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  • Martin Mosch

    Die typografische Komposition

  • Vera Egbers, Christa Kamleithner, Özge…

    Architectures of Colonialism

  • Anna-Maria Meister, Teresa Fankhänel,…

    Are You a Model? On an Architectural Medium of Spatial…

  • Gilbert Simondon, Emmanuel Alloa (Hg.)

    Imagination und Invention

  • Philipp Schönthaler

    Wie rationale Maschinen romantisch wurden

  • Artemy Magun

    The Temptation of Non-Being: Negativity in Aesthetics

  • Nicolas Uphaus

    Frei. Selbstständig arbeiten als Designer (2. überarb.…

  • Anne Querrien, Brigitta Kuster (Hg.)

    Maschinen | Gefüge | Karten

  • Sabine Nuss

    Wessen Freiheit, welche Gleichheit? Das Versprechen einer…

  • Legacy Russell

    Black Meme. A History of The Images That Make Us

  • Benjamin H. D. Buchloh, Hal Foster

    Exit Interview. Benjamin Buchloh in conversation with Hal…

  • Gabriel Catren

    Pleromatica, or Elsinore's Trance

  • You Can Sit With Us

    You Can Sit With Us - 24/7

  • Rainald Goetz

    wrong

  • Johann Braun

    Stadt von Rechts. Über Brennpunkte und Ordnungsversuche

  • Domitilla Dardi

    Playgrounding. The playground as a symbolic form of society…

  • Paolo Pileri, Christina Renzoni, Paola…

    Piazze Scolastiche / School squares. Reinventing the…

  • e-flux

    e-flux Index 1

  • Kim Förster

    Building Institution. The Institute for Architecture and…

  • Michael Marder

    The Phoenix Complex. A Philosophy of Nature

  • Florian Heilmeyer, Sandra Hofmeister

    Umbau Architektur in Flandern. Architecture of…

  • Andrea Baier, Christa Müller, Karin…

    Unterwegs in die Stadt der Zukunft. Urbane Gärten als Orte…

  • Paul Wood (ed.)

    Biting the Hand. Traces of Resistance in the Art &…

  • Sezgin Boynik, Taneli Viitahuhta (eds.)

    Free Jazz Communism.

  • Slavoj Žižek, Rastko Močnik, Zoja Skušek

    Punk Suprematism. Theoretical Writings on Punk, Nation,…

  • Naomi Keena, Avi Friedman

    Sustainable Housing in a Circular Economy

  • Karel Teige

    The Marketplace of Art. 2 Volumes

  • Lodown Magazine

    Lodown Magazine: Sound

  • Lukas Feireiss (ed.)

    Parasite 2.0: Collective Keywords

  • Riccardo Badano, Tomas Percival, Susan…

    Militant Media. Centre for Research Architecture 2

  • Kyle Booten, D. Graham Burnett, Brian…

    The Virtual Sentence: A Book of Exercises

  • Exhibition Politics. Die documenta und die DDR

  • Karsten Krampitz

    Pogrom im Scheunenviertel. Antisemitismus in der Weimarer…

  • Thomas Irmer

    René Pollesch – Arbeit. Brecht. Cinema. Interviews und…

  • Işil Eğrikavuk

    Global Protests Through Art. collaboration, co-creation,…

  • Felix Sommer, SB5ÜNF

    Beton & Nicht Beton

  • Julia Schulz-Dornburg

    The Complete Guide to Combat City

  • Dorothee Albrecht

    Assemblages of the Future

  • Sam Ashby (ed.)

