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  • Günter Behnisch

    Über Architektur. Vorträge und Schriften von Günter…

  • Melanie Kurz, Thilo Schwer

    Raster, Regeln, Ratio. Systematiken und Normungen im Design…

  • Werner Sobek

    non nobis - über das Bauen in der Zukunft. Band 1: Ausgehen…

  • Frank Barkow, Philip Ursprung, Ludwig…

    Barkow Leibinger. Revolutions of Choice

  • Alex Coles, Catharine Rossi (Eds.)

    Post-craft. EP Vol. 3

  • Elizabeth Povinelli

    Routes / Worlds

  • Volker Pantenburg

    Aggregatzustände bewegter Bilder

  • Oxana Timofeeva, Anja Dagmar…

    Heimat. Eine Gebrauchsanweisung

  • Tom Avermaete, Maxime Zaugg (Eds)

    Agadir. Building the Modern Afropolis

  • Boaz Levin, Esther Ruelfs, Tulga…

    Mining Photography. Der ökologische Fussabdruck der…

  • Stefan Römer

    DeConceptualize - Zur Dekonstruktion des Konzeptuellen in…

  • Harald R. Stühlinger

    Casa Kalman. Luigi Snozzi

  • FHNW Institut Architektur, Annette…

    Beyond Concrete. Strategien für eine postfossile Baukultur…

  • Jana Vanecek

    ID9606/2a-c. Dispositive eines Virus

  • Johannes Salim Ismaiel-Wendt, Andi…

    Postcolonial Repercussions. On Sound Ontologies and…

  • Sue Spaid

    The Philosophy of Curatorial Practice: Between Work and…

  • Ehling, Grothus, Jung, Kemmerich (Hg)

    10 Jahre Hambacher Forst. #Hambibleibt 2012 - 2022

  • Arch+ Zeitschrift für Architektur und…

    Arch+ 248. Stuttgart. Die produktive Stadtregion und die…

  • Mark Smoot

    HUTS. The Vanishing Rural Traditions and Vernacular…

  • Raffaela Lackner / Ina Sattlegger /…

    Günther Domenig. Dimensional. In Resonanz. In Resonance. V…

  • Malte Uchtmann

    Ankommen. Über die Architektur von Flüchtlingsunterkünften…

  • Hélène Frichot, Adrià Carbonell, Hannes…

    Infrastructural Love. Caring for Our Architectural Support…

  • Eldritch Priest

    Earworm and Event. Music, Daydreams, and Other Imaginary…

  • Ben Tarnoff

    Internet for the People. The Fight for Our Digital Future.…

  • Matthias Bernt

    The Commodification Gap. Gentrification and Public Policy…

  • Joseph Altshuler, Julia Sedlock

    Creatures Are Stirring. A Guide to Architectural…

  • Jason Toney (ed.)

    Take the City. Voices of Radical Municipalism

  • Domenico Quaranta

    Surfing with Satoshi. Art, Blockchain and NFTs

  • Marijke Goeting

    Fast, Fluid, Fragmented. Art and Design in the Digital Age

  • Francisco Moura Veiga (ed.)

    Typology of Intimacy. An Emotional Catalog of Booths

  • Sarah Demeuse (Ed.)

    Bande à part. On Independent Art Institutions

  • Angie Keefer (Ed.)

    Yale: History of an Art School

  • Victoria Horne, Lara Perry (eds)

    Feminism and Art History Now. Radical Critiques of Theory…

  • Justin Patch, Thomas Porcello

    Re-Making Sound: An Experiential Approach to Sound Studies

  • Niklas Maak

    Servermanifest. Architektur der Aufklärung: Data Center als…

  • ruangrupa (Hg.)

    documenta fifteen Handbuch

  • ruangrupa (Hg.)

