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  • Georges Perec

    Die dunkle Kammer. 124 Träume

  • Kristin Ross

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  • Victor Deupi, Jean-Francois Lejeune

    Cuban Modernism. Mid-Century Architecture 1940–1970

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    The Future of the Museum

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    70 Jahre Kunst am Bau in Deutschland

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  • SPACE10

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  • Emmanuelle Chiappone-Piriou (Ed.)

    Superstudio Migrazioni

  • Tim Ingold

    Eine kurze Geschichte der Linien

  • Renate Boere

    Beyond Design. Making Socially Relevant Projects Successful

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    Der unfassbare Klang. Notationskonzepte heute

  • Fredric Jameson

    The Benjamin Files

  • Adam Štěch

    Modern Architecture and Interiors

  • Gabrielle Kenndy (Hg)

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  • Paul Hegarty

    Annihilating Noise

  • John Beck

    Landscape as Weapon. Cultures of Exhaustion and Refusal

  • Axel Sowa, Ela Kacel (eds.)

    Candide. Journal for Architectural Knowledge / No. 12

  • Douglas Spencer

    Critique of Architecture: Essays on Theory, Autonomy, and…

  • Hansuli Matter, Björn Franke (eds.)

    Not at Your Service. Manifestos for Design

  • Brandon LaBelle

    Acoustic Justice: Listening, Performativity, and the Work…

  • Precarity Lab

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  • Céline Condorelli

    Céline Condorelli. Zanzibar

  • Annette Maechtel

    Das Temporäre politisch denken. Raumproduktionen im Berlin…

  • Cornelia Sollfrank, Felix Stalder,…

    Aesthetics of the Commons

  • Ariella Masboungi (ed.)

    Berlin. The Genius of Improvisation

  • Mark Wigley

    Konrad Wachsmann’s Television. Post-architectural…

  • Hans-Rudolf Meier

    Spolien. Phänomene der Wiederverwendung in der Architektur

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  • Bradley Quinn

    The Fashion of Architecture

  • Florian Rötzer

    Sein und Wohnen. Philosophische Streifzüge zur Geschichte…

  • Andreas Dornbracht (Hg.)

    Statements V. Veronique Branquinho, Jeremy Scott, Raf…

  • Philipp Stamm

    Schrifttypen – Verstehen Kombinieren Schriftmischung als…

  • Gemma Villegas

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    Living the City. Of Cities, People and Stories

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  • Caspar Stracke (Ed.)

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  • Heide Schlüpmann

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  • IDEA Magazine

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  • Francois Laruelle

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  • Kathrin Röggla

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  • Murray Shanahan

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  • Nicolas Bourriaud

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  • Louise Michel

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  • Xiaowen Zhu

    Oriental Silk

  • Sebastian Schipper, Lisa Vollmer (Hg.)

    Wohnungsforschung. Ein Reader

  • Sally Stein, Ina Steiner (eds.)

    Allan Sekula, Art Isn't Fair: Further Essays on the…

  • Tim Jordan

    The Digital Economy

  • Juliane Rebentisch

    Camp Materialism

  • Andrea Büttner

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  • Amelie Von Wulffen

    Collected Comics 2010-2020

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  • Itohan Osayimwese

    Colonialism and Modern Architecture in Germany

  • Sharon Zukin

    The Innovation Complex. Cities, Tech, and the New Economy

  • Sebastian Strombach

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  • Anna Bokov

    Avant-Garde as Method. Vkhutemas and the Pedagogy of Space…

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Broken Music: Artists' Recordworks

Broken Music is an essential guide and discography for recordings and audio works by visual artists, originally published in 1989 and edited by Ursula Block (founder of Gelbe Musik in Berlin) and Michael Glasmeier. Records chosen for the publication revolved around four criteria: record covers created as original work by visual artists; record or sound producing objects (sculptures); books and publications that contain a record or recorded media object; and records or recorded media that have sound by visual artists. Hundreds of works are documented by artists such as Vito Acconci, albrecht d., Joseph Beuys, Laurie Anderson, Guillaume Apollinaire, Karel Appel, Antonin Artaud, John Baldessari, Hugo Ball, Harry Bertoia, William S. Burroughs, John Cage, Henri Chopin, Henning Christiansen, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Jean Dubuffet, Marcel Duchamp, Fischli/Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Isidore Isou, Marcel Janco, Allan Kaprow, Martin Kippenberger, Milan Knízák, Christina Kubisch, Laibach, John Lennon, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Tom Philips, Robert Rauschenberg, The Red Crayola, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Conrad Schnitzler, Kurt Schwitters, selten gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Jean Tinguely, Yoshi Wada, William Wegman and Lawrence Weiner, among others.
Boomkat Product Review:
‘Broken Music’ is a holy grail avant-garde music publication, a compendium of recordings, record-objects, artwork for records, and record installations created by thousands of visual artists between WWII and 1989. Unavailable since the original, sought-after 1989 edition, it features essays by its compilers Ursula Block and Michael Glasmeier, as well as Theodor W. Adorno, Milan Knížák and Laszlo Moholy-Nagy. Did we mention the bonus flexidsic? Aye, this one’s very special.
Published in 1989 by Ursula Block, wife of curator René Block and proprietor of the legendary Gelbe Musik record store in Berlin (sadly not there any more, to save you a wild goose chase), ‘Broken Music’ is inarguably an essential guide and discography for recordings and audio works by visual artists of the 20th C. Through essays, texts, and photos, it breaks down the history of visual artists working with sound into four fascinating criteria of study: record covers created as original work by visual artists; record or sound producing objects (sculptures); books and publications that contain a record or recorded media object; and records or recorded media that have sound by visual artists.
As far as we’re aware, this is the only book of its kind, and at the very least, the only one to cover it’s topic in such depth, drawing on a wealth of received information and personal knowledge to comprehensively highlight a peculiar and enduring niche of sound art. Books and lists like these are understandably invaluable to both art historians and record diggers, and this is among the most lucubrate we’ve come across, making connections between the formative, innocent experience of experimenting with records’ physicalities, with Adorno’s riffs on ‘The Form of the Records’, and ‘Media Composition According to Cage’, and looping back to Milan Knížák’s recollection of ‘Broken Music’ in his titular text and bonus 7” flexidisc of his 1989 recordings.
If you’re interested in the following list of artists covered inside, you owe it yourself to check this book: Vito Acconci, albrecht d., Joseph Beuys, Laurie Anderson, Guillaume Apollinaire, Karel Appel, Antonin Artaud, John Baldessari, Hugo Ball, Harry Bertoia, William S. Burroughs, John Cage, Henri Chopin, Henning Christiansen, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Jean Dubuffet, Marcel Duchamp, Fischli/Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Isidore Isou, Marcel Janco, Allan Kaprow, Martin Kippenberger, Milan Knízák, Christina Kubisch, Laibach, John Lennon, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Tom Philips, Robert Rauschenberg, The Red Crayola, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Conrad Schnitzler, Kurt Schwitters, selten gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Jean Tinguely, Yoshi Wada, William Wegman and Lawrence Weiner, and others.


Ursula Block, Michael Glasmeier
Broken Music: Artists' Recordworks
Primary Information , 2018, 9780991558599
35,00 €