Direkt zum Inhalt

Warenkorb

  • Branden Joseph (Ed.)

    Carolee Schneemann: Uncollected Texts

  • Natalie Fenton, Des Freedman, Justin…

    The Media Manifesto

  • Amador Vega, Peter Weibel, Siegfried…

    Dia-Logos: Ramon Llull's Method of Thought and…

  • Luke Fernandez, Susan J. Matt

    Bored, Lonely, Angry, Stupid: Changing Feelings about…

  • Peter Ortner

    The Essence of Berlin-Tegel. Taking Stock of an Airport…

  • Cornelia Sollfank (Hg)

    The Beautiful Warriors. Technofeminist Praxis in the Twenty…

  • DeBevoise, Chooy, Lu (Hg)

    Uncooperative Contemporaries: Art Exhibitions in Shanghai c…

  • IDEA Magazine

    IDEA 390. writtenafterwards. Material Bindings. The Savage…

  • Jane Bennett

    Influx & Efflux. Writing up with Walt Whitman

  • Slavoj Žižek

    Der Exzess der Leere. Ökonomisch-philosophosche Notizen zu…

  • Jörg Kreienbrock

    Sich im Weltall orientieren. Philosophieren im Kosmos 1950…

  • Stéphane Mallarmé

    The Book

  • Bram Büscher, Robert Fletcher

    Conservation Revolution. Radical Ideas for Saving Nature…

  • Erin Y. Huang

    Urban Horror: Neoliberal Post-Socialism and the Limits of…

  • Christian Huck

    Digitalschatten. Das Netz und die Dinge

  • Byung-Chul Han

    Palliativgesellschaft. Schmerz heute

  • Bastian Lange u.a. (Hg.)

    Postwachstumsgeographien. Raumbezüge diverser und…

  • Thomas Flierl (Hg.)

    Bauhaus – Shanghai – Stalinallee – Ha-Neu. Der Lebensweg…

  • Alexandra Martini

    Inspired by Method: Creative tools for the design process

  • Yuk Hui

    Die Frage nach der Technik in China. Ein Essay über die…

  • Ruedi Baur, Ulrike Felsing (Eds.)

    Visual Coexistence. Informationdesign and Typography in the…

  • Brandon LaBelle

    The Other Citizen

  • Roland Reichenbach, Rolf Bossart (Hg.)

    Bildungsferne. Essays und Gespräche zur Kritik der Pädagogik

  • Slavs and Tatars, M. Constantine (Ed.)

    Slavs and Tatars. Crack Up - Crack Down. The 33rd Ljubljana…

  • C. Riley Snorton, Hentyle Yapp (Ed.)

    Saturation. Race, Art, and the Circulation of Value

  • Pamela M. Lee

    Think Tank Aesthetics. Midcentury Modernism, the Cold War,…

  • Lucy Ives (Ed.)

    The Saddest Thing Is That I Have Had To Use Words. A…

  • Marino, Mark C.

    Critical Code Studies

  • Lucy McKenzie, Beca Lipscombe (Eds.)

    Atelier E.B: Passer-By

  • Ursula K. Le Guin

    The Carrier Bag Theory of Fiction

  • Ben Eastham (Ed.)

    Luis Camnitzer. One Number Is Worth One Word

  • John Beck, Ryan Bishop

    Technocrats of the Imagination. Art, Technology, and the…

  • Louise Amoore

    Cloud Ethics. Algorithms and the Attributes of Ourselves…

  • David Grubbs

    The Voice in the Headphones

  • Hertz-Labor Hg. (Peter Weibel, Ludger…

    From Xenakis’s UPIC to Graphic Notation Today

  • Cyril Veillon, Nadja Maillard (Eds.)

