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    From Conceptualism to Feminism: Lucy Lippard's Numbers…

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    DASH The Eco House. Typologies of Space, Production and…

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    Graphic Design: History in the Writing (1983–2011)

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    Unjustified Texts. Perspectives on Typography

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    Hands-On Urbanism 1850 - 2012

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    Performing the Curatorial With and Beyond Art

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    Das ABC eines Typografen

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    Video Game Graphic

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    Typology. Hong Kong, Rome, New York, Buenos Aires. Review…

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    Revolution. A Reader

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    The Theorist's Mother

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    The Number and the Siren

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    Making Paradise. Art, Modernity, and the Myth of the French…

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    Amber. Anrhem Mode Biennale

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    Piecing Together Los Angeles. An Esther McCoy Reader

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    Leben zwischen Häusern. Konzepte für den öffentlichen Raum

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    Printing at Home

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    Home-Made Europe. Contemporary Folk Artifacts

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    Umbau mit Bestand. Nachhaltige Anpassungsstrategien für…

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    The Least of All Possible Evils

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    Design Like You Give a Damn, Volume 2

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    Berlin Sampler. From Cabaret to Techno: 1904-2012, a…

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    Rebel Cities. From the Right to the City to the Urban…

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    Fashion & Sustainability. Design for Change

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    Rumored Animals

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    Drawing A Hypothesis. Figures of Thought

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    Atelier und Galerie. Studio and Cube

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    Toward a Minor Architecture

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    A world without words

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    Spatzen

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    Introduction to Antiphilosophy

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    Paper Exhibition. Selected Writings by Raimundas Malasauskas

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    Thoughtform-La forma del pensiero

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    Die eigenen vier Wände. Wohnen als Erinnern

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    Types We Can Make. A Selection of Contemporary Swiss Type…

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    Our Kind of Movie. The Films of Andy Warhol

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    Kuehn Malvezzi. Index

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    The Last Art College. Nova Scotia College of Art and Design…

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    Architecture School. Three Centuries of Educating…

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    Italian Conversations. Art in the Age of Berlusconi

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    Expothesis No2. Waking Up From The Nightmare Of…

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    Sonic Somatic. Performances of the Unsound Body

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    Kwadraat-Bladen A Series of Graphic Experiments 1955—74

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    Reasons for Walling a House

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    Der Klang der Familie. Berlin, Techno und die Wende

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    The "Berlin Chronicle" Notices

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    Fabriken des Wissens. Streifen und Glätten 1

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    Vibrant Matter. A Political Ecology of Things

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    Liebe wird oft überbewertet. Ein Sachbuch

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    Die urbanen Wurzeln der Finanzkrise

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    The Electric Information Age Book

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    True Life / In Flames CD/LP

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    The Vertical Village. Individual, Informal, Intense

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    Designing for Social Change

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    How to Do Things with Videogames

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    Inside Prefab. The Ready-Made Interior

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    Pornotopia. Architektur, Sexualität und Multimedia im…

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    Building Brazil!

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    Introducing. Visual Identities for Small Businesses

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    Der Implex. Sozialer Fortschritt: Geschichte und Idee

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    Sculpture Unlimited

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    Imperfect Health. The Medicalization of Architecture

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    Construction of a State

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    Notizen zu Berlin

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    You and I

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    Design Act. Socially and Politically Engaged Design Today

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    Narrative Architecture

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    Toward a New Interior

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    Das wilde Netzwerk. Ein ethnologischer Blick auf Facebook

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    Light up Playbutton

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    Halsted Plays Himself

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    SANAA. The Conversation Series 26

  • Helen Armstrong, Zvezdana Stojmirovic

    Participate. Designing with User-Generated Content

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    Four Conversations on the Architecture of Discourse

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    Lacaton & Vassal. Recent Work

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    Lacaton & Vassal (2G Books)

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    Alison & Peter Smithson. A Critical Anthology

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    Räume der Mode

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    Cinema and Experience

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    Belgrade. Formal/Informal

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    Routledge Companion to Research in the Arts

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    Berlin Childhood circa 1900

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    The First to Know. How Hipsters and Mavericks Shape the…

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    Radical City 01

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    Juan Downey. The Invisible Architect

Landmark

As our built environment evolves, we must continually decide what is worth keeping. A significant percentage of buildings today—particularly in Western nations—are preserved through imposed guidelines. While there are myriad reasons why a building or site may warrant preservation, being deemed a landmark is one of the most powerful and complicated.
Architecture's complicated relationship with wider social issues is laid bare through the process of landmarking, in which only one of six criteria—as outlined by the United States National Historic Landmarks program—mentions architectural merit. Furthermore, while structures were previously landmarked after having withstood the test of time, we now consider preserving comparatively young buildings and debate the historical value of unbuilt structures. By designating local, national, and international landmarks and landmark districts, societies officially declare which buildings and places possess cultural value. What are the bases for making these decisions, and what does this mean for the future? With many important buildings facing the wrecking ball and an increasing number of buildings receiving landmark status, it is time to critically discuss how we both let go of and hold onto the past.
Contributors
Timothy Allanbrook, FAIA, simon Battisti, Dorin Baul, Rachel Berger, Willis Bigelow, Danny Wills, Ashley Bigham, Erik William Herrman, Aiden Bowman, Gabrielle Brainard, Hamed Bukhamseen, Ali Karimi, Kevin Bukowski, David Karle, Liz Szatko, Matthew Carbone, Roy Cloutier, Archie Lee Coates IV, Hana Cohn, Lukas Debiasi, Ozge Diler Himes, Natalya Egon and Noel Turgeon, Adam Feldman, Ana Rita Folgado, Maria S. Martins, Jeffrey Franklin, Alix Friedman, Iker Gil, Duncan Harding, John Hill, Julia van den Hout, INC_A, Aki Ishida, Harry Kendall, Andrew Kenney, Joss Kiely, Marisa Kolodny, Jeffrey Kruth, Nicole Lambrou, Stephanie Lee, Adam Lowe, Thomas Lozada, Kyle May, Craig William McCormack, Deirdre McDermott, Nicholas McDermott, John Q McDonald, Norman McGrath, Henry Moll, Jorge Otero-Pailos, Martin Parr, Jacob Reidel, Bryony Roberts, Sam Roche, James Russiello, Khyati Saraf, Patrick Sarmiento, Phoebe Springstubb, Dan Wilkinson, Gary Wolf and Carl Yost.


Clog
Landmark
Clog, 2015, 978-0-9904224-3-3