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Warenkorb

  • Dirk Baecker

    4.0 oder Die Lücke die der Rechner lässt

  • Ekim Tan

    Play the City: Games Informing the Urban Development

  • Wulf Herzogenrath

    Das bauhaus gibt es nicht

  • Cours de Poetique

    The Listening Reader

  • Paper Monument

    As Radical, As Mother, As Salad, As Shelter: What Should…

  • Annette Menting, Walter Prigge (Hg)

    Modernes Sachsen. Gestaltung in der experimentellen…

  • Friedrich von Borries

    Politics of Design. Design of Politics

  • Christine Göttler, Peter J. Schneemann…

    Reading Room. Re-Lektüren des Innenraums

  • T'ai Smith, Ruby Hoette

    Modus: A Platform for Expanded Fashion Practice

  • CLOG 22

    Artificial Intelligence

  • Sibilla Calzolari

    Wait - Smoke - Sleep

  • Karambeigi, Ostertag, Rossol, Schwarzer…

    En Plein Air: Enthnographies of the Digital

  • Philipp Oswalt (Hg)

    Hannes Meyers neue Bauhauslehre. Von Dessau bis Mexiko. (…

  • Matt Keegan (Ed.)

    North Drive Press. NDP Nr. 2

  • Schultz, Wiedemann-Tokarz, Herrmann (Hg…

    Farbe räumlich denken: Positionen, Projekte, Potenziale

  • Volland, Rebick, Grenville (eds.)

    Grand Hotel. Redesigning Modern Life

  • Liz Wells (Ed.)

    The Photography Reader: History and Theory (2nd Ed.)

  • Matthias Herrmann (Hg.)

    Artists' Books Revisited

  • Zheng Guogu

    Jumping out of Three Dimensions, Staying outside Five…

  • John Weber Gallery

    Giovanni Anselmo

  • Hubert Fichte

    The Black City. Glosses

  • Eija-Liisa Ahtila

    Anne, Aki i Déu

  • Kim Trogal, Irene Baumann, Ranald…

    Architecture & Resilience. Interdisciplinary Dialogues

  • Kader Attia

    Architektur der Erinnerung / Architecture of Memory

  • Henrik Plenge Jakobsen

    Organisation Faust (LP)

  • Gem Barton

    Don't Get Job ... Make a Job: How to make it as a…

  • Marc Angélil, Cary Siress

    Mirroring Effects. Tales of Territory

  • Hito Steyerl

    Duty Free Art: Kunst in Zeiten des globalen Bürgerkriegs

  • Mathias Burke, Eleonore Harmel, Leon…

    Ländliche Verheissung. Arbeits- und Lebensprojekte rund um…

  • Julian Raxworthy

    Overgrown: practices between landscape architecture and…

  • Irenee Scalbert

    A Real Living Contact with the Thing Themselves

  • Jesko Fezer, Martin Schmitz

    Lucius Burckhardt: Wer plant die Planung? Architektur,…

  • Ines Kleesattel, Pablo Müller (Hg.)

    The Future Is Unwritten: Position und Politik…

  • Thorsten Bürklin

    Palladio, der Bildermacher

  • Christine Shaw & Etienne Turpin (…

    The Work of Wind: Land

  • Anina Falasca, Annette Maechtel, Heimo…

    Wiedersehen in TUNIX!

  • Helmut Höge

    Pollerforschung

  • Ryuji Fujimura

    The Form Of Knowledge, The Prototype Of Architectural…

  • Metahaven

    PSYOP. An Anthology

  • Boris Buden, Lina Dokuzovic (Eds.)

    They'll Never Walk Alone. The Life and Afterlife of…

  • G. Basilico, A. Video

    Incompiuto. The Birth of a Style / La Nascita di uno Style

  • Niels Lehmann, Christoph Rauhaut (Hg)

    Fragments of Metropolis - East | Osten. Poland, Slovakia,…

  • Sandra Hofmeister (Hg)

    Wohnungsbau. Kostengünstige Modelle für die Zukunft

  • Hintergrund 56

    Your Guide to Downtown Denise Scott Brown

  • Martin Kippenberger

    Window Shopping

  • Nynke Tromp, Paul Hekkert

    Designing for Society. Products and Services for a Better…

  • Zvi Efrat

    The Object of Zionism. The Architecture of Israel

  • Margaret van Eyck

    Renaming an Institution, a Case Study (Volume One: Research…

  • Simon Phipps

    Concrete Poetry. Post-War Modernist Public Art

  • Lea Ouardi

    Everyday Urban Design 3. Zwölf Apfelbäume. Selbstbau in der…

  • Gago, Aguilar, Draper, Diaz (Hg.)

