Direkt zum Inhalt

Warenkorb

  • Matt Ratto, Megan Boler (Eds.)

    DIY Citizenship. Critical Making and Social Media

  • Gilles Rouffineau (Ed.)

    Passing On History. Design Contribution To Knowledge…

  • Zeuler R. M. de A. Lima

    Lina Bo Bardi

  • Jacques Sbriglio

    Le Corbusier et la question du brutalisme. LC au J1

  • Kaja Grobe, Karin Kreuder

    Always the Same Faces. Aus dem Alltag philippinischer…

  • Christoph Tannert (Hg.)

    Berlin Art Scene

  • Clog

    Miami

  • Andreas van Dühren (Hg.)

    TEXT Gespräche

  • Dario Azzellini, Marina Sitrin

    They Can't Represent Us! Reinventing Democracy from…

  • James Langdon

    A School for Design Fiction

  • Valentin Groebner

    Wissenschaftssprache digital. Die Zukunft von gestern

  • Deyan Sudjic

    B is for Bauhaus. An A-Z of the Modern World

  • Andy Merrifield

    The New Urban Question

  • Hans Ulrich Obrist

    Ways of Curating

  • Stine Omar, Max Boss, Andy Grier

    SMAREAZY 001 12"EASTER, Champagne 121212 / Children…

  • Anke Westermann

    Anke Westermann. Atlas

  • Nina Möntmann (Ed.)

    Schöne Neue Arbeit / Brave New Work. Ein Reader zu Harun…

  • Christiane E. Fricke (Hg.)

    Der Gang der Dinge. Welche Zukunft haben photographische…

  • Emil Ruder

    Fundamentals

  • Graham Cairns

    The Architecture of the Screen

  • Andrej Holm

    Mietenwahnsinn

  • René Pollesch

    Kill Your Darlings

  • Giorgio Maffei

    Records By Artists. 1958-1990

  • Beatrix Ruf, Julia Stoschek, Thomas D.…

    Ed Atkins

  • Helmut Lethen

    Der Schatten des Fotografen

  • Marta Kuzma (Ed.)

    Big Sign - Little Building

  • Martin Herbert

    The Uncertainty Principle

  • Andrej Holm (Hg.)

    Reclaim Berlin. Soziale Kämpfe in der neoliberalen Stadt

  • Cathy Lane, Angus Carlyle

    In the Field. The Art of Field Recording

  • Diedrich Diederichsen

    Über Pop-Musik

  • Helmut Draxler, Tanja Widmann (Hg.)

    Ein kritischer Modus? Die Form der Theorie und der Inhalt…

  • Helmut C. Schulitz

    Entfesselung der Architektur. Der Architekt: Baumeister…

  • James Haywood Rolling Jr.

    Arts-Based Research

  • Elisabeth Roudinesco

    Lacan. In Spite Of Everything

  • Claudia Quiring, Andreas Rothaus,…

    Neue Baukunst. Architektur der Moderne in Bild und Buch

  • Justus Dahinden

    Architektur - Form und Emotion. Architecture - Form and…

  • Judith Butler, Athena Athanasiou

    Die Macht der Enteigneten. Das Performative im Politischen

  • Matt Mullican

    Editions 1985-2012

  • Daan Paans

    Letters from Utopia

  • Marcus Quent, Eckardt Lindner (Hg.)

    Das Versprechen der Kunst

  • Kerry Brougher

    Damage Control. Art and Destruction Since 1950

  • Armen Avanessian (Hg.)

    Realismus Jetzt: Spekulative Philosophie und Metaphysik für…

  • Marc Angelil, Rainer Hehl (Eds.)

    Minha Casa-nossa Cidade. Innovating Mass Housing In Brazil

  • Olafur Eliasson

    Eine Feier, elf Räume und ein gelber Korridor

  • Archivist

    Three Faces. Archive Chalayan

  • Alistair Hicks

    The Global Art Compass

  • Manfred Omahna, Johanna Rolshoven (Hg.)

