." (KURT COBAIN, 1992)
With staggeringly catchy electro-pop riffs, Devo carved a niche that set them apart from the mish-mash of rock, punk, and new wave that surrounded them in the late 1970s...
Led by Mark Mothersbaugh and Jerry Casale, the overarching philosophical principle that drove them - "De-evolution" -- engendered a theory that mankind, rather than progressing, was actually going backwards.
Their first major label album, produced by Brian Eno in 1977, was light years ahead of its time. With their 1980 album, FREEDOM OF CHOICE, they had honed their pared-down pop to produce the razor-sharp "Girl You Want" and the million-selling smash single "Whip It."
Players in Devo's history range from Neil Young and Joe Walsh to David Bowie and Iggy Pop. In recent years, Devo's songs have been covered by Nirvana, Moby, Rage Against The Machine, and Soundgarden, to name but a few.
The thirst for knowledge about these pop pioneers is huge, but until now, the printed word has eluded Devo. Authors Jade Dellinger and David Giffels have interviewed band members and their associates, ransacked their archives to provide more than 100 illustrations, memorabilia, and rare photographs documenting Devo's entire career, and re-evaluated their complete works to provide an exhaustive survey of the Devo phenomenon ...
"I read a bio of Devo over the weekend. I recommend it. The book focuses heavily on the band's first five years, which is the juicy part of the tale." (David Segal, THE WASHINGTON POST)
"With their weird, home-baked philosophy and robotic rock, Devo were as much an art project as a band. The authors do an admirable job of describing that project's evolution, painting a detailed portrait of the Akron, Ohio scene that produced Devo." (J.D. Considine, BLENDER magazine)
"An extensively researched history of the group, largely drawing on original interview material with principal band members. Devo were an example of art and industry coming together to produce a unique musical hybrid. The authors' balanced history captures this perfectly and urges you to listen to Devo afresh." (Edwin Pouncey, THE WIRE)
"When Devo's concepts and music wormed their way into my consciousness, I realized that this was the new prog; this is the future; this is all that matters. De-evolution became my religion, education, and inspiration. It's high time this amazing story was told." (Robert Pollard, GUIDED BY VOICES)
"This book tells the entire tale: There's the young Mark Mothersbaugh's obsession with his Mr. Potato Head toy, the public's initial incomprehension of the Ohio spudboys, sidekick Booji Boy, Devo's 'Jocko Homo' creed, the improbable success of 'Whip It,' and the band's disintegration." (Fred Mills, MAGNET)
"Aimed at both diehard fans and those who aren't as familiar with the group, this is the first book-length survey of Devo's origins and exploits. It grows into an engaging read from many angles, providing tasty insights, while always managing to keep the group's satirical, political core at the center of the operation." (Alex Reynolds, GROOVES magazine)


Jade Dellinger, David Giffels
We Are DEVO!
Saf Publishing, 2008, 978-0946719761