    Isle of Models. Architecture and Scale

  • Giorgio Agamben

    Der Gebrauch der Körper

  • Isabelle Graw

    In einer anderen Welt. Notizen 2014-2017

  • Sabine Hark, Paula-Irene Villa

    The Future of Difference. Beyond the Toxic Entanglement of…

  • Adeena Mey, Anton Rey, François Bovier…

    Minor Cinema. Experimental Film in Switzerland

  • Max Haiven

    Revenge Capitalism. The Ghosts of Empire, the Demons of…

  • Kathleen Cummins

    Herstories on Screen. Feminist Subversions of Frontier Myths

  • Data Chigholashvili, Nini…

    Tbilisi - It's Complicated. Onomatopee 173

  • Isa Genzken

    Isa Genzken. I Love New York, Crazy City

  • Raul Zelik

    Wir Untoten des Kapitals. Über politische Monster und einen…

  • Danielle Allen

    Politische Gleichheit

  • Silvia Henke, Dieter Mersch, Thomas…

    Manifest der künstlerischen Forschung / Manifesto of…

  • Dominique Hauderowicz, Kristian Ly…

    Age-Inclusive Public Space

  • Christian Werner

    Christian Werner. Everything Is So Democratic and Cool

  • Paulo Mendes da Rocha

    Designed Future or selected writings by Paulo Mendes da…

  • Moyra Davey

    Index Cards

  • Emanuele Coccia

    Sinnenleben

  • ARCH+, Anh-Linh Ngo, Arno Brandlhuber,…

    Arch+. The Property Issue: Politics of Space and Data.

  • Philip Kovce, Birger P. Priddat (Hg.)

    Bedingungsloses Grundeinkommen. Grundlagentexte

  • Aaron Bastani

    Fully Automated Luxury Communism

  • Martijn De Rijk, Thomas Spijkerman

    Reinventing Daily Life

  • Adriano Pedrosa, Jose Esparza Chong Cuy…

    Lina Bo Bardi. Habitat

  • Cloe Pitiot, Nina Stritzler-Levine (Hg)

    Eileen Gray. Designer and Architect

  • Verena Pfeiffer-Kloss

    Der Himmel unter West-Berlin. Die post-sachlichen U-…

  • M. Lind, M. Masucci, J. Warsza (Hg)

    Red Love: A Reader on Alexandra Kollontai

  • Chus Martínez (Ed.)

    The Wild Book of Inventions

  • Mary Bosworth, Khadija von Zinnenburg…

    Bordered Lives. Immigration Detention Archive

  • bell hooks

    Die Bedeutung von Klasse

  • Marcus Steinweg

    Metaphysik der Leere

  • Jeppe Ugelvig

    Fashion Work. 1993-2018. 25 Years of Art in Fashion

  • Ursula K. Le Guin

    Am Anfang war der Beutel

  • Franco La Cecla

    Against Urbanism

  • John Maeda

    How to Speak Machine. Laws of Design for a Computational Age

  • Holger Schulze

    Sonic Fiction

  • Chad Randl

    A-Frame

  • Christopher M. Kelty

    The Participant. A Century of Participation in Four Stories

  • Kevin Lotery

    The Long Front of Culture. The Independent Group and…

  • Matthew Gandy, Sandra Jasper (Hg)

    The Botanical City

  • Riccardo Badano, Rebecca Lewin, Natalia…

    Formafantasma Cambio

  • Rozemin Keshvani (Ed.)

    The Locked Room. Four Years that Shook Art Education, 1969–…

  • Nick Mauss

    Transmissions

  • Stanislaus von Moos, Martino Stierli

    Eyes That Saw: Architecture after Las Vegas

  • S. Delz, R. Hehl, P. Ventura

    Housing the Co-op. A Micro-political Manifesto

  • Sasha Costanza-Chock

    Design Justice. Community-led Practices to build the Worlds…

  • Mary Kaldor and Saskia Sassen (Ed)

    Cities at War. Global Insecurity and Urban Resistance

  • Claire Fontaine

    La Grève Humaine et l’art de créer la liberté

  • Christian Nae (Editor)

    Dan Mihaltianu. Canal Grande: The Capital Pool and the…

  • Hashim Sarkis, Roi Salgueiro Barrio,…

    The World as an Architectural Project.

  • Pier Vittorio Aureli (Hg)

