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    Sentiment Architectures. A Field Trip to Behaviour and…

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    Manifestly Haraway

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    The Arab City: Architecture and Representation

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    Nervous Systems

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    Outlaw Territories. Environments of Insecurity/…

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    Landscapes of Communism. A History Through Buildings

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    Mogadishu. Lost Moderns

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    Making Heimat. Germany, Arrival Country

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    Visual Cultures as Opportunity

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    The Autobiography of Video. The Life and Times of a Memory…

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    Dark Ecology. For a Logic of Future Coexistence

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    The Stack. On Software and Sovereignty

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    Active Withdrawals. Life and Death of Institutional Critique

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    Rethinking the Modular. Adaptable Systems in Architecture…

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    Banking on Images. From the Bettmann Archive to Corbis

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    Art in the Making: Artists and Their Materials from the…

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    Into the Maelstrom: Music, Improvisation and the Dream of…

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    Against the Double Blackmail: Refugees, Terror and Other…

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    How Music Dies (or Lives): Field Recording and the Battle…

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    Der Anteil der Dinge an der Gesellschaft. Sozialität -…

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    Visionäre der Moderne. Paul Scheerbart, Bruno Taut, Paul…

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    Das Kunstmuseum. Eine erfolgreiche Fehlkonstruktion

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    Gender & Medien-Reader

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    Can Architecture Be An Emancipatory Project? Dialogues on…

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    Der Raum als Membran

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    Poet Fool

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    Spekulationen Transformationen. Überlegungen zur Zukunft…

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    Beyond Patronage. Reconsidering Models of Practice

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    New Laboratories. Historical and Critical Perspectives on…

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    Dividuum. Machinic Capitalism and Molecular Revolution

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    Dark Space. Architecture, Representation, Black Identity

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    Towards a Conceptual Militancy

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    Jan Turnovsky: The Weltanschauung as an Ersatz Gestalt.…

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    Nanotecture: Tiny Built Things

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    Cartography of Exhaustion. Nihilism Inside Out

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    Scenes from the Good Life. Nine investigations into the…

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    Publishing as Artistic Practice

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    Obsolescence. An Architectural History

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    Painting beyond Itself. The Medium in the Post-medium…

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    Industry and Intelligence

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    Bauen mit Künstlern: Architekt Peter Ottmann

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    80*81: What Happened?

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    Architectural Robotics. Ecosystems of Bits, Bytes, and…

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    The Form of the Book Book

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    Ausstellen: Zur Kritik der Wirksamkeit in den Künsten

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    Die Kunst zu zeigen: Künstlerische Ausstellungsdisplays bei…

  • Hu Fang

    Sou Fujimoto. Towards a Non-Intentional Space. About Sou…

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    Photoviz. Visuailzing Information Through Photography

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    Modern wohnen. Möbeldesign und Wohnkultur der Moderne

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    Boooook: The Life and Work of Bob Cobbing

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    Research Methods for Architecture

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    The Use of Bodies

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    Der Sendermann / The Transmitter Man

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    Le Corbusier und die Macht der Fotografie

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    Pirate Essays. A Reader on International Media Piracy

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    TESTO JUNKIE: Sex, Drogen und Biopolitik in der Ära der…

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    Luigi Moretti. Terme Bonifacio VIII Fiuggi 1963 - 1969

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    Das Recht auf Stadt

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    Archescape. On the tracks of Piranesi

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    Concrete Concept. Brutalist Buildings Around the World

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    Vision and Reality

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    Sensing the City. A Companion to Urban Anthropology

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    Space of Production. Projects and Essays on Rationality,…

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    Sonorama: Listening to the view from the train

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    Wie leben? Zukunftsbilder von Malewitch bis Fujimoto

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    Planetary Gentrification

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    The Radicality of Love

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    The Anatomy of the Architectural Book

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    Kritik der Kreativität

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    Das leichte Haus. Utopie und Realität der Membranarchitektur

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    Migrating the Feminine

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The Projectionists. Eadweard Muybridge and the Future Projections of the Moving Image

Eadweard Muybridge is among the seminal originators of the contemporary world’s visual form, with its concentrated image-sequences of bodies in movement and its ocular obsessions. This book examines an almost unknown dimension of Muybridge’s work, as a moving-image projectionist, who toured Europe’s cities to enthral beyond-capacity audiences with unprecedented projections and who built a moving-image auditorium - long before cinemas were created - in which to project his work at the 1893 Chicago World’s Columbian Exposition. That final invention of Muybridge’s was both an all-engulfing catastrophe and the vital precursor for the following century’s worldwide manias for projection. Based on entirely new research into Muybridge’s travels, audiences, auditoria and projectors, this book explores his initiating role in moving-image projection and also maps Muybridge’s driving inspiration for subsequent artists and filmmakers preoccupied with the volatile entity of projection, from 1890s Berlin to contemporary Japan, via further spectacular World’s Exposition events and cinemas’ overheated projection-boxes.
The book looks closely at the enigmatic figure of the moving-image projectionist, from its origins in Muybridge’s experiments, across glass, celluloid and digital projections, to the contemporary moment. Moving-image projection formed a crucial determinant in the imagining of new corporealities and new urban spaces, through its irrepressible capacity to envision future bodies and cities. The cinema projectionist - a solitary figure of compulsion and restlessness, inhabiting a profession touched with the multiple addictions and deaths of the moving image - was once a pivotal presence for global cinema audiences but is now consigned to near-obsolescence.
The book investigates contemporary urban projections as aberrant manifestations derived from Muybridge’s first conjurations of projection’s power for its spectators. Throughout, the book interrogates the strange figure of the projectionist, embodied first of all by Muybridge himself.
The Projectionists will attract and fascinate all lovers of cinemas, photography and moving-image cultures.


Stephen Barber
The Projectionists. Eadweard Muybridge and the Future Projections of the Moving Image
Diaphanes, 2020, 978-3-0358-0289-4
30,00 €