Direkt zum Inhalt

Warenkorb

  • Barbagallo, Beuret, Harvie (Hg.)

    Commoning with George Caffentzis and Silvia Federici

  • A Prior #20

    The Research Issue

  • Bernard Stiegler

    The Age of Disruption: Technology and Madness in…

  • Edgar Cabanas, Eva Illouz

    Manufacturing Happy Citizens: How the Science and Industry…

  • C. Profanter, H. Andersen, J. Eckhardt…

    The Middle Matter. Sound as Interstice

  • I. Galuzin, G. Severianova (Eds.)

    The Withdrawal of the Red Army

  • IDEA #381

    Transboundary Design. Perspective of Yoshihisa Tanaka

  • Andres Lepik, Daniel Talesnik (Hg)

    Access for All. São Paulo's Architectural…

  • Isabelle Graw, Christoph Menke (eds.)

    The Value of Critique: Exploring the Interrelations of…

  • Bernhard Denkinger

    Die vergessenen Alternativen. Strukturalismus und…

  • P. Bogner, G. Zillner

    Frederick Kiesler: Face to Face with the Avant-Garde:…

  • Jonathan Hill

    The Architecture of Ruins: Designs on the Past, Present and…

  • L. Giusti, N. Ricciardi (Eds.)

    Museums at the Post-Digital Turn

  • IDEA Magazine

    IDEA 386. Ministry of Graphic Design Fikra Graphic Design…

  • Gregor H. Lersch, Léontine Meijer-van…

    Mischa Kuball. res.o.nant

  • Marco Revelli

    The New Populism: Democracy Stares into the Abyss

  • Jacques Ranciere

    Aisthesis: Scenes from the Aesthetic Regime of Art

  • Gean Moreno

    In the Mind but Not from There. Real Abstraction and…

  • Saskia de Wit

    Hidden Landscapes. The metropolitan garden as a multi-…

  • Tchoban Foundation

    Deutsche Filmarchitektur 1918–1933 – German Film…

  • Natascha Süder Happelmann

    Ankersentrum (surviving in the ruinous ruin)

  • HeK (House of Elecronics Basel)

    Entangled Realities: Living with Artificial Intelligence /…

  • Alain Ehrenberg

    Die Mechanik der Leidenschaften: Gehirn, Verhalten,…

  • Rosi Braidotti

    Posthuman Knowledge

  • Klaus-Martin Bresgott

    Neue Sakrale Räume: 100 Kirchen der Klassischen Moderne

  • Jochen Volz, Gabi Ngcobo (Eds.)

    We Are Many. Art, the Political and Multiple Truths

  • Fitz, Krasny, Architekturzentrum Wien (…

    Critical Care. Architecture and Urbanism for a Broken Planet

  • Anne Kockelkorn, Nina Zschocke (Hg)

    Productive Universals. Specific Situations: Clinical…

  • Elke Neumann

    Palast der Republik. Utopie, Inspiration, Politikum

  • A+U 441

    Metal Skins

  • Troy Schaum (Ed.)

    Totalization: Speculative Practice in Architectural…

  • F. Serapiao, G. Wisnik

    Infinite Span. 90 Years of Brazilian Architecture

  • Heike Munder (Ed.)

    Producing Futures: A Book on Post-Cyber-Feminisms

  • L. Giusti, N. Ricciardi (Eds.)

    Museums at the Post-Digital Turn

  • Victor Papanek

    Design for the Real World

  • Andreas, Jung, Schmal (Hg.)