    The City as a Project

  • Stephen Barber

    The Projectionists. Eadweard Muybridge and the Future…

  • Zoran Terzić

    Idiocracy. Denken und Handeln im Zeitalter des Idioten

  • Paul B. Preciado

    Ein Apartment auf dem Uranus. Chroniken eines Übergangs

  • Corinna Burkhart, Matthias Schmelzer,…

    Degrowth in Movement(s). Exploring Pathways for…

  • Anita Chari, Claire Fontaine, Jaleh…

    Claire Fontaine. Newsfloor

  • Angela McRobbie

    Feminism and the Politics of Resilience. Essays on Gender,…

  • Gabriele Klein

    Pina Bausch’s Dance Theater. Company, Artistic Practices,…

  • Joachim Hamou, Maija Rudovska, Barbara…

    Active Art

  • Institut für Raumexperimente e.V.,…

    Poetry Jazz: Wax and Gold

  • Larry D. Busbea

    The Responsive Environment. Design, Aesthetics, and the…

  • Katherine Guinness

    Schizogenesis. The Art of Rosemarie Trockel

  • Giorgio Agamben

    Geschmack

  • Alain Badiou

    Migrants and Militants

  • Gregory Claeys

    Utopia. The History of an Idea

What was the Hipster? A Sociological Investigation

Preface
All descriptions of hipsters are doomed to disappoint, because they will not be the hipsters you know. But to those of you who are reading this in 2050, I can only say: Everything in this book is true, and its impressions are perfect.
SYMPOSIUM
Introduction
“Please do take the opportunity to answer each other. We’ll just beg your patience to make sure that it’s getting on tape. Okay?”
Positions
When we talk about the contemporary hipster, we’re talking about a kind of cross-subcultural figure who emerges by 1999 and enjoys a fairly narrow but robust first phase of existence from 1999 to 2003. At which point the category of hipster seemed about to dissipate and return to the primordial subcultural soup, for something else to take over. Instead what we witnessed was an increasing spread and durability of the term, in an ongoing second phase from 2003 to the present.
I Was Wrong
The truth was that there was no culture worth speaking of, and the people called hipsters just happened to be young and, more often than not, funny-looking.
Vampires of Lima
What are we not talking about when we’re talking about the hipster? For example, criticizing the hipster is often a way of discussing gentrification and neighborhood change — while exempting oneself from the process. Figured as scapegoats, hipsters ruin neighborhoods by driving up rents with their parental subsidies, while the non-hipsters just . . . live there. Which is a totally ridiculous conceit.
Discussion
“Before you guys ask each other any more questions I think we should go back to the gentleman standing by the microphone.”
DOSSIER
The Death of the Hipster
I went to n+1’s “What Was the Hipster?” panel discussion at the New School on Saturday but went away a bit unfulfilled. We all had a stake in defining “hipster” as “not me.”
Hipsters Die Another Death at n+1 Panel
The one guy sporting a trucker hat stared straight ahead as Mr. Greif talked about how guys in trucker hats were striving for some sort of faux-authenticity. And when Mr. Greif hit upon the prevalence of pornographic and pedophilic mustaches among hipsters, one heavily mustachioed man seemed to listen more intently.
RESPONSES
Williamsburg Year Zero
I was a gentrifier in Williamsburg. Like the maligned hipsters, I used my parents’ savings to secure a place to live. I wanted grocery stores that carried organic products like Horizon milk for $6 per half-gallon, and overpriced but aesthetically satisfying coffee shops like El Beit. I needed expensive boutiques, otherwise I would have felt bad for having left Manhattan.
19 Questions
It interests me that “hip-hop” also gestured to similar origins when it took the “hip” from “hipster.” Can it be a cultural accident that within about twenty years of each other, black and white vanguardists (and arrivistes) drew on the old black and white uses of the same word?
Hip-hop & Hipsterism
As a black boy looking at white boys, hipsterism strikes me as what happens when white folks become aware of power and inequity — but then say, “Well, what are we supposed to do? Throw our hands up and mug for the camera.”
ESSAYS
On Douchebags
Like “douchebag,” “hipster” was a name that no one could apply to oneself. But the opportunity to call someone else a “douchebag”: that offered the would-be hipster a means of self-identification by a name one could say, looking outward. In the douchebag, the hipster had found its Other.
You Know It When You See It
At the height of her fame, authenticity, desirability, specificity, inventiveness — her “roundness” as a character — the female hipster existed before the camera, photogenic and photographed; and so it was here, through the lens, that the hipster feminine came into definition.
Epitaph for the White Hipster
The uncanny thing about the early-period white hipsters is that symbolically, in their clothes, styles, and music and attitudes, they seemed to announce that whiteness was flowing back in [to the city]. Unconsciously, they wore what they were — because for reasons mysterious to the participants, those things suddenly seemed cool.
South Side Story
At their most extreme, hipsters and Hasids present rival heresies, dueling rejections of bourgeois modernity. That each group selected Williamsburg as the terrain for carving out a secessionist utopia can only be blamed on the cunning of history, plus the L train.
http://nplusonemag.com/pamphlet-3


n+1 (Hg.)
What was the Hipster? A Sociological Investigation
Eigenverlag, 2010, 978-0-9825977-1-2