Direkt zum Inhalt

Warenkorb

  • Florian Kaiser, Guobin Shen

    Florian Kaiser and Guobin Shen. Unfertige Häuser 未完的建築 (…

  • Caroline Ballegaard, Lara Nelke,…

    Uncanny Entrepreneurship

  • Vera Hofmann, Johannes Euler, Linus…

    Commoning Art. Die transformativen Potenziale von Commons…

  • Mary Otis Stevens, Thomas McNulty

    World of Variation

  • Darjan Hill, Nicole Lachenmeier

    Visualizing Complexity. Handbuch modulares…

  • Moisés Puente

    2G 85. Leopold Banchini

  • Jeffrey S. Nesbit

    Nature of Enclosure

  • Graham Crist & John Doyle

    Supertight. Models for Living and Making Culture in Dense…

  • Noam Benatar

    Yiddish Displayed. A Typographic Experiment Through the…

  • Carla Ferrer, Thomas Hildebrand, Celina…

    Touch Wood. Material, Architektur, Zukunft

  • James Bridle

    Ways of Being. Beyond Human Intelligence

  • Uwe Bresan, Wolfgang Voigt

    Schwule Architekten - Gay Architects: Verschwiegene…

  • Günter Behnisch

    Über Architektur. Vorträge und Schriften von Günter…

  • Melanie Kurz, Thilo Schwer

    Raster, Regeln, Ratio. Systematiken und Normungen im Design…

  • Werner Sobek

    non nobis - über das Bauen in der Zukunft. Band 1: Ausgehen…

  • Frank Barkow, Philip Ursprung, Ludwig…

    Barkow Leibinger. Revolutions of Choice

  • Alex Coles, Catharine Rossi (Eds.)

    Post-craft. EP Vol. 3

  • Elizabeth Povinelli

    Routes / Worlds

  • Volker Pantenburg

    Aggregatzustände bewegter Bilder

  • Oxana Timofeeva, Anja Dagmar…

    Heimat. Eine Gebrauchsanweisung

  • Tom Avermaete, Maxime Zaugg (Eds)

    Agadir. Building the Modern Afropolis

  • Boaz Levin, Esther Ruelfs, Tulga…

    Mining Photography. Der ökologische Fussabdruck der…

  • Stefan Römer

    DeConceptualize - Zur Dekonstruktion des Konzeptuellen in…

  • Harald R. Stühlinger

    Casa Kalman. Luigi Snozzi

  • FHNW Institut Architektur, Annette…

    Beyond Concrete. Strategien für eine postfossile Baukultur…

  • Jana Vanecek

    ID9606/2a-c. Dispositive eines Virus

  • Johannes Salim Ismaiel-Wendt, Andi…

    Postcolonial Repercussions. On Sound Ontologies and…

  • Sue Spaid

    The Philosophy of Curatorial Practice: Between Work and…

  • Ehling, Grothus, Jung, Kemmerich (Hg)

    10 Jahre Hambacher Forst. #Hambibleibt 2012 - 2022

  • Arch+ Zeitschrift für Architektur und…

    Arch+ 248. Stuttgart. Die produktive Stadtregion und die…

  • Mark Smoot

    HUTS. The Vanishing Rural Traditions and Vernacular…

  • Raffaela Lackner / Ina Sattlegger /…

    Günther Domenig. Dimensional. In Resonanz. In Resonance. V…

  • Malte Uchtmann

    Ankommen. Über die Architektur von Flüchtlingsunterkünften…

  • Hélène Frichot, Adrià Carbonell, Hannes…

    Infrastructural Love. Caring for Our Architectural Support…

  • Eldritch Priest

    Earworm and Event. Music, Daydreams, and Other Imaginary…

  • Ben Tarnoff

    Internet for the People. The Fight for Our Digital Future.…

  • Matthias Bernt

    The Commodification Gap. Gentrification and Public Policy…

  • Joseph Altshuler, Julia Sedlock

    Creatures Are Stirring. A Guide to Architectural…

  • Jason Toney (ed.)

    Take the City. Voices of Radical Municipalism

  • Domenico Quaranta

    Surfing with Satoshi. Art, Blockchain and NFTs

  • Marijke Goeting

    Fast, Fluid, Fragmented. Art and Design in the Digital Age

  • Francisco Moura Veiga (ed.)