    Wohnen für Alle: Bautenkatalog

  • Elizabeth Resnick

    The Social Design Reader

  • Anca Benera, Arnold Estefan

    DEBRISPHERE - Landscape as an Extension of the Military…

  • Fiona McGovern, Megan Francis Sullivan…

    Jill Johnston. The Disintegration of a Critic

  • Byung-Chul Han

    Vom Verschwinden der Rituale: Eine Topologie der Gegenwart

  • Camiel van Winkel

    Archive Species: Bodies, Habits, Practices

  • Ted Hyunhak Yoon

    Decoding Dictatorial Statues

  • Sophie Cure, Aurelien Farina

    Graphic Design Play Book: An Exploration of Visual Thinking

  • Danielle Child

    Working Aesthetics: Labour, Art and Capitalism

  • Katya Garcia-Anton

    Sovereign Words. Indigenous Art, Curation and Criticism

  • Monika Rinck

    Champagner für die Pferde

  • Lorraine Daston

    Against Nature

  • Brigitta Gerber, Ulrich Kriese (Hg)

    Boden behalten - Stadt gestalten

  • Civic City Cahier 4

    Afterlives of Neoliberalism

  • Camila Marambio, Cecilia Vicuña

    Slow Down Fast, A Toda Raja

  • Dominik Landwehr (Hg.)

    Virtual Reality: Edition Digital Culture 6

  • Thor Magnusson

    Sonic Writing: Technologies of Material, Symbolic, and…

  • Biechteler, Käferstein, Hochschule…

    Architekturpädagogiken: Ein Glossar

  • Haenschel, Nelke, Planitzer (Hg.)

    Uncanny Interfaces

  • Jens Balzer

    Pop und Populismus: Über Verantwortung in der Musik

  • Lisa Baker

    Tiny Interiors: Compact Living Spaces

  • Marvin Heiferman

    Seeing Science: How Photography Reveals the Universe

  • Kristen Alvanson

    XYZT

  • Zdenke Badovinac

    Comradeship: Curating, Art, and Politics in Post-Socialist…

  • Juan Serra Lluch

    Color for Architects

  • 2G 78

    Junya Ishigami

  • OASE 102

    Schools & Teachers

  • Geert Lovink

    Sad by Design: On Platform Nihilism

  • Paul Mason

    Klare, lichte Zukunft: Eine radikale Verteidigung des…

  • M. F. Gage (Ed.)

    Aesthetics Equals Politics: New Discourses Across Art,…

  • Ben Green

    The Smart Enough City: Putting Technology in Its Place to…

  • Make_Shift (Hg.)

    Make City. Stadt anders machen. A Compendium of Urban…

  • Lizzie O'Shea

    Future Histories: What Ada Lovelace, Tom Paine, and the…

  • Alex Bykov, Ievgeniia Gubkina

    Soviet Modernism. Brutalism. Post-Modernism

  • Yuk Hui

    Recursivity and Contingency

  • David Bennewith, Sereina Rothenberger (…

    Questions? Looking for answers in the middle of somewhere

  • Eduardo Viveiros de Castro, Deborah…

    In welcher Welt leben?: Ein Versuch über die Angst vor dem…

  • Alina Popa, Florin Flueras

    Unsorcery

  • Goodman, Heys, Ikoniadou (Eds.)

    AUDINT. Unsound : Undead

  • Tabea Nixdorff.

    Fehler lesen. Korrektur als Textproduktion

  • Silvia Federici

    Re-enchanting the World: Feminism and the Politics of the…

  • Daniel McClean

    Artist, Authorship & Legacy. A Reader

  • Christian Bjone

    Almost Nothing. 100 Artists Comment on the Work of Mies van…

  • André Cadere

    Geschichte einer Arbeit/ Unordnung herstellen

  • Kirsten Maar

    Entwürfe und Gefüge. William Forsythes choreographische…

  • James Bridle

    New Dark Age: Technology and the End of the Future

  • David Rothenberg

    Nightingales in Berlin: Searching for the Perfect Sound

  • Sabine von Fischer

    Das akustische Argument. Wissenschaft und Hörerfahrung in…

  • K. Klaus, R. Bittner (Hg.)

    Gestaltungsproben: Gespräche zum Bauhausunterricht

  • Fröhlich, Fröhlich, Borges, Lippok (Hg.)

    Plans & Images. An Archive of Projects on Typology in…

  • Daniel Martin Feige

    Zur Dialektik des Social Design (Studienhefte…

  • Ursula Böckler

    Die Photos der "Magical Misery Tour" mit Martin…

  • Michael Scheer / Gesellschaft für…

    Stadtwirte. Von Sozialraumfarmern und Inklusionswirten

  • re:form e. V. (Hg.)

