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    Hello World. Where Design Meets Life

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    The Art of Walking. A field guide

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    Konfigurationen. Gebrauchsweisen des Raums

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    Innenräume entwerfen. Konzept, Typologie, Material,…

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    Mladen Stilinovic. Sing!

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    30 Years of Being Cut Up

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    Strictly Private

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    Doppelte Ökonomien / Double Bound Economies

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    Reena Spaulings. A Novel by Bernadette Corporation

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    Anywhere or Not at All. The Philosophy of Contemporary Art

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    Landschaften. Eine Architekturtheorie in Bildern

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    Sacred Concrete. The Churches of le Corbusier

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    Making Art Global (Part 2). Magiciens de la Terre 1989

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    Dance, Politics & Co-Immunity

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    A Primer

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    Cultures of the Curatorial

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    Raumpioniere in ländlichen Regionen. Neue Wege der…

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    Performance-Oriented Architecture. Rethinking Architectural…

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    Silence and Light

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    Herb Lubalin. American Graphic Designer 1918—81

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    Die Kraft der Kunst

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    Return to the Postcolony

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    Ästhetik x Dispositiv

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    IDEA 357. Architecture in Print: The Development of…

  • Clog

    Brutalism

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    Geo Graphic. A Book for Map Lovers

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    Zettelkästen. Maschinen der Phantasie

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    Architektur immaterieller Arbeit

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    Tell It To My Heart

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    "Der Schnittchenkauf". 2011-2012

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    Realismus Jetzt

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    National Mall

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    Stones Against Diamonds (Architecture Words 12)

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    Drawing

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    The Space of Agonism. Critical Spatial Practice 2

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    Rehearsing Collectivity - Choreography Beyond Dance

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    Das Holz und seine Verbindungen. Traditionelle Bautechniken…

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    4,492,040 (Postkartenset)

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    Painting - The Implicit Horizon

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    Closed Cities

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    Metropolisarchitecture and Selected Essays

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    Out of the Absurdity of Life. Globale Musik

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    Search Find Like Share. Perspectives in visual storytelling

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    Subkultur Westberlin 1979–1989 - Freizeit

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    Chris Marker. La Jetee

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    The Sound of Tomorrow. How Electronic Music Was Smuggled…

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    The Subjective Object

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    Encyclopedia of Flowers

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    Autoprogettazione?

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    Sounds Like Silence. John Cage - 4’33” – Silence Today

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    Forget your past. Communist-Era Monuments in Bulgaria

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    Stefan Kanchev. Logo Book

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    What is the future of architecture?

  • Clog 4

    Rendering

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    Schriften. Erster Band

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    The Making of the Indebted Man. An Essay on the Neoliberal…

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    Sensible Politics. The Visual Culture of Nongovernmental…

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    Rosalind Nashashibi

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    In a Manner of Reading Design (The Blind Spot)

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    Sewn in the Sweatshops of Marx. Beuys, Warhol, Klein,…

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    Khhhhhhh

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    Institutions by Artists. Volume One

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    Design ist unsichtbar. Entwurf, Gesellschaft und Pädagogik

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    Megastrukturen. Architekturutopien zwischen 1955 und 1975

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    Vom Publicum. Das Öffentliche in der Kunst

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    The Ruin of Exchange

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    Critical Spatial Practice. What Is Critical Spatial…

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    The Wretched of the Screen (e-flux journal )

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    Druot, Lacaton & Vassal. Tour Bois Le Prêtre

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    Architecture Words 9. Tectonic Acts of Desire and Doubt

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    A Lesson with AG Fronzoni. From Teaching Design to Design…

  • Paul O'Neill

    The Culture of Curating and the Curating of Culture(s)

  • W. Thaler, M. Mrduljas, V. Kulic

    - Modernism In-between - The mediatory Architectures of…

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    Unit.Design/Research 01. Ronald Clyne at Folkways

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    IDEA 354. Alternative History of Publishing in Japan 1923 -…

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    Post-Digital Print. The Mutation of Publishing Since 1884

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    Neue Welt

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    Horst Rittel. Die Denkweise von Designern

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    Wim Crouwel

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    Who is John Cage?

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    Work, Work, Work A Reader on Art and Labour

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    Song Book (Die Gedanken sind frei)

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    Albtraum Partizipation

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From static oblivion

From static oblivion aims to deepen, starting from Ion Grigorescu's rich production, the reflection about the status of the image as a balance of forces in tension, as form of what is in continuous movement and as a paradoxical act of cancellation of the body through its own representation.
In the work of the Romanian artist, as in the book, the body is continually shown in different ways - from photography to film, from performance to drawing - and yet it remains absent, obscuring its own identity in an attempt to question the collective one. As it is impossible to carry out his performances and show his art during the regime, it ends up hiding, disappearing inside the image. Instead of showing, the image conceals, because it is non-documentary and non-transmittable; nevertheless, it is constitutive and executive, it is an act of birth, a prove of the artist's resistance, especially as a human being inside (or against) any geographical or historical background.
From static oblivion traces, with spiral movements, the progression, both expansive and inclusive, of Grigorescu's work, which, at the end, inscribes itself into the space of the body and into that of the world, in a complete superimposition of micro and macrocosm. Grigorescu absorbs elements of the surrounding reality, showing us a continuity between art and life, an interplay between work and work space: his act of dissidence is not an outcry of provocation, nor is it extreme; it is an anti-aesthetic operation which uses experimentation and rough techniques to uncover the fiction of art and to denounce the artifice of representation.
Grigorescu worked in the secrecy of his studio, defying prohibitions and risking denunciations, thereby showing that art can be a universe which is freer than the world of dreams and which is capable of representing the true space of desire as a critical category and of affirming the image as an instrument of a subversive power.
— Giuliana Prucca
https://p-u-n-c-h.ro/misc/ion-grigorescu-from-static-to-oblivion/


Ion Grigorescu
From static oblivion
Avarie, 2017, 978-2-9541974-2-5
43,00 €