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  • Anne Mikoleit, Moritz Pürckhauer

    Urban Code. 100 Lessons for Understanding the City

  • Mieke Gerritzen, Geert Lovink, Minke…

    I Read Where I Am. Exploring New Information Cultures

  • Matt Mullican

    Notating the Cosmology 1973-2008

  • A. Fernández Per, J. Mozas, J. Arpa

    This is Hybrid. An analysis of mixed-use buildings by a+t

  • Arno Brandlhuber, Silvan Linden (Hg.)

    Disko 20-25 Architektur ohne Architektur

  • Craig Buckley, Jean-Louis Violeau (Hg.)

    Utopie. Texts and Projects, 1967–1978

  • Anne König, Paul Feigelfeld (Hg.)

    LIGNA. An Alle! Radio Theater Stadt

  • Jürgen Krusche, Günther Vogt

    Strassenräume in Berlin, Shanghai, Tokyo, Zürich. Eine foto…

  • Wim Crouwel

    A Graphic Odyssey - Catalogue

  • David Ake

    Source. Music of the Avant-garde, 1966 - 1973

  • Murray Grigor

    Infinite Space. Der Architekt John Launter. DVD

  • Yona Friedman

    Architecture with the People, by the People

  • Erik Swyngedouw

    Civic City Cahier 5. Designing the Post-Political City and…

  • Lars Lerup

    One Million Acres & No Zoning

  • Toyo Ito

    Tarzans in the Media Forest

  • M, Kelley, J. Shaw, Niagara, C, Loren

    Destroy All Monsters Magazine 1976-1979

  • Ntone Edjabe, Edgar Pieterse (Hg.)

    African Cities Reader II. Mobilities & Fixtures

  • M. Hlavajova, S. Sheikh, J. Winder (Hg.)

    On Horizons. A Critical Reader in Contemporary Art

  • Michael Sorkin

    All Over the Map. Writing on Buildings and Cities

  • Nadine Barth (Hg.)

    German Fashion Design 1946-2012

  • Simon Reynolds

    Retromania. Pop Culture's Addiction to its Own Past

  • Stan Allen, Marc McQuade (Hg.)

    Landform Building

  • Fredric Jameson

    Representing Capital. A Reading of Volume One

  • Magdalena Taube, Krystian Woznicki (Hg.)

    Modell Autodidakt

  • e-flux journal

    Are You Working Too Much? Post-Fordism, Precarity, and the…

  • PIE Books (Hg.)

    Paper & Cloth. Ready-to-Use Background Patterns(+DVD)

  • McKenzie Wark

    The Beach Beneath the Street. The Everyday Life and…

  • Pedro Barateiro, Ricardo Valentim (Hg.)

    Activity (is to a group what content is to platform)

  • El Croquis 155

    Sanaa 2008-2011

  • Laurie Anderson, Trisha Brown, Gordon…

    Pioneers of the Downtown Scene

  • Curtis, Rees, White, Ball (Hg.)

    Expanded Cinema. Art, Performance, Film

  • Kaminer, Robles-Dúran, Sohn (Hg.)

    Urban Asymmetries

  • Nico Stehr, Reiner Grundmann

    Die Macht der Erkenntnis

  • Hans Ulrich Obrist

    Ai Weiwei Speaks

  • Abel, Evers, Klaasen, Troxler (Hg.)

    Open Design Now. (why design cannot remain exclusive)

  • AA Bronson, Peter Hobbs

    Queer Spirits

  • Momus

    Solution 214-238. The Book of Japans

  • A. Avanessian, L. Skrebowski (Hg.)

    Contemporary Art and Aesthetics

  • 2G N. 57

    Njiric+ Architekti

  • Lucia Nagib

    World Cinema and the Ethics of Realism

  • Huda Smitshuijzen, Abi Fares (Hg.)

    Typographic Matchmaking in the City

  • H. F. Mallgrave, D. Goodman

    An Introduction to Architectural Theory. 1968 to the Present

  • D. Mertins, M. W. Jennings (Hg.)

    G: An Avant-Garde Journal of Art, Architecture, Design and…

  • Alexander Bolton

    Alexander McQueen. Savage Beauty

  • Marc Barbey (Hg.)

    Hommage à Berlin. Photographien

  • Jianping He (Hg.)

