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    Marcel Broodthaers. Collected Writings

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    Was heißt hier Stadt? 50 Jahre Stadtdiskurs am Beispiel der…

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    Hello World. Where Design Meets Life

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    Mladen Stilinovic. Sing!

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    Anywhere or Not at All. The Philosophy of Contemporary Art

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    Dance, Politics & Co-Immunity

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    Silence and Light

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    Herb Lubalin. American Graphic Designer 1918—81

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    Return to the Postcolony

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    Tell It To My Heart

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    Realismus Jetzt

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    The Space of Agonism. Critical Spatial Practice 2

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    Rehearsing Collectivity - Choreography Beyond Dance

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    Search Find Like Share. Perspectives in visual storytelling

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    The Subjective Object

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    Encyclopedia of Flowers

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    Autoprogettazione?

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    Sounds Like Silence. John Cage - 4’33” – Silence Today

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    Forget your past. Communist-Era Monuments in Bulgaria

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    What is the future of architecture?

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    Rendering

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    Schriften. Erster Band

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    Rosalind Nashashibi

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    In a Manner of Reading Design (The Blind Spot)

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    Sewn in the Sweatshops of Marx. Beuys, Warhol, Klein,…

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    Khhhhhhh

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    Institutions by Artists. Volume One

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    Design ist unsichtbar. Entwurf, Gesellschaft und Pädagogik

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    Megastrukturen. Architekturutopien zwischen 1955 und 1975

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    Vom Publicum. Das Öffentliche in der Kunst

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    The Ruin of Exchange

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    Architecture Words 9. Tectonic Acts of Desire and Doubt

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    A Lesson with AG Fronzoni. From Teaching Design to Design…

  • Paul O'Neill

    The Culture of Curating and the Curating of Culture(s)

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    - Modernism In-between - The mediatory Architectures of…

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    Unit.Design/Research 01. Ronald Clyne at Folkways

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    Post-Digital Print. The Mutation of Publishing Since 1884

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    Wim Crouwel

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    Who is John Cage?

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    Work, Work, Work A Reader on Art and Labour

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    Song Book (Die Gedanken sind frei)

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    Albtraum Partizipation

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    Gallery as Community. Art, Education, Politics

Crossbenching: Toward a Proactive Mode of Participation, Critical Spatial Practice

With a preface by Armen Avanessian, an introduction by Hannes Grassegger and Markus Miessen, and a postscript by Patricia Reed
''At the heart of this book is a simple and profound proposition: to 'do' architecture is to immerse oneself in a conflictual process of material production--participation is not a productive encounter of multiple practitioners and stakeholders, but a set of conflicts, negotiations, maneuvers, and swindles between and within a multiplicity of agents, human and nonhuman alike--equally including architects, clients, financiers, and builders, say, but also silicon, plastic, concrete, each with its conflicting aims and different material means to achieve them. Every building is thus the materialization of such encounter. So, despite the hubris of the field, none of the parties to such an encounter can ultimately control that the result architecture (unlike real estate), according to Miessen, belongs to no one but affects and is affected by everyone--and this proposition asks that we reframe questions of ethics and politics. They can no longer be the property of an individual but a collective set of interrelations--it is through such profound departure from the terms of architecture that Miessen's new book demands nothing less than to reimagine how we might finally become citizens.''--Eyal Weizman, Professor of Spatial and Visual Cultures, Director of the Centre for Research Architecture, Goldsmiths, University of London
''Miessen's new book depicts in a challenging and projective manner the problem of politics in times of conceptual indeterminacy, where 'participation' of the civil society seems to become the salvation for the political mess we are in, especially in Europe. Well, it is not! 'Participation' will not eradicate the Front National, and more transparency will not deprive Orbán of his power. Civil society will not gain power by criticizing or demonstrating loudly against the European system or chatting on the Internet. The populists have understood that if you want power, you need parties. What we risk to lose in that participatory game is representative democracy in its current shape and for no good: the majority of the street is no democracy. The post-structuralist hype for participation fuels into the mills of those who want to play la volonté de tous against la volonté generale, to go back to Rousseau: yet, the plebs killed Socrates in Athens.'' --Ulrike Guerot, political scientist, founder and director, European Democracy Lab, Berlin


Markus Miessen
Crossbenching: Toward a Proactive Mode of Participation, Critical Spatial Practice
Sternberg, 2016, 978-3-95679-220-5