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  • Sezgin Boynik, Taneli Viitahuhta (Ed.)

    Free Jazz Communism. Archie Shepp-Bill Dixon Quartet at the…

  • Clara Bouveresse

    Women at Work / Femmes a l'oeuvre / Femmes a l'…

  • Anne Massey

    Interior Design Since 1900 (World of Art)

  • Finn Brunton

    Digital Cash: The Unknown History of the Anarchists,…

  • Andrea Bajani

    The Barolo Chapel. The last eclipse of the millennium. The…

  • Joost Meuwissen

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  • S. Gau, K. Schlieben (Hg)

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    The Enigma of Hour. 100 Years of Psychoanalytic Thought

  • Owen Hopkins

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  • David Reinfurt

    A New Program for Graphic Design

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    Luftschlosser: Ein Blick auf Haus-Rucker-Co / Post-Haus-…

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    2G 80. Fala Atelier

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    Night Sky With Exit Wounds

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    Botanical Inspiration: Nature in Art and Illustration

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    Stop and Go. Nodes of Transformation and Transition

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  • John Cage (Laura Kuhn, Ed.)

    Love, Icebox. Letters from John Cage to Merce Cunningham

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    Eliane Radigue. Intermediary Spaces. Espaces Intermediaires

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  • K. Jacobson, A. Ray (eds)

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  • Daniel López-Pérez

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Schizo-Culture

Schizo-Culture, 2-vol. set
I think “schizo-culture” here is being used rather in a special sense. Not referring to clinical schizophrenia, but to the fact that the culture is divided up into all sorts of classes and groups, etc., and that some of the old lines are breaking down. And that this is a healthy sign.
—William Burroughs, from Schizo-Culture
The legendary 1975 “Schizo-Culture” conference, conceived by the early Semiotext(e) collective, began as an attempt to introduce the then-unknown radical philosophies of post-’68 France to the American avant-garde. The event featured a series of seminal papers, from Deleuze’s first presentation of the concept of the “rhizome” to Foucault’s introduction of his History of Sexuality project. The conference was equally important on a political level, and brought together a diverse group of activists, thinkers, patients, and ex-cons in order to address the challenge of penal and psychiatric institutions. The combination proved to be explosive, but amid the fighting and confusion “Schizo-Culture” revealed deep ruptures in left politics, French thought, and American culture.
The “Schizo-Culture” issue of the Semiotext(e) journal came three years later. Designed by a group of artists and filmmakers including Kathryn Bigelow and Denise Green, it documented the chaotic creativity of an emerging downtown New York scene, and offered interviews with artists, theorists, writers, and No Wave and pre-punk musicians together with new texts from Deleuze, Foucault, R. D. Laing, and other conference participants.
This slip-cased edition includes The Book: 1978, a facsimile reproduction of the original Schizo-Culture publication; and The Event: 1975, a previously unpublished and comprehensive record of the conference that set it all off. It assembles many previously unpublished texts, including a detailed selection of interviews reconstructing the events, and features Félix Guattari, William Burroughs, Kathy Acker, Michel Foucault, Sylvère Lotringer, Guy Hocquenghem, Gilles Deleuze, John Rajchman, Robert Wilson, Joel Kovel, Jack Smith, Jean-Fran?ois Lyotard, Ti-Grace Atkinson, Fran?ois Peraldi, and John Cage.


Sylvère Lotringer, David Morris (Ed.)
Schizo-Culture
Semiotext(e), 2014, 9781584351245