    Majalah lumbung. Documenta fifteen. A Magazine on…

  • Kirsten Marie Raahauge, Katrine Lotz,…

    Architectures of Dismantling and Restructuring. Spaces of…

  • Ludwig Mies van der Rohe

    Gesammelte Schriften

  • Katrin von Maltzahn

    Japan Guide. Ein Glossar mit 229 Wörtern / A Glossary of…

  • Aris Komporozos-Athanasiou

    Speculative Communities. Living with Uncertainty in a…

  • George Arbid, Philipp Oswalt

    Designing Modernity. Architecture in the Arab World 1945-…

  • Sascha Roesler

    City, Climate, and Architecture. A Theory of Collective…

  • IDEA Magazine

    IDEA 398. Ryoji Tanaka / Illuminating Graphics

  • Hinrichs, Tang, Haines (Eds.)

    shelf documents. art library as practice

  • Keita Noguchi

    Flower

  • Cristian Stefanescu (Ed.)

    Project Stories Volume 1. Architectural Practice Today

  • Mike Watson

    The Memeing of Mark Fisher

  • Drew Pendergrass, Troy Vettese

    Half-Earth Socialism. A Plan to Save the Future from…

  • Patric Furrer, Andreas Jud, Stefan…

    Digitalisierung und Architektur in Lehre und Praxis

  • Paul Hanford

    Coming to Berlin

  • Aurelia Guo

    World of Interiors

  • Boris Buden

    Transition to Nowhere. Art in History After 1989

  • Tirdad Zolghadr (Hg)

    REALTY. Beyond the Traditional Blueprints of Art &…

  • Albena Yaneva

    Latour for Architects

  • Raffaele Pernice (Hg)

    The Urbanism of Metabolism. Visions, Scenarios and Models…

  • Jule Govrin

    Politische Körper. Von Sorge und Solidarität

  • Alice Rawsthorn, Paola Antonelli

    Design Emergency: Building a Better Future

  • Carlotta Zucchini (Ed.)

    Rizoma Architetture. Togetherness

  • Robert Stürzl

    Hans-Walter Müller und das lebendige Haus

  • Kenny Cupers, Sophie Oldfield, Manuel…

    What Is Critical Urbanism? Urban Research as Pedagogy

  • Geert Lovink

    Stuck on the Platform. Reclaiming the Internet

  • Friedrich von Borries, Jens-Uwe Fischer

    Gefangen in der Titotalitätsmaschine. Der Bauhäusler Franz…

  • Philipp Meuser (Hg.)

    Vom seriellen Plattenbau zur komplexen Großsiedlung.…

  • Stefan Maneval, Jennifer A. Reimer (eds…

    Forms of Migration. Global Perspectives on Im/migrant Art…

  • Winfried Nerdinger, Wilhelm Vossenkuhl…

    Otl Aicher. Designer. Typograf. Denker.

  • Ana Vujanovic, Bojana Cvejic

    Toward a Transindividual Self. A study in social dramaturgy

  • Annette Becker, Stefanie Lampe, Lessano…

    Schön hier. Architektur auf dem Land

  • Domenico Quaranta and Janez Janša (eds.)

    Hyperemployment – Post-work, Online Labour and Automation

  • Bani Brusadin

    The Fog of Systems. Art as Reorientation and Resistance in…

  • Pau Waelder

    You can be a wealthy art collector in the digital age //…

  • Andrew Witt

    Formulations. Architecture, Mathematics, Culture (Writing…

  • Nick Axel, Nikolaus Hirsch, Daniel…

    Accumulation. The Art, Architecture, and Media of Climate…

  • Andreas Kemper

    Privatstädte. Labore für einen neuen Manchesterkapitalismus

  • Vogliamo tutto (Hg.)

    Revolutionäre Stadtteilarbeit. Zwischenbilanz einer…

  • Michel Leiris, Irene Albers (eds.)

    Phantom Afrika

  • Jan Herres

    Das Berliner Zimmer. Geschichte, Typologie,…

  • Jonathan Crary

    Scorched Earth. Beyond the Digital Age to a Post-Capitalist…

  • Cary Wolfe

    Art and Posthumanism. Essays, Encounters, Conversations

  • Joanna Zylinska (Hg)

    The Future of Media

  • Matthew Gandy

    Natura Urbana. Ecological Constellations in Urban Space

  • Matthew Wizinsky

    Design after Capitalism. Transforming Design Today for an…

  • Katja Eydel

    Appointed Habitus Set

  • Yaiza Camps, Moritz Grünke, Pascale…

    Decolonizing Art Book Fairs: Publishing Practices from the…

  • Carla Zaccagnini

    Carla Zaccagnini. Cuentos de Cuentas

  • Beate Söntgen, Julia Voss (Hg.)

