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  • dérive

    dérive N° 103, Sampler (Apr - Jun 2026)

  • Judith Schalansky

    Marmor, Quecksilber, Nebel. Woraus die Welt gemacht ist

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  • Merle Ibach

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  • Edgar Walthert, George Sinclair (Hg)

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  • Gionata Girardi

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  • Lori Jo Marso

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    Listening In. How Audio Surveillance Became Artificial…

  • Daniela Hamaui (Ed.)

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  • Lou Manuel Arsenault

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  • Jacques Rancière

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  • Stephan Trüby

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  • Nina Flaitz (Hg.)

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  • Lisa Siraganian

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  • Omari Souza

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  • Jeremy Harding

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  • Gail Day, Steve Edwards

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    Reinier de Graaf

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  • Wolfgang Ernst

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  • Carolyn L. Kane, Lida Zeitlin-Wu (eds.)

    Color Protocols. Technologies of Racial Encoding in…

  • Peter Eisenman

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  • Lorenz Krauth (ed.)

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    Peter Wolfendale

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  • Soundtrackcity

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    Jianwei Xun

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    Katia Baudin, Waleria Dorogova (Hg)

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  • Walter J. Scheirer

    A History of Fake Things on the Internet

  • Matias Echanove, Rahul Srivastava

    The Homegrown City. Reclaiming the Metropolis for its Users

  • Suzanne Lettieri, Anya Sirota (Hg)

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  • Hendrikje Alpermann

    Buildings on Standby: Stitching the Post-Socialist Cityscape

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    45 Symbols - Clay to Code

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  • Joel Wainwright

    The End. Marx, Darwin, and the Natural History of the…

  • Denise Madsack

    Kunst am Bau. Zustände, Erhalt und Vermittlung

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    Enrico Camporesi, Catherine de Smet,…

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    Werner Lorenz, Roland May (Hgs.)

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    Kernkraftwerke. Nuclear Power Plants.

  • Jorge Muñoz, Jesús Vassallo

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  • David Bröderbauer

    Acker, Baulücke, Deponie. Ein Brachenatlas

  • Mark Terkessidis

    Gewalt am Denken. Wann beginnt Faschismus?

  • IDEA Magazine

    Idea 413. Fault Lines in Printing History: Risograph and…

  • AFF Architekten, Kim Grundlach (Hg)

    AFF Architekten. New Schools on the Block. A Typological…

  • Christopher Dell

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  • Cassie Thornton & Magdalena Jadwiga…

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  • World of Interiors. December 2025 Mini Edition

  • Monique Wittig

    The Lesbian Body

  • Eva von Redecker

    Dieser Drang nach Härte. Über den neuen Faschismus

  • Amanda-Li Kollberg, Siri Lee Lindskrog

    Notes on Book Design: by Formal Setting

  • Anh-Linh Ngo

    ARCH+ 263. Stadtnatur / Urban Nature

  • Wolfgang Ullrich

    Memokratie. Soziale Medien und autoritäre Bildpolitik

  • Ilka Becker

    Mykoästhetik. Pilze, Kunst und Kino

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    Inke Arns, Sabine Weier, Jan Wenzel,…

    Robotron. Code und Utopie

  • Sekou Cooke

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  • Heinrich Geiselberger (Hg.)

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    Ferda Kolatan

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  • Olaf Nicolai, Mariana Pende

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    Clara No. 11: The Ethics of Detailing

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  • Volker M. Heins

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    Felix Torkar

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    Olga Goriunova

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    Susan Leigh Foster

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  • Joshua Comaroff

    Spectropolis. The Enchantment of Capital in Singapore

  • Olga Touloumi

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  • Lisa Lagova, Manon Fraser (eds.)

    Pure Fiction

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  • Heike Grebin (Ed.)

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    Nutzen statt Besitzen. Michael Erlhoff Revisited

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  • Andrew Santa Lucia, Daniel Jonas Roche

    Antifascist Architecture. A Genealogy of Antifascist…

  • Freek Persyn, Seppe De Blust, Ilka Ruby

    51N4E. Negotiating Infrastructure

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    Jamie Taylor

    Studio Electrophonique. The Sheffield Space Age, from the…

  • Bruno Munari

    Bruno Munari. Design and Visual Communication

Cover Ears to the Ground

Ears to the Ground. Adventures in Field Recording & Electronic Music

From the cacophonous surrounds of London to the sea stacks of Orkney, via the abandoned military facilities of the Suffolk coast and the watery expanses of the Blackwater Estuary in Essex, from the quarries and neolithic sites of Snowdonia and the wide open skies of Norfolk to the hubbub of Nairobi and Berlin, the streets of Kyiv and the windblown wilds of Antarctica - music is everywhere. You just need to know or learn how to listen.

For the biggest artists to the most underground, field recordings have become the vital spark of electronic music. Whether documenting nature, sampling the city or capturing the atmosphere of archaeological sites, musicians are using found sounds to make sense of our world. Ears To The Ground explores the relationship between electronics, landscape and field recordings in the UK, Ireland and around the globe, discovering how producers and artists evoke the natural world, history and folklore through sampled sounds.

Ears To The Ground: Adventures in Field Recording and Electronic Music explores how electronic music producers and sound artists use field recordings and samples to document their environments. Author Ben Murphy takes you on a journey to discover how field recordings can create context, emotion, atmosphere, humour and meaning - and examine the most pressing topics of our times.

Composed of extensive interviews with music producers, the book will show how field recordings have become a vital way of understanding, celebrating and interrogating the landscape and the places we live. The book features interviews with Leafcutter John, KMRU, Ultramarine, Kate Carr, Erland Cooper, Proc Fiskal, Flora Yin-Wong, Langham Research Centre, Claire Guerin, Toshiya Tsunoda, Lawrence English, Heinali, Oliver Ho, Matthew Herbert, Matmos, Scanner, Felicia Atkinson and many more.

On its journey, the book takes in abandoned military test sites, remote bird colonies, estuaries, cities, coastlines, old quarries, neolithic burial grounds, scientific research centres and docklands, and ventures between Orkney, Edinburgh and Cork to Norfolk, Kent and Snowdonia, before heading to Kenya, Ukraine, Japan and Antarctica.


Ben Murphy
Ears to the Ground. Adventures in Field Recording & Electronic Music
Velocity Press, 2024, 9781913231521
19,90 €