    Reziproke Räume. Texte zu Kulturanthropologie und…

  • Jan Verwoert

    COOKIE!

  • Martin Conrads, Franziska Morlok (Ed.)

    War postdigital besser?

  • Stephen Phillips (Ed.)

    L.A. [Ten]. Interviews on Los Angeles Architecture, 1970–…

  • Andrew Hemingway

    The Mysticism of Money

  • Ljiljana Kolešnik (Ed.)

    Socialism and Modernity. Art, Culture, Politics 1950 – 1974

  • Sascha Peters

    Materialrevolution 2. Neue nachhaltige und multifunktionale…

  • Francesca Ferguson, Urban Drift…

    Make Shift City. Renegotiating the Urban Commons

  • CTM 2014 Festival Magazine

    Dis Continuity

  • UDK, ETH (Ed.)

    Mapping Everything

  • Ryan Gander

    Artists’ Cocktails

  • Tecta

    Flying Furniture

  • Warren Carter, Barnaby Haran, Frederic…

    ReNew Marxist Art History

  • Birkenstock, Kastner, Sonderegger (Eds.)

    Kunst und Ideologiekritik nach 1989 / Art and the Critique…

  • Yilmaz Dziewior (Ed.)

    Liebe ist kälter als das Kapital. Love is colder than…

  • Anna Kostreva

    Berlin. Eine Morphologie der Mauern. A Morphology of Walls

  • Emmett Williams

    An Anthology of Concrete Poetry

  • Michaela Melián / Thomas Meinecke

    IEMANJÁ

  • Junya Ishigami

    How Small? How Vast? How architecture grows

  • Pieterjan Grandry

    The Future of Architecture. What is the future of…

  • Beatriz Colomina

    Manifesto Architecture. The Ghost of Mies

  • Jens Müller (Ed.)

    Rolf Müller

  • Gill Perry

    Playing at Home. The House in Contemporary Art

  • Jennifer A.E. Shields

    Collage and Architecture

  • Gaßner, Kölle, Roettig (Ed.)

    Eva Hesse. One More Than One

  • Andreas Baur, Bernd Stiegler, Felix…

    Wozu Bilder? Gebrauchsweisen der Fotografie

  • Kim Gordon

    Is It My Body? Selected Texts

  • René Spitz

    A5/06. HfG Ulm

  • Petra Reichensperger (Ed.)

    Begriffe des Ausstellens (von A bis Z). Terms of Exhibiting…

  • Torsten Blume, Christian Hiller (Hg.)

    Mensch - Raum – Maschine. Bühnenexperimente am Bauhaus

  • Clémentine Deliss, Yvette Mutumba (Hg.)

    Ware und Wissen: or the stories you wouldn’t tell a stranger

  • Richard Birkett (Ed.)

    and Materials and Money and Crisis

  • Barbara Penner

    Bathroom (Objekt series)

  • Otto Paans, Ralf Pasel

    Situational Urbanism. Directing Postwar Urbanity

  • Tactical Technology Collective

    Visualising Information for Advocacy

  • Emma Lavigne

    Pierre Huyghe

  • Alessandro Petti, Sandi Hilal, Eyal…

    Architecture after Revolution

  • Phil Pasquini

    Domes, Arches and Minarets. A History of Islamic-Inspired…

  • Tracey Thorn

    Bedsit Disco Queen. How I Grew Up and Tried to be a Pop Star

  • Tim Ivison, Tom Vandeputte (Hg)

    Contestations. Learning from Critical Experiments in…

  • IDEA Magazine

    IDEA 362. Poetics of Graphic Language. Contemporary…

  • Hans Ulrich Obrist

    Sharp Tongues, Loose Lips, Open Eyes, Ears to the Ground

  • Jeannette Kuo (Ed.)