    Book Worm

  • Claire Doherty, Paul O'Neill (Hg.)

    Locating the Producers. Durational Approaches to Public Art

  • Professur Theorie und Geschichte der…

    Architecture in the Age of Empire / Architektur der neuen…

  • Garth A. Myers

    African Cities. Alternative Visions of Urban Theory and…

  • Jean-Louis Cohen

    Architecture in Uniform. Designing and Building for the 2nd…

  • Christopher Dell

    Replaycity. Improvisation als urbane Praxis

  • Hans Dickel, Lisa Puyplat (Hg.)

    Reading Susanne Kriemann

  • Byung-Chul Han

    Shanzhai. Dekonstruktion auf Chinesisch

  • Kaoru Takahashi (Hg.)

    Hello! UK Graphics. Graphic Design in the UK since the 1980s

  • Bruce Jenkins

    Gordon Matta-Clark. Conical Intersect

  • Andreas Gelhard

    Kritik der Kompetenz

  • Klanten, Hellige (Hg.)

    The Modernist

  • Lars Spuybroek

    Textile Tectonics. Research and Design

  • Josep Lluís Mateo

    After Crisis. Contemporary Architectural Conditions

  • Louis Luthi

    On the Self-reflexive Page

  • Jan Kempemaers

    Spomenik

  • Vilém Flusser

    Dinge und Undinge. Phänomenologische Skizzen

  • O.M. Ungers

    Morphologie City Metaphors

  • Lisa Taylor & Gardeners of Seattle…

    Your Farm in the City

  • Hassenpflug, Giersig, Stratmann

    Reading the City. Stadt lesen

  • Butler, Habermas, Taylor, West

    The Power of Religion in the Public Sphere

  • Richard Fairfield

    The Modern Utopian. Alternative Communities of the 60s and…

  • Jochen Rädeker, Kirsten Dietz

    Reporting. Unternehmenskommunikation als Imageträger

  • Lorey, Nigro, Raunig (Hg.)

    Inventionen 1. Gemeinsam. Prekär. Potentia. Dis-/Konjunktion

  • Jimini Hignett

    The Detroit Diary

  • Klanten, Mollard, Hübner (Hg.)

    Behind the Zines. Self-Publishing Culture

  • Tom Holert

    Civic City Cahier 3. Distributed Agency, Design’s…

  • El Croquis 154

    Aires Mateus 2002-2011

  • Paul Van Beek, Charles Vermaas

    Landscapology. Learning to Landscape the City

  • Jan Ole Arps

    Frühschicht. Linke Fabrikintervention in den 70er Jahren

  • Detlef Mertins, Architecture Words 7

    Modernity Unbound

  • Gunter Reski, Marcus Weber (Hg.)

    Captain Pamphile. Ein Bildroman

  • Amy Allen (Hg.)

    Democracy in What State?

  • D. Hauptmann, W. Neidich (Hg.)

    Cognitive Architecture. From Biopolitics to NooPolitics

  • Stefan Sagmeister

    Sagmeister: Another Book about Promotion and Sales Material

  • Enzo Mari

    The Intellectual Work. Sixty Paperweights

  • Bettina Allamoda

    Catwalk to History - A Sourcebook

  • Peter Petschek, Siegfried Gaß (Hg.)

    Schatten konstruieren. Pergolen, Zelte, Pavillons, Seile,…

  • Will Jones (Hg.)

    Architects' Sketchbooks

  • Arno Brandlhuber, Silvan Linden (Hg.)

    Disko 16-19. u.a. The New Deathstrip, Townhouse

  • Martin Ebner, Florian Zeyfang (Hg.)

    Poor Man’s Expression

  • El Croquis 151

    Sou Fujimoto 2003-2010

  • Caleb Kelly (Hg.)

    Sound (Documents of Contemporary Art)

  • Terry Myers (Hg.)

    Painting (Documents of Contemporary Art)

  • Wilfried Dickhoff, Marcus Steinweg (Hg.)

    Inaesthetics 2

  • Nancy Holt

    Time Outs

  • Slinkachu

    Big Bad City

  • Ed Annink, Max Bruinsma

    Lovely Language. Words Divide Images Unite

  • Gwen Allen

    Artists' Magazines. An Alternative Space for Art [pb]

  • Michaela Meise

    Preis dem Todesüberwinder

  • C. Menke, J. Rebentisch (Hg.)