    Little Joe: A book about queers and cinema, mostly

  • Jürg Graser, Astrid Staufer, Christian…

    Architektur Klima Atlas. Klimabewusst entwerfen in…

  • Charlotte Malterre-Barthes

    On Architecture and Greenwashing. The Political Economy of…

  • Judith Hopf

    Judith Hopf. Énergies

  • Marcus Steinweg, Sonja Dierks

    Kafka

  • Onur Erdur

    Schule des Südens. Die kolonialen Wurzeln der französischen…

  • Michael Marder, Giovanbattista Tusa (…

    Contemporanea. A Glossary for the Twenty-First Century

  • dérive

    dérive N° 95, Sampler (Apr-Jun 2024). Zeitschrift für…

  • Vladimir Guculak, Paul Bourel

    Sh*tscapes. 100 Mistakes in Landscape Architecture

  • Fulya İLBEY

    CONSTRUCTIVE MANIPULATIONS™ FOR STRATEGIC RESILIENCE

  • Alan Smart, Jack Henrie Fisher (ed.)

    Counter-Signals 5. Systems and their Discontents

  • Silke Kapp, Mariana Moura (ed.)

    Sérgio Ferro. Architecture from Below. An Anthology

  • Daniel Loick

    Die Überlegenheit der Unterlegenen. Eine Theorie der…

  • Víctor Aguado, Ramón del Buey, Brandon…

    Party Studies Vol. 2. Underground Clubs, Parallel…

  • Nina Dragičević

    Auditory Poverty and its Discontents – An Essay

  • Iracema Dulley, Özgün Eylül İşcen (eds)

    Displacing Theory through the Global South

  • Karoline Mayer, Katharina Ritter,…

    Über Tourismus

  • Ubani. Tbilisi cityscape research center

    Hollow. A Map of Tbilisi

  • Bernd Stiegler

    Bildpolitiken der Identität. Von Porträtfotografie bis zu…

  • Chris Kraus

    Ehrgeiz, Demut, Glück. Texte zu Kunst und Freundschaft

  • Laboratory EAST

    Studies on Assemblies: Mass Made Units.

  • Tom Holert

    „ca. 1972” Gewalt – Umwelt – Identität – Methode

  • Nadejda Bartels (Hg.)

    Alvar Aalto in Deutschland: Gezeichnete Moderne / Alvar…

  • Tchoban Foundation

    Sauerbruch Hutton. Drawing in Space

  • Derek McCormack

    Judy Blame's Obituary. Writings on Fashion and Death

  • Corinne Cath

    Eaten by the Internet

  • Nike

    After All, there is No Finish Line

  • ECCHR

    Beyond Limitations. Wolfgang Kaleck, Tomas Saraceno

  • ECCHR

    Challenging Corporate Power. Gearoid O Cuinn, Miriam Saage-…

  • Jeanne Gang

    The Art of Architectural Grafting. Usefulness and Desire in…

  • Jochen Eisenbrand

    Transform! Designing the Future of Energy

  • Adam Gibbons, Eva Wilson

    Abbas Zahedi in conversation with Eva Wilson "" #7

  • Kevin Yuen Kit Lo

    Design Against Design. Cause and consequence of a…

  • Timon Beyes

    Organizing Color. Toward a Chromatics of the Social

  • Eric Drott

    Streaming Music, Streaming Capital

  • Francois Laruelle

    Phenomenon & Difference. Essay on the Ontology of…

  • Mohammad Salemy (ed.)

    Model Is the Message. Incredible Machines Conference 2022

  • Joshua Comaroff, Ong Ker-Shing

    Horror in Architecture. The Reanimated Edition

  • Armen Avanessian, Daniel Falb

    Planeten Denken. Hyper-Antizipation und Biografische…

  • Achim Szepanski

    Die Ekstase der Spekulation. Kapitalismus im Zeitalter der…

  • Arch+ Zeitschrift für Architektur und…

    Arch+ 254. Klaus Heinrich - Dahlemer Vorlesungen: Giovanni…

  • Florian Reischauer

    Pieces of Berlin 2019-2023

  • Tim Carpenter

    To Photograph is to Learn How to Die

  • Oxana Timofeeva

    Solarpolitik. Ein philosophischer Essay über die Sonne,…

  • Hans-Christian Dany

    Schuld war mein Hobby. Bilanz einer Familie

  • Andreas Weber

    Indigenialität

  • Achim Szepanski, Force Inc. / Mille…

    In the Delirium of the Simulation: Baudrillard Revisited by…

  • Never Sleep (Ed.)