    Re:Eden. Neue Blicke auf die älteste Reformsiedlung…

  • Alice Maude-Roxby, Stefanie Seibold

    Censored Realities / Changing New York

  • Nathan Jurgenson

    The Social Photo: On Photography and Social Media

  • Randy Deutsch

    Superusers: Design Technology Specialists and the Future of…

  • John Latham

    John Latham. The N-U Niddrie Heart

  • IDEA Magazine

    IDEA 385. Focusing on Locality in Design Practices of the…

  • Anna Harding (Hg.)

    Artists in the City. SPACE in '68 and beyond

  • Damon Krukowski

    Ways of Hearing (SFX: Needle Drop)

  • Sophie Wolfrum, Alban Janson

    Die Stadt als Architektur

  • Heinz Peter Knes

    Der weltrevolutionäre Prozess seit Karl Marx und Friedrich…

The Architecture of Use. Aesthetics and Function in Architectural Design

By analyzing ten examples of buildings that embody the human experience at an extraordinary level, this book clarifies the central importance of the role of function in architecture as a generative force in determining built form. Using familiar twentieth-century buildings as case studies, the authors present these from a new perspective, based on their functional design concepts. Here Grabow and Spreckelmeyer expand the definition of human use to that of an art form by re-evaluating these buildings from an aesthetic and ecological view of function. Each building is described from the point of view of a major functional concept or idea of human use which then spreads out and influences the spatial organization, built form and structure. In doing so each building is presented as an exemplar that reaches beyond the pragmatic concerns of a narrow program and demonstrates how functional concepts can inspire great design, evoke archetypal human experience and help us to understand how architecture embodies the deeper purposes and meanings of everyday life.
Stephen Grabow is Professor of Architecture at the University of Kansas. He is the recipient of fellowships from the National Endowment for the Humanities, the National Endowment for the Arts and the American Fulbright Commission. He was educated in architecture at the University of Michigan and at Pratt Institute, in landscape architecture at the University of California at Berkeley and holds a doctorate in urban planning from the University of Washington. Kent Spreckelmeyer is Professor of Architecture at the University of Kansas. He is a Fellow of the American Institute of Architects and the recipient of a Kemper Teaching Fellowship and numerous grants in the field of healthcare planning. He was educated in architecture at the University of Kansas and at University College, London and holds a doctorate in architecture from the University of Michigan.
'A timely elucidation of the poetics of use as the fundamental ground on which any architecture of lasting value must be built. The ten works examined exemplify the fusion of the practical and the poetic, remove our focus from exterior form to the inhabited space within, and reveal that a building's most important use is to enrich our experience and enhance the life that takes place in it.' - Robert McCarter, Ruth and Norman Moore Professor of Architecture, Washington University in St. Louis, USA 'In this provocative and well-documented book, Grabow and Spreckelmeyer argue that conventional definitions of functionalism should be expanded, thus enriching our appreciation of significant works of modern architecture.' - David G. De Long, Professor Emeritus of Architecture, University of Pennsylvania, USA 'Compelling in its arguments and clear in its exposition, this book resituates the concept of use at the center of architectural theory and practice where it belongs. Through discussions of literary texts, paintings, music, and cultural history, we see how the art of building can not only accommodate the patterns of our lives but give them legible and beautiful expression.' - David Leatherbarrow, Professor and Chair, Graduate Architecture Group, University of Pennsylvania, USA 'This wonderfully clear-headed book serves as an antidote to the empty formalism of so much of today's architectural avant-garde. Grabow and Spreckelmeyer show, in ten eloquent case-studies, how great architecture arises out of an elevated understanding of human activities and social relationships; and how the best buildings don't just function, but inspire us to do and to be well. This book demonstrates how the meaning of buildings often comes from the institutions they house, providing architecture with its content as well as its contents.' - Thomas Fisher, Professor of Architecture and Dean, College of Design, University of Minnesota, USA


Stephen Grabow, Kent Spreckelmeyer
The Architecture of Use. Aesthetics and Function in Architectural Design
Routledge, 2015, 978-0-415-84302-7