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  • Stefan Gandl

    Neubau Forst Catalogue

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    Art and Politics Now

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    Symptom Design. Vom Zeigen und Sich-Zeigen der Dinge

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    Auto - Self-representation and Digital Photography

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    Zeig her, Führ vor, Tausch ein: Performance - Art -…

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    DiskursNetz. Wörterbuch der interdisziplinären…

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    Art and the F Word. Reflections on the Browning of Europe

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    Villas 60-70 en France

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    Photographic Architecture in the Twentieth Century

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    Soviet Space Dogs

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    Body Art

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    Die schönsten deutschen Bücher 2014. The Best German Book…

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    Macht des Materials / Politik der Materialität

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    His Master's Voice. Eine Theorie der Stimme

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    Little Worlds (AA Agendas)

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    24/7: Schlaflos im Spätkapitalismus

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    Real Estates. Life without Debt

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    Felsengärten, Gartengrotten, Kunstberge. Motive der Natur…

  • Sylvie Estrada

    Setting the Scene - Exploring Set Design

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    The Philosophy Of Praxis: Marx, Lukács And The Frankfurt…

  • Mark von Schlegell

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  • François Laruelle

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  • Adolph Stiller

    Spätmoderne Slowakei. Gebaute Ideologie

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    Metamorphology

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    Zeitungsfotos / Newspaper Photographs

  • Denna Jones

    Architecture. The Whole Story

  • L. Feireiss, R. Klanten

    Imagine Architecture. Artistic Visions of the Urban Realm

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    [En]Coding Architecture - The Book

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    Existenzweisen. Eine Anthropologie der Modernen

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    Archi.Pop. Mediating Architecture in Popular Culture

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    (Mis)Understanding Photography

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    Floating City. A Rogue Sociologist Lost and Found in New…

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    Culturefield

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    Die Meisterhäuser in Dessau. Bauhaus Taschenbuch 10

  • Andreas Vetter

    Manfred Lehmbruck. Architektur um 1960

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    Collage. Contemporary Artists hunt and gather, cut and…

  • Phyllis Richardson

    Superlight. Lightness in contemporary Houses

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    Place and Displacement. Exhibiting Architecture

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    Geld frisst Kunst - Kunst frisst Geld: Ein Pamphlet

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    Architecture/Astrology

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    Pax Israeliana. Israeli Modernism Index 1948 - 1977

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  • Andreas Schulze

    Mirrors And Others. Image Text Louvre

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    SPECIFICS. Discussing Landscape Architecture

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    On the New

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    Architecture Against the Post-Political. Essays in…

  • Bernadette Corporation

    2000 Wasted Years

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    Lexicon of the Mouth. Poetics and Politics of Voice and the…

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    OfficeUS Agenda

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    Thursday followed Wednesday and Tuesday followed Monday and…

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    Oscar Tuazon. Live

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    From Wings To Fins

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    Unfinished Modernisations. Between Utopia and Pragmatism

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    Timing: On the Temporal Dimension of Exhibiting

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    Berlin Now. The Rise of the City and the Fall of the Wall

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    Adaptable City. Deutsche Ergebnisse

  • Cornelia Lund, Holger Lund

    Design der Zukunft

  • Jai McKenzie

    Light + Photomedia. A New History And Future Of The…

  • Omar Kholeif (Ed.)

    You are Here. Art After the Internet

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    The Company She Keeps

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    Berlin On Vinyl

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    Nail Houses or the Destruction of Lower Shanghai

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    The Good Life. Perceptions of the Ordinary

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    Handbuch kritische Stadtgeographie

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    Elements of Venice

  • Timothy M. Rohan

    The Architecture of Paul Rudolph

  • Mina Marefat

    The Le Corbusier Gymnasium in Baghdad

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    Rem

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    Records Ruin the Landscape. John Cage, the Sixties, and…

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    Queer Zines 2 & Queer Zines, boxed set

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    Sensing Spaces. Architecture Reimagined

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    Places of Memory. Hafiza Mekanlari. For the occasion of…

  • Kenny Cupers

    The Social Project. Housing Postwar France

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    Sehen in Bewegung: Deutsche Erstausgabe von Vision in…

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    Per/Form. How to Do Things with[out] Words

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    Hlysnan.The Notion and Politics of Listening

  • Drei Farben House

    Choice Item

Lovely Language. Words Divide Images Unite

The world speaks in about 7000 tongues, and countless dialects. For centuries, people have tried to overcome this tower of Babel. For instance by propagating one language or by making a new language, such as Esperanto. But the language which today is best understood world-wide does not consist of words, but of images. A universal visual language was the ideal of two Modernists: the social scientist and philosopher Otto Neurath (1882-1945) and graphic designer Gerd Arntz (1900-1988). In Vienna, from the 1920s onward, they developed more than 4000 icons, which together formed Isotype: a visual language in which important information on society, politics, economy and industry could be summarized, also for those who could not read well. Thus Neurath's motto: 'words (which not everyone can read) divide, images (which can be understood by all) unite.' Nowadays, the whole world communicates in images. But with its dissemination, this lovely language for all spawns more and more dialects. Visual language has grown up; everyone understands its basics, but individuals vary on it to write their own visual poetry.
'Lovely Language' features work by a.o.: Otl Aicher, Gerd Arntz, Lars Arrhenius, Ruedi Baur, Gert & Derk Dumbar, Fabrica, Mieke Gerritzen, Nigel Holmes, Susan Kare, Max Kisman, Pippo Lionni , Koert van Mensvoort, Paul Mijksenaar, Otto Neurath, Charles Sandison, Andreas Siekmann, Erik Spiekermann. This book aims at providing material for the discussion about visual communication tomorrow. Are the generic guidelines of Otto Neurath and Gerd Arntz still valid? Or have they become embedded into a visual language that by now goes well beyond their project? And what is the future role of designers and communicators in using and expanding this language?


Ed Annink, Max Bruinsma
Lovely Language. Words Divide Images Unite
Veenman, 2008, 978-9086901272