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  • Leander Scholz

    Die Menge der Menschen

  • Jakob Hayner

    Warum Theater

  • Sylvia Lavin

    Architecture Itself and Other Postmodernist Myths

  • Alastair Hemmens, Gabriel Zacarias (Eds…

    The Situationist International. A Critical Handbook

  • Claudia Mareis, Michael Rottmann

    Entwerfen mit System

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    Novozän: Das kommende Zeitalter der Hyperintelligenz

  • Jane Bennett

    Lebhafte Materie. Eine politische Ökologie der Dinge

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    General Public 2005-2015

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    Ubiquitäre Literatur. Eine Partikelpoetik

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    Gender (&) Design. Positionen zur Vergeschlechtlichung…

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    Radikale Demokratietheorien zur Einführung

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    Theorien der Serie zur Einführung

  • Eugene Thacker

    Im Staub dieses Planeten: Horror der Philosophie

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    Some Reasons For Traveling To Albania

  • Ulrich Bröckling

    Postheroische Helden. Ein Zeitbild

  • Hubertus Butin

    Kunstfälschung. Das betrügliche Objekt der Begierde

  • Deborah Potts

    Broken Cities. Inside the Global Housing Crisis

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    Mutation und Morphose. Landschaft als Aggregat

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    Para-Plattformen. Die Raumpolitik des Rechtspopulismus

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    Datennaturen. Ein Gespräch zwischen Biologie, Kunst,…

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    Winzig, zäh und zahlreich. Ein Bakterienatlas

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    Afrotopia

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    Future Food. Essen für die Welt von Morgen

  • Florian Malzacher

    Gesellschaftsspiele. Politisches Theater heute

  • HfG-Archiv Museum Ulm, Katharina Kurz,…

    Nicht mein Ding − Gender im Design

  • Clog

    Clog 17. Cannabis

  • Frédéric Gros

    Disobey! A Philosophy of Resistance

  • Hal Foster

    What Comes after Farce?

  • Tim Bergfelder, Erica Carter, Deniz…

    The German Cinema Book (second edition)

  • Dieuwertje Hehewerth

    Salticidae Icius - a Research on Independent Art Spaces and…

  • Sruti Bala

    The gestures of participatory art

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    Intersektionalität. Von der Antidiskriminierung zur…

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    Psychogeografie

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    Architecture as Measure

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    Operative Mapping. Maps as Design Tools

  • Silvia Federici

    Jenseits unserer Haut. Körper als umkämpfter Ort im…

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    Creativity Exercises. Emancipatory Pedagogies in Art and…

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    Institution as Praxis

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    The Manifesto Handbook. 95 Theses on an Incendiary Form

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    Cedric Price Works 1958 - 2003. A Forward-Minded…

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    Universalenzyklopädie der menschlichen Klugheit

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    Join the Future. Bleep Techno and the Birth of British Bass…

  • Milo Sweedler

    Allegories of the End of Capitalism. Six Films on the…

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    Hans Gugelot: Die Architektur des Design

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    How I Became One of the Invisible (New Edition)

  • Sarah T. Roberts

    Behind the Screen. Content Moderation in the Shadows of…

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    Snowden’s Box. Trust in the Age of Surveillance

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    Real-Time Realist #2: Typefaces don't care, Typefaces…

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    Surveillance Valley. The Secret Military History of the…

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    Postdramaturgien

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    Sleeveless. Fashion, Image, Media, New York 2011-2019

  • Kübra Gümüsay

    Sprache und Sein

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    Augmented Spaces and Maps. Das Design von kartenbasierten…

  • IDEA Magazine

    IDEA 389. Feminist Moments: Thoughts on graphic design…

  • Patrick Cowley

    Mechanical Fantasy Box: The Homoerotic Journal of Patrick…

  • Ted Gioia

    Music - A Subversive History

  • Ernst Hubeli

    Die neue Krise der Städte

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    Set the Night on Fire - L.A. in the Sixties

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    Hybride Ökologien

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    Designing Disorder. Experiments and Disruptions in the City

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    October Files 24: Michael Snow

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    Ruth Wolf-Rehfeldt: Introverse Arrangements

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    Beyond Plant Blindness : Seeing the Importance of Plants…

  • George F.