    A-Typical Plan

  • Taiji Matsue

    Tyo-WTC

  • Anna Feigenbaum, Fabian Frenzel,…

    Protest Camps

  • Christopher Burke, Eric Kindel, Sue…

    Isotype. Design and Contexts, 1925–1971

  • Mark Dorrian, Frederic Pousin (Eds.)

    Seeing from Above. The Aerial View in Visual Culture

  • Gianni Politi

    The Ritual of the Snake

  • Frank Kunert

    Wunderland

  • Andrew Hemingway

    The Mysticism of Money. Precisionist Painting and Machine…

  • Karl-Siegbert Rehberg, Paul Kaiser (Hg.)

    Bilderstreit und Gesellschaftsumbruch. Die Debatte um die…

  • Neil Brenner (Ed.)

    Implosions / Explosions. Towards a Study of Planetary…

Isa Genzken (October Files)

Since the late 1970s, the Berlin-based contemporary artist Isa Genzken (b. 1948) has produced a body of work that is remarkable for its formal and material inventiveness. In her sculptural practice, Genzken has developed an expanded material repertoire that includes plaster, concrete, epoxy resin, and mass-produced objects that range from action figures to discarded pizza boxes. Her heterogeneous assemblages, a New York Times critic observes, are "brash, improvisational, full of searing color and attitude." Genzken, the recent subject of a major retrospective at MoMA, offers a highly original interpretation of modernist, avant-garde, and postminimalist practices even as she engages pressing sociopolitics and economic issues of the present. These illustrated essays address the full span of Genzken's work, from the elegant floor sculptures with which she began her career to the assemblages, bursting with color and bristling with bric-a-brac, that she has produced since the beginning of the millennium. The texts, by writers including Yve-Alain Bois, Benjamin H. D. Buchloh, and the artist herself, consider her formation in the West German milieu; her critique of conventions of architecture, reconstruction, and memorialization; her sympathy with mass culture; and her ongoing interrogation of public and private spheres. Two texts appear in English for the first time, including a quasi-autobiographical screenplay written by Genzken in 1993. Contributors Yve-Alain Bois, Benjamin H. D. Buchloh, Diedrich Diederichsen, Hal Foster, Isa Genzken, Isabelle Graw, Lisa Lee, Pamela M. Lee, Birgit Pelzer, Juliane Rebentisch, Josef Strau, Wolfgang Tillmans, Lawrence Weiner Contents Isa Genzken: Two Exercises (1974)Birgit Pelzer: Axiomatics Subject to Withdrawal (1979)Benjamin H. D. Buchloh: Isa Genzken: The Fragment as Model (1992)Benjamin H. D. Buchloh: Isa Genzken: Fuck the Bauhaus. Architecture, Design, and Photography in Reverse (2014)Isa Genzken: Sketches for a Feature Film (1993)Isabelle Graw: Free to Be Dependent: Concessions in the Work of Isa Genzken (1996)Diedrich Diederichsen: Subjects at the End of the Flagpole (2000)Pamela M. Lee: The Skyscraper at Ear Level (2003)Benjamin H. D. Buchloh: All Things Being Equal (2005)Wolfgang Tillmans: Isa Genzken: A Conversation with Wolfgang Tillmans (2003)Diedrich Diederichsen: Diedrich Diederichsen in Conversation with Isa Genzken (2006)Lisa Lee: "Make Life Beautiful!" The Diabolic in the Work of Isa Genzken (A Tour Through Berlin, Paris, and New York) (2007)Lawrence Weiner: Isa Genzken Again (2010)Juliane Rebentisch: The Dialectic of Beauty: On the Work of Isa Genzken (2007)Yve-Alain Bois: The Bum and the Architect (2007)Josef Strau: Isa Genzken: Sculpture as Narrative Urbanism (2009)Hal Foster: Fantastic Destruction (2014)


Lisa Lee (Ed.)
Isa Genzken (October Files)
The MIT Press, 2015, 9780262527118