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    HaFI 011: Souvenirs, Ursprünge, Gefundene Fiktion /…

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    Wir wurden kosmisch

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    Signs & Symbols of the World: Over 1,001 Visual Signs…

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    Joni Mitchell - Ein Porträt

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    Inseln und Meere. Zur Geschichte und Geografie fluider…

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    Die Menge der Menschen

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    Warum Theater

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    Architecture Itself and Other Postmodernist Myths

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    The Situationist International. A Critical Handbook

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    Entwerfen mit System

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    Novozän: Das kommende Zeitalter der Hyperintelligenz

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    Lebhafte Materie. Eine politische Ökologie der Dinge

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    Radikale Demokratietheorien zur Einführung

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    Im Staub dieses Planeten: Horror der Philosophie

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    Some Reasons For Traveling To Albania

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    Postheroische Helden. Ein Zeitbild

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    Kunstfälschung. Das betrügliche Objekt der Begierde

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    Broken Cities. Inside the Global Housing Crisis

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    Afrotopia

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    Gesellschaftsspiele. Politisches Theater heute

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    Nicht mein Ding − Gender im Design

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    Clog 17. Cannabis

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    Disobey! A Philosophy of Resistance

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    What Comes after Farce?

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    The German Cinema Book (second edition)

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    Salticidae Icius - a Research on Independent Art Spaces and…

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    The gestures of participatory art

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    Architecture as Measure

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    Operative Mapping. Maps as Design Tools

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    Jenseits unserer Haut. Körper als umkämpfter Ort im…

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    Creativity Exercises. Emancipatory Pedagogies in Art and…

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    Institution as Praxis

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    The Manifesto Handbook. 95 Theses on an Incendiary Form

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    Goethe in the Skyways

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    Cedric Price Works 1958 - 2003. A Forward-Minded…

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    Universalenzyklopädie der menschlichen Klugheit

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    Join the Future. Bleep Techno and the Birth of British Bass…

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    Allegories of the End of Capitalism. Six Films on the…

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    Hans Gugelot: Die Architektur des Design

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    How I Became One of the Invisible (New Edition)

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    Snowden’s Box. Trust in the Age of Surveillance

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    Surveillance Valley. The Secret Military History of the…

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    Postdramaturgien

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    Sleeveless. Fashion, Image, Media, New York 2011-2019

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    Sprache und Sein

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    Augmented Spaces and Maps. Das Design von kartenbasierten…

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    IDEA 389. Feminist Moments: Thoughts on graphic design…

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    Mechanical Fantasy Box: The Homoerotic Journal of Patrick…

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    Music - A Subversive History

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    Die neue Krise der Städte

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    Set the Night on Fire - L.A. in the Sixties

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    Hybride Ökologien

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    Designing Disorder. Experiments and Disruptions in the City

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    October Files 24: Michael Snow

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    Ruth Wolf-Rehfeldt: Introverse Arrangements

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    Beyond Plant Blindness : Seeing the Importance of Plants…

  • George F.

    Good Times in Dystopia

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    Materials and Meaning in Architecture

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    GRAV : Groupe de Recherche d'Art Visuel "…

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    Everything She Touched. The Life of Ruth Asawa

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    Filmed Thought. Cinema as Reflective Form

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    Uneven Innovation. The Work of Smart Cities

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    Whose Tradition? Discourses on the Built Environment

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    Migrant Mother, Migrant Gender

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    Marmor für alle. Zur Kunst im öffentlichen Raum in Berlin

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    Isa Genzken. Außenprojekte / Projects for Outside

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    How We Die Is How We Live Only More So

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    The Demon of Writing. Powers and Failures of Paperwork

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    Clubkultur. Dimensionen eines urbanen Phänomens

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    Harun Farocki. Ich habe genug!

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    Heritage and Debt. Art in Globalization

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    Merce Cunningham. After the Arbitrary

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    Betrachtungen zur Schwulenfrage

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    Making and Being: Embodiment, Collaboration, and…

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    Statista. Staatskunst am Haus der Statistik

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    The Pornographic Age

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    Das Grafische Atelier Stankowski + Duschek

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    Scheingleichheit. Drei Essays

101 Things to Learn in Art School

What is the first thing to learn in art school? "Art can be anything." The second thing? "Learn to draw." With 101 Things to Learn in Art School, artist and teacher Kit White delivers and develops such lessons, striking an instructive balance between technical advice and sage concepts. These 101 maxims, meditations, and demonstrations offer both a toolkit of ideas for the art student and a set of guiding principles for the artist. Complementing each of the 101 succinct texts is an equally expressive drawing by the artist, often based on a historical or contemporary work of art, offering a visual correlative to the written thought. "Art can be anything" is illustrated by a drawing of Duchamp’s famous urinal; a description of chiaroscuro art is illuminated by an image "after Caravaggio"; a lesson on time and media is accompanied by a view of a Jenny Holzer projection; advice about surviving a critique gains resonance from Piero della Francesca’s arrow-pierced Saint Sebastian.
101 Things to Learn in Art School offers advice about the issues artists confront across all artistic media, but this is no simple handbook to making art. It is a guide to understanding art as a description of the world we live in, and it is a guide to using art as a medium for thought. And so this book belongs on the reading list of art students, art teachers, and artists, but it also belongs in the library of everyone who cares about art as a way of understanding life.
Kit White is an artist and Professor of Painting at Pratt Institute, Brooklyn. His work is in the permanent collections of many museums, including the Guggenheim Museum.
Reviews
“This small book, just 6 inches square, excels in presenting ideas that both artists and designers, at all stages of their careers, cannot be reminded of too often.”
—Interior Design
“Kit White’s 101 Things to Learn in Art School is a delight...Anyone who has ever visited an art museum, made art, or read about it could learn something from this little book.”
—Beth Williamson, Cassone
Endorsements
“Everyone craves useful wisdom, right? Especially when they're young, and even more especially if they want to become one of those modern alchemists known as visual artists. Well, here it is: page for impeccably crafted page, the best, most thoughtful and lucid primer available for any young (or old) would-be maker of art.”
—Kurt Andersen, novelist (Heyday, Turn of the Century) and public radio host (Studio 360)
“There is a great myth that somehow rules constrain creativity. With grace and wit, Kit White’s new book dismantles this received idea, and many others along the way. If the cardinal rule of writing is ‘show, don’t tell,’ Kit White has done exactly that—he shows us what art-making is by example as much as through the rich content of this incisive book.”
—Polly Apfelbaum, artist
“Kit White gives us a ‘manual’ in every sense of the word, a lifetime of art-making condensed into 101 cogent maxims that fit in the hand of the aspiring artist.”
—Wendy Steiner, author of The Real Real Thing: The Model in the Mirror of Art


Kit White
101 Things to Learn in Art School
MIT Press, 2011, 9780262016216