    Typology of Intimacy. An Emotional Catalog of Booths

  • Sarah Demeuse (Ed.)

    Bande à part. On Independent Art Institutions

  • Angie Keefer (Ed.)

    Yale: History of an Art School

  • Victoria Horne, Lara Perry (eds)

    Feminism and Art History Now. Radical Critiques of Theory…

  • Justin Patch, Thomas Porcello

    Re-Making Sound: An Experiential Approach to Sound Studies

  • Niklas Maak

    Servermanifest. Architektur der Aufklärung: Data Center als…

  • ruangrupa (Hg.)

    documenta fifteen Handbuch

  • ruangrupa (Hg.)

    Majalah lumbung. Documenta fifteen. A Magazine on…

  • Kirsten Marie Raahauge, Katrine Lotz,…

    Architectures of Dismantling and Restructuring. Spaces of…

  • Ludwig Mies van der Rohe

    Gesammelte Schriften

  • Katrin von Maltzahn

    Japan Guide. Ein Glossar mit 229 Wörtern / A Glossary of…

  • Aris Komporozos-Athanasiou

    Speculative Communities. Living with Uncertainty in a…

  • George Arbid, Philipp Oswalt

    Designing Modernity. Architecture in the Arab World 1945-…

  • Sascha Roesler

    City, Climate, and Architecture. A Theory of Collective…

  • IDEA Magazine

    IDEA 398. Ryoji Tanaka / Illuminating Graphics

  • Hinrichs, Tang, Haines (Eds.)

    shelf documents. art library as practice

  • Keita Noguchi

    Flower

  • Cristian Stefanescu (Ed.)

    Project Stories Volume 1. Architectural Practice Today

  • Mike Watson

    The Memeing of Mark Fisher

  • Drew Pendergrass, Troy Vettese

    Half-Earth Socialism. A Plan to Save the Future from…

  • Patric Furrer, Andreas Jud, Stefan…

    Digitalisierung und Architektur in Lehre und Praxis

  • Paul Hanford

    Coming to Berlin

  • Aurelia Guo

    World of Interiors

  • Boris Buden

    Transition to Nowhere. Art in History After 1989

  • Tirdad Zolghadr (Hg)

    REALTY. Beyond the Traditional Blueprints of Art &…

  • Albena Yaneva

    Latour for Architects

  • Raffaele Pernice (Hg)

    The Urbanism of Metabolism. Visions, Scenarios and Models…

  • Jule Govrin

    Politische Körper. Von Sorge und Solidarität

  • Alice Rawsthorn, Paola Antonelli

    Design Emergency: Building a Better Future

  • Carlotta Zucchini (Ed.)

    Rizoma Architetture. Togetherness

  • Robert Stürzl

    Hans-Walter Müller und das lebendige Haus

  • Kenny Cupers, Sophie Oldfield, Manuel…

    What Is Critical Urbanism? Urban Research as Pedagogy

  • Geert Lovink

    Stuck on the Platform. Reclaiming the Internet

  • Friedrich von Borries, Jens-Uwe Fischer

    Gefangen in der Titotalitätsmaschine. Der Bauhäusler Franz…

  • Philipp Meuser (Hg.)

    Vom seriellen Plattenbau zur komplexen Großsiedlung.…

  • Stefan Maneval, Jennifer A. Reimer (eds…

    Forms of Migration. Global Perspectives on Im/migrant Art…

  • Winfried Nerdinger, Wilhelm Vossenkuhl…

    Otl Aicher. Designer. Typograf. Denker.

  • Ana Vujanovic, Bojana Cvejic

    Toward a Transindividual Self. A study in social dramaturgy

  • Annette Becker, Stefanie Lampe, Lessano…

    Schön hier. Architektur auf dem Land

  • Domenico Quaranta and Janez Janša (eds.)

    Hyperemployment – Post-work, Online Labour and Automation

  • Bani Brusadin

    The Fog of Systems. Art as Reorientation and Resistance in…

  • Pau Waelder

    You can be a wealthy art collector in the digital age //…

  • Andrew Witt

    Formulations. Architecture, Mathematics, Culture (Writing…

  • Nick Axel, Nikolaus Hirsch, Daniel…

    Accumulation. The Art, Architecture, and Media of Climate…

  • Andreas Kemper

    Privatstädte. Labore für einen neuen Manchesterkapitalismus

  • Vogliamo tutto (Hg.)