    Kreation und Depression. Freiheit im gegenwärtigen…

  • Gregory Sholette

    Dark Matter. Art and Politics in the Age of Enterprise…

  • Drawing Center (Hg.)

    Iannis Xenakis. Architect, Composer, Visionary (Drawing…

Broken Music: Artists' Recordworks

Broken Music is an essential guide and discography for recordings and audio works by visual artists, originally published in 1989 and edited by Ursula Block (founder of Gelbe Musik in Berlin) and Michael Glasmeier. Records chosen for the publication revolved around four criteria: record covers created as original work by visual artists; record or sound producing objects (sculptures); books and publications that contain a record or recorded media object; and records or recorded media that have sound by visual artists. Hundreds of works are documented by artists such as Vito Acconci, albrecht d., Joseph Beuys, Laurie Anderson, Guillaume Apollinaire, Karel Appel, Antonin Artaud, John Baldessari, Hugo Ball, Harry Bertoia, William S. Burroughs, John Cage, Henri Chopin, Henning Christiansen, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Jean Dubuffet, Marcel Duchamp, Fischli/Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Isidore Isou, Marcel Janco, Allan Kaprow, Martin Kippenberger, Milan Knízák, Christina Kubisch, Laibach, John Lennon, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Tom Philips, Robert Rauschenberg, The Red Crayola, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Conrad Schnitzler, Kurt Schwitters, selten gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Jean Tinguely, Yoshi Wada, William Wegman and Lawrence Weiner, among others.
Boomkat Product Review:
‘Broken Music’ is a holy grail avant-garde music publication, a compendium of recordings, record-objects, artwork for records, and record installations created by thousands of visual artists between WWII and 1989. Unavailable since the original, sought-after 1989 edition, it features essays by its compilers Ursula Block and Michael Glasmeier, as well as Theodor W. Adorno, Milan Knížák and Laszlo Moholy-Nagy. Did we mention the bonus flexidsic? Aye, this one’s very special.
Published in 1989 by Ursula Block, wife of curator René Block and proprietor of the legendary Gelbe Musik record store in Berlin (sadly not there any more, to save you a wild goose chase), ‘Broken Music’ is inarguably an essential guide and discography for recordings and audio works by visual artists of the 20th C. Through essays, texts, and photos, it breaks down the history of visual artists working with sound into four fascinating criteria of study: record covers created as original work by visual artists; record or sound producing objects (sculptures); books and publications that contain a record or recorded media object; and records or recorded media that have sound by visual artists.
As far as we’re aware, this is the only book of its kind, and at the very least, the only one to cover it’s topic in such depth, drawing on a wealth of received information and personal knowledge to comprehensively highlight a peculiar and enduring niche of sound art. Books and lists like these are understandably invaluable to both art historians and record diggers, and this is among the most lucubrate we’ve come across, making connections between the formative, innocent experience of experimenting with records’ physicalities, with Adorno’s riffs on ‘The Form of the Records’, and ‘Media Composition According to Cage’, and looping back to Milan Knížák’s recollection of ‘Broken Music’ in his titular text and bonus 7” flexidisc of his 1989 recordings.
If you’re interested in the following list of artists covered inside, you owe it yourself to check this book: Vito Acconci, albrecht d., Joseph Beuys, Laurie Anderson, Guillaume Apollinaire, Karel Appel, Antonin Artaud, John Baldessari, Hugo Ball, Harry Bertoia, William S. Burroughs, John Cage, Henri Chopin, Henning Christiansen, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Jean Dubuffet, Marcel Duchamp, Fischli/Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Isidore Isou, Marcel Janco, Allan Kaprow, Martin Kippenberger, Milan Knízák, Christina Kubisch, Laibach, John Lennon, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Tom Philips, Robert Rauschenberg, The Red Crayola, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Conrad Schnitzler, Kurt Schwitters, selten gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Jean Tinguely, Yoshi Wada, William Wegman and Lawrence Weiner, and others.


Ursula Block, Michael Glasmeier
Broken Music: Artists' Recordworks
Primary Information , 2018, 9780991558599
35,00 €