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  • Paul B. Preciado

    An Apartment on Uranus

  • Fredi Fischli, Niels Olsen (Ed.)

    Cloud '68 Paper Voice. Smiljan Radic's Collection…

  • Khayaat Fakier, Diana Mulinari, Nora…

    Marxist-Feminist Theories and Struggles Today. Essential…

  • Kollektiv Quotidien

    Lefebvre for Activists [dt./engl.]

  • Siegfried Zielinski

    Variations on Media Thinking

  • Marcus White, Nano Langenheim

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  • Clara Bouveresse

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  • Anne Massey

    Interior Design Since 1900 (World of Art)

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    Digital Cash: The Unknown History of the Anarchists,…

  • Andrea Bajani

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  • Joost Meuwissen

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  • Laure Prouvost

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  • John Cage

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  • Nina Canell & Robin Watkins (eds.)

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  • Kumiko Inui

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  • Claude Lefort

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  • Sharon Lockhart

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  • Andreas Nentwich, Christine Schnapp

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  • David Reinfurt

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  • Sophie J. Williamson (Ed.)

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  • Zamp Kelp

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  • Benjamin Bratton

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  • Ana Vujanovic, Livia Piazza (Ed.)

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  • Alona Rodeh

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  • Vision 5

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  • Hilma Af Klint

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  • Allan Kaprow

    How To Make A Happening CD

  • Ruth Sonderegger

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  • Philipp Oswalt

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  • Tom Rice

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  • Jürgen Habermas

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  • Constance DeJong, Andrew Lampert (Ed.)

    Tony Conrad. Writings

  • Silvio Lorusso

    ENTREPRECARIAT. everyone is an entrepreneur nobody is safe

  • Maria Lind

    Seven Years. The Rematerialisation of Art from 2011 to 2017

  • Benjamin H.Bratton

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  • G. Raunig

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  • Lukas Feireiss (Ed.)

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  • Juliane Streich (Hg.)

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  • Chris O'Leary

    Ashes to Ashes. The Songs of David Bowie, 1976-2016

  • Edit DeAk, Walter Robinson (eds.)

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  • Alice Gorman

    Dr Space Junk vs The Universe. Archaeology and the Future

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  • Rene Boer, Marina Otero Verzier, Katia…

    Architecture of Appropriation. On Squatting as Spatial…

  • Susan Ferguson

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  • John Cage (Laura Kuhn, Ed.)

    Love, Icebox. Letters from John Cage to Merce Cunningham

  • Julia Eckhardt

    Eliane Radigue. Intermediary Spaces. Espaces Intermediaires

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  • Carola Platzek (Hg.)

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  • raumlaborberlin (Hg.)

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  • Christian Maurel / Peter Rehberg

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  • Ursula Prokop

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  • Christoph Liepach

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  • Agnès Gayraud

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  • Alina Popa

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  • Timothy Morton

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  • Georges Bataille

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  • Alfia Nakipbekova (Ed.)

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  • Alexander Wilson

    Aesthesis and Perceptronium. On the Entanglement of…

  • Seraji, Devabhaktuni, Lu (Eds.)

    From Crisis to Crisis: Debates on Why Architecture Criticsm…

  • Momus

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  • Robert Conrad

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  • 2G / # 79

    Studio Muoto (Paris)

Fanged Noumena. Collected Writings 1987-2007

The magnitude of Nick Land's influence upon contemporary experimental production is yet to be fully comprehended. Whilst Fanged Noumena goes some way to provide an aetiology of Land's philosophical virulence, those seeking a cure for the 'disease of the earth' are advised to look elsewhere ...
(Jake Chapman)
Land had the most brilliantly seductive and meteoric mind, endlessly imaginative and capable of adopting, inhabiting and discarding any philosophical position. With him - and rightly so - philosophy infected every area of life, and sheer vitality of life reverberated in his thinking.
I see Fanged Noumena as a kind of righteous revenge. Nick was dismissed by professional philosophers because they simply didn't want to think and preferred their turgid academic complacency. I always admired him for his unwavering desire to take thought to its absolute limit and then see how much harder one could push.
(Simon Critchley)
These extraordinary texts, superheated compounds of severe abstraction and scabrous wit, testify to a uniquely penetrating intelligence, fusing transcendental philosophy, number theory, geophysics, biology, cryptography and occultism into startlingly cohesive but increasingly delirious theory-fictions.
(Ray Brassier)
This is theory as cyberpunk fiction: Deleuze-Guattari's concept of capitalism as the virtual unnameable Thing that haunts all previous formations pulp-welded to the timebending of the Terminator films. Land's machinic theory-poetry parallelled the digital intensities of 90s jungle, techno and doomcore, anticipating 'impending human extinction becoming accessible as a dance-floor'.
Mark Fisher (K-Punk)
In the last half of the twentieth century, academics talked endlessly about the outside, but no-one went there. Land, by exemplary contrast, made experiments in the unknown unavoidable for a philosophy caught in the abstractive howl of post-political cybernetics. Fanged Noumena demonstrates how Land ruined a generation of intellectuals for merely academic philosophy, by opening a speculative singularity where the future used to be.
(Iain Hamilton Grant)
Fanged Noumena brings together the writings of Nick Land for the first time. During the 1990s Land's unique philosophical work, variously described as 'rabid nihilism', 'mad black deleuzianism' and 'cybergothic', developed perhaps the only rigorous and culturally-engaged escape route out of the malaise of 'continental philosophy' - a route which was implacably blocked by the academy. However, Land's work has continued to exert an influence, both through the British 'speculative realist' philosophers who studied with him, and through the many cultural producers - artists, musicians, filmmakers, bloggers - who have been invigorated by his uncompromising and abrasive philosophical vision.
Beginning with Land's early radical rereadings of Heidegger, Nietzsche, Kant and Bataille, the volume then collects together the papers, talks and articles of the mid-90s - long the subject of rumour and vague legend (including some work which has never previously appeared in print) - in which Land developed his futuristic theory-fiction of cybercapitalism gone amok; and ends with his enigmatic later writings in which Ballardian fictions, poetics, cryptography, anthropology, grammatology and the occult are smeared into unrecognisable hybrids.
Fanged Noumena allows a dizzying perspective on the entire trajectory of this provocative and influential thinker's work, and will introduce his unique voice to a new generation of readers.


Nick Land
Fanged Noumena. Collected Writings 1987-2007
Urbanomic, 2011, 978-0-9553087-8-9