    Revolutionäre Stadtteilarbeit. Zwischenbilanz einer…

  • Michel Leiris, Irene Albers (eds.)

    Phantom Afrika

  • Jan Herres

    Das Berliner Zimmer. Geschichte, Typologie,…

  • Jonathan Crary

    Scorched Earth. Beyond the Digital Age to a Post-Capitalist…

  • Cary Wolfe

    Art and Posthumanism. Essays, Encounters, Conversations

  • Joanna Zylinska (Hg)

    The Future of Media

  • Matthew Gandy

    Natura Urbana. Ecological Constellations in Urban Space

  • Matthew Wizinsky

    Design after Capitalism. Transforming Design Today for an…

  • Katja Eydel

    Appointed Habitus Set

  • Yaiza Camps, Moritz Grünke, Pascale…

    Decolonizing Art Book Fairs: Publishing Practices from the…

  • Carla Zaccagnini

    Carla Zaccagnini. Cuentos de Cuentas

  • Beate Söntgen, Julia Voss (Hg.)

    Why Art Criticism? A Reader.

Book Worm

The spirits of books are fascinating, they spread their fragrance far and wide, and good contents are like words singing and dancing in the books.It s hard differentiate books with good qualities in front of voluminous of books. However, graphic designers have more concern about books than readers do: they pay close attention to the design of books, to paper selection, to binding craftsmanship, to the printing technique, to the packaging etc., they are even concerned with procedures like folding, stacking, cropping, cutting, pressing, gilding, framing, extending and tearing. Sometimes they forget the original idea of a good book when they focused too much on these techniques. A good content is necessary for a good book, while a good design reinforces the contents of the book, however no matter how good the design is it s not possible to improve the quality of bad contents and save the book. Book Worm has seek for 56 graphic designers all around the world introducing their innovative and fine book designs. Through their extraordinary works they showed their individual understanding of books : not letting design to overwhelm the features behind the contents; it also proves the designers understandings and confidences to printing skills; fine selections to the textures of paper, warmth and color; their concerns with binding details. The dimension of Book Worm is 17x28cm, experimentally folded with 6 holes-pierced and manual binding with thread, took a long time with quality hand craftsmanships. Book Worm is eventually on shelf for all readers.
The Designers are: 2xgoldstein (Germany), 3group (Poland), Abbasi, Majid (Iran), Ahn, Sang-Soo (Korea), Andersen M Studio (UK), Atelier Poisson (Switzerland), Atelier Reinhard Gassner (Austria), Au, Benny (Kong Kong), Balius, Andreu (Spain), Bouvet, Michel (France), Brechbühl, Erich (Switzerland), Chan, Alan (Hong Kong), Chen, Bob (China), Change is good (France), Cheong, Kuokwai (Macau,China), Chihara, Kuoh (Japan), Choi, Sandy (Hong Kong), CoDesign Ltd (Hong Kong), COUP (Netherlands), de designpolitie (Netherlends), dogdesign (Finland), Faydherbe/De Vringer (Netherlands), Ferrer, Isidro (Spain), Föllmer, Christina (Germany), Fons Hickman m23 (Germany), General Working Group (USA), Guang, Yu (China), hesign (Germany/China), Hi (Switzerland), Huang, Yang (China), John Morgan Studio (UK), Kakinokihara, Masahiro (Japan), Kan, Tai-Keung (Hong Kong), Meshki, Saed (Iran), Milkxhake (Hong Kong), Mirko Illic Corp (USA), Müller, Lars (Switzerland), Park, Kum-jun (Korea), Pixelgarten (Germany), Sagmeister, Stefan (USA), Sakamoto, Siho (Japan), Sonnabend, Catrin (Germany), Sonner Vallée & Partner (Germany), Studio Alfalfa (USA), Studio Boot (Netherlands), St. Pierre et Miquellon (UK), Stripe SF (USA), Sugisaki,Shinnoske (Japan), Superbüro (Switzerland), Tommy Li Design (Hong Kong), Tsukamoto, Akihiko (Japan), Xiao Mage & Chengzi (China), Wang, Xu (China), Wang, Zhi Hong (Taiwan), Welcome to.as (Switzerland)


Jianping He (Hg.)
Book Worm
Hesign, 2011, 978-3981054491