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    Roberto Burle Marx: Brazilian Modernist

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    VeryGraphic. Polish Designers of the 20th Century

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  • Burkhardt Meltzer

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    Gedruckt und erblättert. Das Fotobuch als Medium…

  • Estelle Blaschke

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  • Georg Windeck

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  • Walter Benjamin.

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    Das Kunstmuseum. Eine erfolgreiche Fehlkonstruktion

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    Can Architecture Be An Emancipatory Project? Dialogues on…

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    Der Raum als Membran

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    Poet Fool

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    Digital Design Theory

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    Dividuum. Machinic Capitalism and Molecular Revolution

  • Mario Gooden

    Dark Space. Architecture, Representation, Black Identity

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    Towards a Conceptual Militancy

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    Jan Turnovsky: The Weltanschauung as an Ersatz Gestalt.…

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    Nanotecture: Tiny Built Things

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    Cartography of Exhaustion. Nihilism Inside Out

  • Salomon Frausto

    Scenes from the Good Life. Nine investigations into the…

  • Annette Gilbert (Ed.)

    Publishing as Artistic Practice

  • Daniel M. Abramson

    Obsolescence. An Architectural History

  • Isabelle Graw, Ewa Lajer-Burcharth (Eds…

    Painting beyond Itself. The Medium in the Post-medium…

  • Liam Gillick

    Industry and Intelligence

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  • Georg Diez/Christopher Roth

    80*81: What Happened?

  • Keith Evan Green

    Architectural Robotics. Ecosystems of Bits, Bytes, and…

  • S. De Bondt, F. Muggeridge

    The Form of the Book Book

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    Ausstellen: Zur Kritik der Wirksamkeit in den Künsten

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    Die Kunst zu zeigen: Künstlerische Ausstellungsdisplays bei…

  • Hu Fang

    Sou Fujimoto. Towards a Non-Intentional Space. About Sou…

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    Photoviz. Visuailzing Information Through Photography

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    Boooook: The Life and Work of Bob Cobbing

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    The Tale Of Tomorrow. Utopian Architecture in the Modernist…

  • Ray Lucas

    Research Methods for Architecture

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    The Use of Bodies

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    Republications

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    Der Sendermann / The Transmitter Man

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    Luigi Moretti. Terme Bonifacio VIII Fiuggi 1963 - 1969

  • Henri Lefebvre

    Das Recht auf Stadt

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    Archescape. On the tracks of Piranesi

  • Christopher Beanland

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    The Age of Collage Vol. 2: Contemporary Collage in Modern…

  • André Tavares

    The Anatomy of the Architectural Book

After the Planes. A Dialogue about Movement, Perception and Politics

Humans, data, goods, money—everything is in motion. It is not always clear what enables these processes in the first place and why they run sometimes more smoothly and sometimes less. The forces that set the world in motion seem to operate invisibly.
Against this backdrop this book, which has borrowed its title from Don DeLillo’s 9/11 novel “Falling Man,” asks seminal questions: How do new forms of power and counter-power condition the movements of humans, data, goods, money? How do movement-based powers struggle to make our high-voltage environment livable?
“After the Planes” has been conceived in the context of TACIT FUTURES, a project by Berliner Gazette e.V. encompassing research, interviews and public events.
“This is a book that, like an x-ray, makes visible today’s hidden infrastructure of movement. The images and the writing presented here have been calibrated to capture, to freeze in the frame, the light emitted by power in motion that usually exists outside the spectrum of our perception.”
Max Haiven
“The human has always been on the move throughout its history. Or is it more accurate to say that a movement of relational transformation has moved through the human?”
Brian Massumi
“Seeing with the omnipresent eyes of the observation society also enables seeing through the eyes of another subject. Here, in these openings, is where one's movements become political.”
Krystian Woznicki
http://www.diamondpaper.de/title_25


Brian Massumi, Krystian Woznicki
After the Planes. A Dialogue about Movement, Perception and Politics
Diamondpaper , 2017, 978-3-9817925-0-8
20,00 €