    Good Times in Dystopia

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    Materials and Meaning in Architecture

  • Marion Hohlfeldt, Frank Popper

    GRAV : Groupe de Recherche d'Art Visuel "…

  • Marilyn Chase

    Everything She Touched. The Life of Ruth Asawa

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    Filmed Thought. Cinema as Reflective Form

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    Uneven Innovation. The Work of Smart Cities

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    Demokratisierung der Postdemokratie. Städtische soziale…

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    Whose Tradition? Discourses on the Built Environment

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    Migrant Mother, Migrant Gender

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    Marmor für alle. Zur Kunst im öffentlichen Raum in Berlin

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    Isa Genzken. Außenprojekte / Projects for Outside

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    How We Die Is How We Live Only More So

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    The Demon of Writing. Powers and Failures of Paperwork

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    Clubkultur. Dimensionen eines urbanen Phänomens

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    Harun Farocki. Ich habe genug!

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    Heritage and Debt. Art in Globalization

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    Merce Cunningham. After the Arbitrary

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    Betrachtungen zur Schwulenfrage

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    Making and Being: Embodiment, Collaboration, and…

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    The Presence Project. Computer Related Design Research…

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    Statista. Staatskunst am Haus der Statistik

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    Smart Cities

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    The Pornographic Age

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    Das Grafische Atelier Stankowski + Duschek

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    Scheingleichheit. Drei Essays

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    Hexen. Die unbesiegte Macht der Frauen

  • Andrea Long Chu

    Females. Everyone is female, and everyone hates it

  • Mareile Pfannebecker, James A. Smith

    Work Want Work. Labour and Desire at the End of Capitalism

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    Theory for the World to Come. Speculative Fiction and…

  • Dan Byrne-Smith

    Science Fiction

cover The Decembrists

The Decembrists

The first English translation of Larisa Reisner’s writings on the Decembrist uprising. Written in 1925, a year before her death, for the centenary of the rising, these essays were Reisner’s first works of history, looking back on this turbulent period in Russia with a Marxist understanding of the past. Translated and introduced by Cathy Porter, the Decembrist writings are full of drama and imagination, building a compelling picture of the lives of the young poets, officers and aristocrats of Russia’s first revolution against the tsarist autocracy in 1825.

The heroine of the October Revolution, Larisa Reisner was widely considered to be its greatest journalist, read by millions in the new mass-circulation Soviet press, whose writings from the front line of the Civil War, from Afghanistan, Weimar Germany, and the mines and factories of Soviet Ukraine and the Urals became her six important books The Front, Afghanistan, Berlin, October 1923, Hamburg at the Barricades, In Hindenburg's Country, and Coal Iron and Living People. Simultaneously works of art, guides to action, sources of information and knowledge, and unique records of their time and place, these books were written in just under ten years, before her premature death in 1926, aged 31. In the Nazi book burnings of 1933, Hamburg at the Barricades was the first Soviet work to be thrown into the flames, before the works of Lenin, Mayakovsky, Isaac Babel and Maxim Gorky - for “pursuing under the guise of historical accuracy an entirely different aim, of giving instructions to the German Communist Party for a civil war.”

These essays on the Decembrist rising, which Viktor Shklovsky praised as the best things she ever wrote, were her last published works. Deeply researched from material in the Leningrad and Moscow archives available only after the Revolution, Reisner brilliantly captures the Decembrists’ secret criminal brotherhood, bound by class and the fear of discovery, their oaths and initiations, the intensity of their friendships, their allegiances and betrayals.

The essays are introduced in detail by translator Cathy Porter who also compiled a bibliography and a dramatis personae of her main characters, most of whom English-speaking readers will be unfamiliar with.


Larisa Reisner
The Decembrists
Rab-Rab Press, 2024, 978-952-65183-7-4
18,00 €