    Why Art Criticism? A Reader.

  • Denise Ferreira da Silva

    Unpayable Debt

  • Carol Vernallis, Holly Rogers, Jonathan…

    Cybermedia. Explorations in Science, Sound, and Vision

  • Kathy Acker, McKenzie Wark

    Du hast es mir sehr angetan. E-Mails 1995/96

  • Kirsty Bell

    The Undercurrents. A Story of Berlin

  • Arnold Bartetzky Nicolas, Karpf, Greta…

    Architektur und Städtebau in der DDR. Stimmen und…

  • Barbara Winckler, Enass Khansa,…

    Thinking Through Ruins. Genealogies, Functions, and…

  • Stanislas Chaillou

    Artificial Intelligence and Architecture. From Research to…

  • Reclaim Your City

    Bitte Lebn. Urbane Kunst & Subkultur in Berlin 2003 -…

  • Claudia Mareis, Moritz Greiner-Petter,…

    Critical by Design? Genealogies, Practices, Positions

  • Arch+ Zeitschrift für Architektur und…

    Arch+ 247. Cohabitation

  • Mark Sealy

    Photography. Race, Rights and Representation

  • Anna-Sophie Springer & Etienne…

    These Birds Of Temptation (Intercalations 6)

History Becomes Form. Moscow Conceptualism

In the 1970s and 1980s, a group of "unofficial" artists in Moscow—artists not recognized by the state, not covered by state-controlled media, and cut off from wider audiences—created artworks that gave artistic form to a certain historical moment: the experience of Soviet socialism. The Moscow conceptualists not only reflected and analyzed by artistic means a spectacle of Soviet life but also preserved its memory for a future that turned out to be different from the officially predicted one. They captured both the shabby austerity of everyday Soviet life and the utopian energy of Soviet culture. In History Becomes Form, Boris Groys offers a contemporary's account of what he calls the most interesting Russian artistic phenomenon since the Russian avant-garde.
In 1976, Groys moved from Leningrad to Moscow; there he joined the artistic underground and grew close to Russian artists Ilya Kabakov, Erik Bulatov, Dmitri Prigov, Andrei Monastyrski, Lev Rubinstein, and Ivan Chuikov. He first wrote about them in 1979 for a A-Ya, a Russian-language magazine published in Paris, calling them "Moscow Romantic conceptualists." History Becomes Form collects Groys's essays on Moscow Conceptualism, most of them written after his emigration to the West in 1981. The individual artists of the group became known in the West after perestroika, but until now the artistic movement as a whole has received little attention. Groys's account sheds light not only on the Moscow conceptualists and their work but also on the dilemmas of Soviet artists during the cold war.
"The essays collected in History Becomes Form offer not only brilliant critical insights into the artistic practices and works of Moscow conceptualism, but also a unique perspective on Western contemporary art and the dominant narratives by which it is explained. Representing the evolving commentary of a critic-participant in the unofficial Soviet art scene, this volume admirably documents the passage into art history of a movement that once attempted to hold up a truthful mirror to the actually existing culture of late Soviet society."
—Tyrus Miller, Professor of Literature, University of California, Santa Cruz
"These essays reveal to us the backstory behind why Boris Groys has become the one of the most insightful commentators on the switching back and forth between contemporaneity and modernity that is so characteristic of art today. Like the art they treat, Groys’s essays delight in absurdity, and mix a world-historical despair with a despite-everything utopianism, while quietly yet relentlessly parodying the lot."
—Terry Smith, Andrew W. Mellon Professor of Contemporary Art History and Theory, University of Pittsburgh


Boris Groys
History Becomes Form. Moscow Conceptualism
MIT Press, 2010, 978-0-262-01423-6