    Archivio #1 - Records Store Ads & Paper Ephemera From…

  • Diedrich Diederichsen

    Das 21. Jahrhundert. Essays

  • Redaktion Protocol

    Protocol 14. Nonkonforme Architekturpraxis

  • Markus Miessen (Ed.)

    Agonistic Assemblies. On the Spatial Politics of…

  • Christoph Ramisch (Ed)

    Daidalos Nr 22-23

  • Hella Gerlach

    Gelenkstellen - Loose Joints

  • Grant H. Kester

    Beyond the Sovereign Self. Aesthetic Autonomy from the…

  • Jana Müller

    Jana Müller. Falscher Hase / Mock Rabbit

  • Francois Dupuis-Déri, Benjamin Pillet (…

    Anarcho-Indigenism. Conversations on Land and Freedom

  • Editors for this issue: Ariane Müller,…

    Starship 20

  • Moises Puente (Hg.)

    2G 90. Johansen Skovstedt

  • Achille Mbembe

    Brutalism

  • Léa Perraudin, Clemens Winkler, Claudia…

    Material Trajectories. Designing With Care?

The Whole Earth. California and the Disappearance of the Outside

In the year 1966, a young man named Stewart Brand handed out buttons in San Francisco reading: “Why haven’t we seen a photograph of the whole Earth yet?” Two years later, the NASA photograph of the “blue planet” appeared on the cover of the Whole Earth Catalog. In creating the catalogue, frequently described as the analogue forerunner of Google, Brand had founded one of the most influential publications of recent decades. It mediated between cyberneticists and hippies, nature romantics and technology geeks, psychedelia and computer culture, and thus triggered defining impulses for the environmentalist movement and the rise of the digital network culture.
The photo of the blue planet developed a sphere of influence like almost no other image: it stands not only for ecological awareness and crisis but also for a new sense of unity and globalization. The universal picture of “One Earth” hence anticipated an image of the end of the Cold War, whose expansion into space it accompanied, and overwrote or neutralized political lines of conflict by transferring classical politics and criticism of it to other categories, such as cybernetic management or ecology.
The exhibition “The Whole Earth” is an essay composed of cultural-historical materials and artistic positions that critically address the rise of the image of “One Earth” and the ecological paradigm associated with it. The accompanying publication includes image-rich visual essays that explore key themes: “Universalism,” “Whole Systems,” “Boundless Interior,” and “Apocalypse, Babylon, Simulation,” among others. These are surrounded by critical essays that shed light onto 1960s California and the networked culture that emerged from it.
Artists: Nabil Ahmed, Ant Farm, Eleanor Antin, Martin Beck, Jordan Belson, Ashley Bickerton, Dara Birnbaum, Erik Bulatov, Angela Bulloch, Bruce Conner, Öyvind Fahlström, Robert Frank, Jack Goldstein, Nancy Holt and Robert Smithson, Lawrence Jordan, Silvia Kolbowski, Philipp Lachenmann, David Lamelas, Sharon Lockhart, Piero Manzoni, Raymond Pettibon, Adrian Piper, Robert Rauschenberg, Ira Schneider, Richard Serra, Alex Slade, Jack Smith, Josef Strau, The Center for Land Use Interpretation, The Otolith Group, Suzanne Treister, Andy Warhol, Bruce Yonemoto, et al.
With contributions by Sabeth Buchmann, Mercedes Bunz, Diedrich Diederichsen, Kodwo Eshun, Anselm Franke, Erich Hörl, Norman M. Klein, Maurizio Lazzarato, Flora Lysen, Eva Meyer, John Palmesino, Laurence Rickels, Bernd M. Scherer, Fred Turner
A German-language version of this publication is also available:
The Whole Earth. Kalifornien und das Verschwinden des Außen
ISBN 978-3-943365-76-4, €26,00
sold out, both!


Diedrich Diederichsen, Anselm Franke (Eds.)
The Whole Earth. California and the Disappearance of the Outside
Sternberg Press, 2013, 978-3-943365-76-4