    8M - Der große feministische Streik: Konstellationen des 8…

  • Christoph Rodatz / Pierre Smolarski (Hg…

    Was ist Public Interest Design? Beiträge zur Gestaltung…

  • Alla Carta 9

    The Palermo Issue

  • Khurana, Quadflieg, Raimondi,…

    Negativität: Kunst, Recht, Politik

  • Anne-Marie Willis (Hg.)

    The Design Philosophy Reader

  • Paul Stella

    Red. Architecture in Monochrome

  • Koch, Tribble, Siegmand, Rost, Werner (…

    New Urban Professions: A Journey through Practice and Theory

  • Martin Kohout

    Night Shifter

  • B. Brown, N. Atkinson, J. Solomon

    Dimensions of Citizenship

  • Chris Kraus

    Social Practices

  • Ina Wudtke

    The Fine Art of Living

  • Gianni Pettena

    The Curious Mr. Pettena: Rambling around the USA 1971-73

  • Johannes Binotto

    Film / Architektur. Perspektiven des Kinos auf den Raum

  • Kurt W. Forster

    Aby Warburgs Kulturwissenschaft: Ein Blick in die Abgründe…

  • Gianni Pettena

    Non-Conscious Architecture

  • Barbara Preisig

    Mobil, autonom, vernetzt. Kritik und ökonomische Innovation…

  • Avanessian, Bauwens, De Raeve, Haddad,…

    Perhaps It Is High Time for a Xeno-architecture to Match

  • Lucie Kolb

    Study, Not Critique

  • Jordan Kauffman

    Drawing on Architecture: The Object of Lines, 1970-1990

  • Brian Massumi

    99 Theses on the Revaluation of Value: A Postcapitalist…

  • Stefan Sagmeister, Jesica Walsh

    Sagmeister & Walsh: Beauty. Schönheit = Wahrheit /…

  • Cathleen Chaffee (Hg.)

    Introducing Tony Conrad: A Retrospective

  • Jordan H. Carver

    Spaces of Disappearance: The Architecture of Extraordinary…

  • Bruno Carvalho, Mariana Cavalcanti and…

    Occupy All Streets: Olympic Urbanism and Contested Futures…

  • Tom Angotti, Sylvia Morse

    Zoned Out! Race, Displacement, and City Planning in New…

  • Terreform (Hg.)

    Letters to the Leaders of China: Kongjian Yu and the Future…

  • Deen Sharp, Claire Panetta (Eds.)

    Beyond the Square: Urbanism and the Arab Uprisings

  • Jennifer Corby

    Adventures in Modernism: Thinking with Marshall Berman

  • Flypaper #4:

    Nicole Eisenman: Conscious Razing

  • Lynette A. Jones

    Haptics (Mit Press Essential Knowledge)

  • A. Janevski, R. Marcoci, K. Nouril (Hg)

    Art and Theory of Post-1989 Central and Eastern Europe: A…

  • M. Kries, A. Klein, A. Clarke (Hg)

    Victor Papanek. The Politics of Design

  • Merve Emre (Ed.)

    Once and Future Feminist

  • Andreas Brandolini

    Gestaltung

  • Jacek Slaski

    Gespräche mit Genialen Dilletanten

  • M. Bruet, E. King, S. Shabahzi, F. Sigg

    Color Library. Research into Color Reproduction and Printing

  • Monika Grubbauer, Kate Shaw (Eds.)

    Across Theory and Practice: Thinking Through Urban Research

  • Ursula Block, Michael Glasmeier

    Broken Music: Artists' Recordworks

  • A. Mircev (Ed.)

    O Plesu I Iz(a) Plesa

  • IDEA Magazine

    IDEA 383. YELLOW PAGES: Mapping Graphic Design Project in…

  • 2G n. 77

    Arrhov Frick

  • B. Groys, A. Vidokle (Hg.)

    Kosmismus

  • Museum für Gestaltung Zürich (Hg.)

    Social Design. Partizipation und Empowerment

  • Lydia Kallipoliti

    The Architecture of Closed Worlds, or, What is the Power of…

  • B. Wittner, S. Thoma, T. Hartmann (Hg.)

    Bi-Scriptual: Typography and Graphic Design with Multiple…

  • John Byrne

    The Constituent Museum: Constellations of Knowledge,…

  • Chimurenga, Edjabe, Pieterse (Hg)

    African Cities Reader (III)

  • Annette Hauschild

    Last Days of Disco

Less but better. Weniger, aber besser

Wenige Produktdesigns sind so haltbar wie die von Dieter Rams. Nahezu alles was der einflussreichste Designer des 20. Jahrhunderts entworfen hat, gilt heute als Klassiker. Die überarbeitete Neuauflage von Weniger, aber besser zeigt einmal mehr warum Dieter Rams Designverständnis auch in Zukunft nicht an Aktualität verlieren wird.
Die Vorstellungen davon, was gutes Design kann, soll und muss, ändern sich stetig mit technischen Möglichkeiten und kulturellen Entwicklungen. Dieter Rams zehn Thesen zum Design befürworten puristisches, beinahe unmerkliches Design und gelten deshalb in Lehre und Praxis als zeitlose Grundüberlegungen: Gutes Design ist innovativ. Gutes Design macht ein Produkt verständlich. Gutes Design ist ästhetisch. Gutes Design macht ein Produkt brauchbar. Gutes Design ist unaufdringlich. Gutes Design ist ehrlich. Gutes Design ist langlebig. Gutes Design ist konsequent bis ins letzte Detail. Gutes Design ist umweltfreundlich. Gutes Design ist so wenig Design wie möglich.
Weniger, aber besser hat nicht den Anspruch, eine lückenlose Rams-Werkschau zu sein oder die vollständige Firmengeschichte von Braun zu erzählen. Vielmehr zeigt dieses Buch, welche Ideen, Kriterien und Methoden hinter den großen Produktdesigns von Dieter Rams stehen und wie sich anhand einer sich wandelnden Produktkultur universale Designmaßstäbe ableiten lassen. Aus Dieter Rams Überlegungen zu Ethik und Werten im Design lassen sich klare Strukturen für zukünftiges Gestalten ableiten. Denn eins hat sich über viele Jahre bewiesen: weniger ist einfach besser.
Few product designs have the staying power of creations by Dieter Rams. Almost everything produced by the most influential designer of the twentieth century is today considered a classic. This new and revised edition of Less but better shows once again why Dieter Rams’s approach to design will be relevant for the foreseeable future.
Ideas of what can and must be achieved by good design are in a constant state of flux as a result of cultural and technological developments. Dieter Rams, however, came up with ten principles that advocate for a purist, almost imperceptible design. These principles are still considered timeless fundaments of design theory and practice today: Good design is innovative. Good design makes a product useful. Good design is aesthetic. Good design is helps a product to be understood. Good design is unobtrusive. Good design is honest. Good design is durable. Good design is consistent to the last detail. Good design is environmentally friendly. Good design is as little design as possible.
Less but better does not set out to be a complete documentation of Dieter Rams’s body of work, nor does it claim to tell the full story of the company Braun. Rather the book explores the ideas, criteria, and methods behind Rams’s creations and reveals how a shifting culture of product manufacturing gave rise to universal design benchmarks. From his reflections on design ethics and values we can distill a clear paradigm for future design—because one principle has remained firm over the years: less is simply better.
Dieter Rams, born in Wiesbaden in 1932, initially studied architecture. He is widely considered one of the most significant industrial designers of the twentieth century. In the more than 40 years that he spent working at the electrical appliance manufacturer Braun, Rams turned out a wealth of pioneering creations that continue to influence designers around the world today. He has also generated a new awareness of the social function of design in Germany.
Jo Klatt is an acknowledged connoisseur and collector of Braun products. For many years he worked at the magazine Design+Design and was the publisher of numerous works, including the first edition of Less but better.
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Dieter Rams
Less but better. Weniger, aber besser
DGV, 2014, 978-3-89955-525-7